Sue Bruce-Smith

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The Favourite | ShotOnWhat?

Deputy Director: Film4

The Favourite (2018)

Directed by: Yorgos Lanthimos

Cinematography by: Robbie Ryan

Edited by: Yorgos Mavropsaridis

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Nikon - Nikkor Lenses, Panavision PVintage Prime Lenses

You Were Never Really Here | ShotOnWhat?

Executive Producer

You Were Never Really Here (2017)

Directed by: Lynne Ramsay

Cinematography by: Thomas Townend

Edited by: Joe Bini

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision T Series Anamorphic Lenses

45 Years | ShotOnWhat?

Head Of Commercial And Brand Strategy: Film4

45 Years (2015)

Directed by: Andrew Haigh

Cinematography by: Lol Crawley

Edited by: Jonathan Alberts

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Room | ShotOnWhat?

Head Of Distribution & Brand Strategy: Film4

Room (2015)

Directed by: Lenny Abrahamson

Cinematography by: Danny Cohen

Edited by: Nathan Nugent

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

A Most Wanted Man | ShotOnWhat?

Head Of Commmercial And Brand Strategy: Film4

A Most Wanted Man (2014)

Directed by: Anton Corbijn

Cinematography by: Benoît Delhomme

Edited by: Claire Simpson

Cameras: ARRI ALEXA M Camera

Lenses: Zeiss Super Speed Lenses

'71 | ShotOnWhat?

Head Of Commercial & Brand Strategy: Film4

'71 (2014)

Directed by: Yann Demange

Cinematography by: Tat Radcliffe

Edited by: Chris Wyatt

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera

Lenses: Hawk V-Lite 16 Lens, Hawk V-Lite Vintage´74 Lens

Under the Skin | ShotOnWhat?

Commercial & Brand Strategy: Film4

Under the Skin (2013)

Directed by: Jonathan Glazer

Cinematography by: Daniel Landin

Edited by: Paul Watts

Cameras: ARRI ALEXA Plus Camera, one-cam Camera

Lenses: Kowa Lenses, Schneider Cinegon Lenses, Schneider Xenon FF Prime Lenses, Schneider Xenoplan Lenses, Zeiss Super Speed Lenses

12 Years a Slave | ShotOnWhat?

Head Of Commercial Development

12 Years a Slave (2013)

Directed by: Steve McQueen

Cinematography by: Sean Bobbitt

Edited by: Joe Walker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

On the Road | ShotOnWhat?

Head Of Commercial Development: Film4

On the Road (2012)

Directed by: Walter Salles

Cinematography by: Eric Gautier

Edited by: François Gédigier

Cameras: Aaton Penelope Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens

Hyde Park on Hudson | ShotOnWhat?

Head Of Commercial Development: Film4

Hyde Park on Hudson (2012)

Directed by: Roger Michell

Cinematography by: Lol Crawley

Edited by: Nicolas Gaster

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 ES Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Cooke S4 Lenses

Seven Psychopaths | ShotOnWhat?

Head Of Commercial Development: Film4

Seven Psychopaths (2012)

Directed by: Martin McDonagh

Cinematography by: Ben Davis

Edited by: Lisa Gunning

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Kill List | ShotOnWhat?

Head Of Commercial Development: Film4

Kill List (2011)

Directed by: Ben Wheatley

Cinematography by: Laurie Rose

Edited by: Robin Hill, Amy Jump, Ben Wheatley

Cameras: Red One Camera

The Iron Lady | ShotOnWhat?

Head Of Commercial Development: Film4

The Iron Lady (2011)

Directed by: Phyllida Lloyd

Cinematography by: Elliot Davis

Edited by: Justine Wright

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Tyrannosaur | ShotOnWhat?

Head Of Commercial Development: Film4

Tyrannosaur (2011)

Directed by: Paddy Considine

Cinematography by: Erik Wilson

Edited by: Pia Di Ciaula

Cameras: Canon EOS-5D Mark II Camera, Red One MX Camera

Lenses: Cooke Speed Panchro Lenses

The Deep Blue Sea | ShotOnWhat?

Head Of Commercial Development: Film4

The Deep Blue Sea (2011)

Directed by: Terence Davies

Cinematography by: Florian Hoffmeister

Edited by: David Charap

Shame | ShotOnWhat?

Head Of Commercial Development: Film4

Shame (2011)

Directed by: Steve McQueen

Cinematography by: Sean Bobbitt

Edited by: Joe Walker

Cameras: ARRICAM Lite (LT) Camera

Lenses: Cooke S4 Lenses

The Inbetweeners Movie | ShotOnWhat?

Head Of Commercial Development: Channel 4/Film4

The Inbetweeners Movie (2011)

Directed by: Ben Palmer

Cinematography by: Ben Wheeler

Edited by: Charlie Fawcett, William Webb

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Wuthering Heights | ShotOnWhat?

Head Of Commercial Development: Film4

Wuthering Heights (2011)

Directed by: Andrea Arnold

Cinematography by: Robbie Ryan

Edited by: Nicolas Chaudeurge

Another Year | ShotOnWhat?

Head Of Commercial Development: Film4

Another Year (2010)

Directed by: Mike Leigh

Cinematography by: Dick Pope

Edited by: Jon Gregory

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Chatroom | ShotOnWhat?

Head Of Commercial Development: Film4

Chatroom (2010)

Directed by: Hideo Nakata

Cinematography by: Benoît Delhomme

Edited by: Masahiro Hirakubo

Hunger | ShotOnWhat?

Commercial Development: Channel 4 And Film4

Hunger (2008)

Directed by: Steve McQueen

Cinematography by: Sean Bobbitt

Edited by: Joe Walker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses

Far North | ShotOnWhat?

Head Of Commercial Development: Film4

Far North (2007)

Directed by: Asif Kapadia

Cinematography by: Roman Osin

Edited by: Ewa J. Lind

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

When Did You Last See Your Father? | ShotOnWhat?

Head Of Commercial Development: Film4

When Did You Last See Your Father? (2007)

Directed by: Anand Tucker

Cinematography by: Howard Atherton

Edited by: Trevor Waite

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses: Hawk V-Series Lenses

Boy A | ShotOnWhat?

Commercial Development: Channel Four, Film4

Boy A (2007)

Directed by: John Crowley

Cinematography by: Rob Hardy

Edited by: Lucia Zucchetti

Cameras: ARRIFLEX 416 Camera

In My Father's Den | ShotOnWhat?

Executive Producer

In My Father's Den (2004)

Directed by: Brad McGann

Cinematography by: Stuart Dryburgh

Edited by: Chris Plummer

My Brother Tom | ShotOnWhat?

International Sales: Filmfour

My Brother Tom (2001)

Directed by: Dom Rotheroe

Cinematography by: Robby Müller

Edited by: David Charap

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