Visual Effects Supervisor: Digital FilmWorks
The Italian Job (2003)
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Technical Supervisor: Digital Filmworks
Collateral Damage (2002)
Directed by: Andrew Davis
Cinematography by: Adam Greenberg
Visual Effects Supervisor: Digital Filmworks
Unfaithful (2002)
Directed by: Adrian Lyne
Cinematography by: Peter Biziou
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Visual Effects Supervisor: Digital Filmworks
The One (2001)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Visual Effects Supervisor: Digital Filmworks
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Supervisor: Digital Filmworks
Behind Enemy Lines (2001)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Paul Martin Smith
Visual Effects Supervisor: Digital Filmworks
Men of Honor (2000)
Directed by: George Tillman Jr.
Cinematography by: Anthony B. Richmond
Lenses: Cooke S4 Lenses
Digital Effects Supervisor: Digital Filmworks
Dude, Where's My Car? (2000)
Directed by: Danny Leiner
Cinematography by: Robert M. Stevens
Edited by: Kimberly Ray
Visual Effects Supervisor: Digital Filmworks
Big Momma's House (2000)
Directed by: Raja Gosnell
Cinematography by: Michael D. O'Shea
Digital Compositor: Digital FilmWorks
Never Been Kissed (1999)
Directed by: Raja Gosnell
Cinematography by: Alex Nepomniaschy
Digital Effects Supervisor: Digital FilmWorks
Brokedown Palace (1999)
Directed by: Jonathan Kaplan
Cinematography by: Newton Thomas Sigel
Digital Effects Supervisor: Digital Filmworks, Inc.
A Midsummer Night's Dream (1999)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Digital Visual Effects Supervisor: Digital FilmWorks, Inc.
The X Files (1998)
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark
Digital Visual Effects Supervisor: Digital Filmworks
Great Expectations (1998)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Edited by: Steven Weisberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Supervisor: Digital FilmWorks
Hope Floats (1998)
Directed by: Forest Whitaker
Cinematography by: Caleb Deschanel
Edited by: Richard Chew
Cameras: Panavision Cameras
Senior Compositor: Digital Filmworks
The Edge (1997)
Directed by: Lee Tamahori
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Digital Compositor: Digital FilmWorks
Turbo: A Power Rangers Movie (1997)
Cinematography by: Ilan Rosenberg
Digital Compositor: Digital FilmWorks
Picture Perfect (1997)
Directed by: Glenn Gordon Caron
Cinematography by: Paul Sarossy
Edited by: Robert M. Reitano
Digital Compositor: Digital FilmWorks
Smilla's Sense of Snow (1997)
Directed by: Bille August
Cinematography by: Jörgen Persson
Edited by: Janus Billeskov Jansen
Digital Compositor: Digital FilmWorks
Selena (1997)
Directed by: Gregory Nava
Cinematography by: Edward Lachman
Edited by: Nancy Richardson
Compositing: Digital Film Works Inc.
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Compositing
Romeo + Juliet (1996)
Directed by: Baz Luhrmann
Cinematography by: Donald McAlpine
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Gold Camera
Editing System: Lightworks Editing System
Digital Compositor: Digital FilmWorks
Judge Dredd (1995)
Directed by: Danny Cannon
Cinematography by: Adrian Biddle
Digital Compositor: Digital FilmWorks
The Fugitive (1993)
Directed by: Andrew Davis
Cinematography by: Michael Chapman
Digital Visual Effects Supervisor
Warlock: The Armageddon (1993)
Directed by: Anthony Hickox
Cinematography by: Gerry Lively
Cameras: ARRIFLEX 35mm Cameras
