Re-recording Mixer
Carried Away (1996)
Directed by: Bruno Barreto
Cinematography by: Declan Quinn
Edited by: Bruce Cannon
Additional Sound Re-recording Mixer
Heat (1995)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Re-recording Mixer
In the Mouth of Madness (1994)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Re-recording Mixer
Brain Smasher... A Love Story (1993)
Directed by: Albert Pyun
Cinematography by: George Mooradian
Edited by: Lauren A. Schaffer
Re-recording Mixer
Extreme Justice (1993)
Directed by: Mark L. Lester
Cinematography by: Mark Irwin
Edited by: Donn Aron
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Re-recording Mixer
Kalifornia (1993)
Directed by: Dominic Sena
Cinematography by: Bojan Bazelli
Edited by: Martin Hunter
Cameras: ARRI Cameras
Editing System: Lightworks Editing System
Re-recording Mixer
The Opposite Sex and How to Live with Them (1992)
Directed by: Matthew Meshekoff
Cinematography by: Jacek Laskus
Edited by: Adam Weiss
Re-recording Mixer
The Cutting Edge (1992)
Directed by: Paul Michael Glaser
Cinematography by: Elliot Davis
Edited by: Michael E. Polakow
Re-recording Mixer
New Jack City (1991)
Directed by: Mario Van Peebles
Cinematography by: Francis Kenny
Edited by: Steven Kemper
Cameras: Panavision Cameras
Re-recording Mixer
Delta Force 2: The Colombian Connection (1990)
Directed by: Aaron Norris
Cinematography by: João Fernandes
Re-recording Mixer
Halloween 5: The Revenge of Michael Myers (1989)
Directed by: Dominique Othenin-Girard
Cinematography by: Robert Draper
Cameras: ARRI Cameras
Re-recording Mixer
Dream a Little Dream (1989)
Directed by: Marc Rocco
Cinematography by: King Baggot
Edited by: Russell Livingstone
Cameras: Panavision Cameras
Re-recording Mixer
Feds (1988)
Directed by: Daniel Goldberg
Cinematography by: Tim Suhrstedt
Edited by: Donn Cambern
Re-recording Mixer
Cop (1988)
Directed by: James B. Harris
Cinematography by: Steve Dubin
Edited by: Anthony Spano
Re-recording Mixer
Born in East L.A. (1987)
Directed by: Cheech Marin
Cinematography by: Álex Phillips Jr.
Re-recording Mixer
Jaws: The Revenge (1987)
Directed by: Joseph Sargent
Cinematography by: John McPherson
Edited by: Michael Brown
Re-recording Mixer
The Money Pit (1986)
Directed by: Richard Benjamin
Cinematography by: Gordon Willis
Edited by: Jacqueline Cambas
Cameras: Panavision Cameras
Re-recording Mixer
The Whoopee Boys (1986)
Directed by: John Byrum
Cinematography by: Ralf D. Bode
Edited by: Eric Jenkins
Re-recording Mixer
Back to the Future (1985)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Re-recording Mixer
The Goonies (1985)
Directed by: Richard Donner
Cinematography by: Nick McLean
Cameras: ARRIFLEX 35 III Camera
Editing System: Steenbeck Editing System
Re-recording Mixer
Young Sherlock Holmes (1985)
Directed by: Barry Levinson
Cinematography by: Stephen Goldblatt
Edited by: Stu Linder
Re-recording Mixer
Meatballs Part II (1984)
Directed by: Ken Wiederhorn
Cinematography by: Donald M. Morgan
Edited by: George Berndt
Re-recording Mixer
Cloak & Dagger (1984)
Directed by: Richard Franklin
Cinematography by: Victor J. Kemper
Edited by: Andrew London
Re-recording Mixer
The Wild Life (1984)
Directed by: Art Linson
Cinematography by: James Glennon
Edited by: Michael Jablow
Re-recording Mixer
The River (1984)
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Sidney Levin
Re-recording Mixer: American Crew
Yellowbeard (1983)
Directed by: Mel Damski
Cinematography by: Gerry Fisher
Edited by: William Reynolds
Re-recording Mixer
Easy Money (1983)
Directed by: James Signorelli
Cinematography by: Fred Schuler
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Sound Re-recordist
I, the Jury (1982)
Directed by: Richard T. Heffron
Cinematography by: Andrew Laszlo
Edited by: Garth Craven
Cameras: Panavision Cameras
Re-recording Mixer
Road Games (1981)
Directed by: Richard Franklin
Cinematography by: Vincent Monton
Edited by: Edward McQueen-Mason
Re-recording Mixer
Evilspeak (1981)
Directed by: Eric Weston
Cinematography by: Irv Goodnoff
Edited by: Charles Tetoni
Re-recording Mixer
St. Helens (1981)
Directed by: Ernest Pintoff
Cinematography by: Jacques Haitkin
Edited by: George Berndt
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
The Hollywood Knights (1980)
Directed by: Floyd Mutrux
Cinematography by: William A. Fraker
Sound Crew: Glen Glenn
Days of Heaven (1978)
Directed by: Terrence Malick
Cinematography by: Néstor Almendros
Edited by: Billy Weber
Cameras: Panavision Panaflex Camera
Lenses: Canon FD 55mm f1.2 AL, Panavision Lenses
