Dean Keith
Molly's Game (2017)
Directed by: Aaron Sorkin
Cinematography by: Charlotte Bruus Christensen
Vinny Daniel
The Big Short (2015)
Directed by: Adam McKay
Cinematography by: Barry Ackroyd
Edited by: Hank Corwin
James Reeb
Selma (2014)
Directed by: Ava DuVernay
Cinematography by: Bradford Young
Edited by: Spencer Averick
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Hawk V-Plus Lenses, Hawk V-Series Lenses
Dale Palmer
The Judge (2014)
Directed by: David Dobkin
Cinematography by: Janusz Kaminski
Edited by: Mark Livolsi
Matt Becker
'The Good Wife' A More Perfect Union (2013)
Directed by: Michael Zinberg
Cinematography by: Tim Guinness
Edited by: Matthew Kregor
Thomas
Zero Dark Thirty (2012)
Directed by: Kathryn Bigelow
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses
Editing System: Avid Editing System
John Nicolay
Lincoln (2012)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Jake
Robot & Frank (2012)
Directed by: Jake Schreier
Cinematography by: Matthew J. Lloyd
Edited by: Jacob Craycroft
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Matt Becker
'The Good Wife' Ham Sandwich (2011)
Directed by: Griffin Dunne
Cinematography by: Fred Murphy
Edited by: Scott Vickrey
Matt Becker
'The Good Wife' Great Firewall (2011)
Directed by: Nelson McCormick
Cinematography by: Fred Murphy
Edited by: Hibah Schweitzer
Matt Becker
'The Good Wife' Silver Bullet (2011)
Directed by: Jim McKay
Cinematography by: Tim Guinness
Edited by: David Dworetzky
Matt Becker
'The Good Wife' Real Deal (2011)
Directed by: Michael Zinberg
Cinematography by: Fred Murphy
Edited by: Hibah Schweitzer
Pete
The Romantics (2010)
Directed by: Galt Niederhoffer
Cinematography by: Sam Levy
Edited by: Jacob Craycroft
Matt Becker
The Good Wife (2009)
Directed by: Rosemary Rodriguez, Michael Zinberg, Brooke Kennedy, James Whitmore Jr., Félix Enríquez Alcalá, Jim McKay, Frederick E.O. Toye, Robert King, Matt Shakman, Nelson McCormick, Rod Holcomb, Roxann Dawson, Griffin Dunne, Josh Charles, Paris Barclay, Charles McDougall, Christopher Misiano, Dean Parisot, Kevin Hooks, David Dworetzky, Scott Ellis, Daniel Minahan, Gloria Muzio, John Polson, John Gallagher, Lesli Linka Glatter, Julie Hébert, Peter O'Fallon, Steve Shill, Alex Zakrzewski, Phil Abraham, Tom DiCillo, Joshua Marston, David Platt, Ted Humphrey, Craig Zisk, Phil Alden Robinson
Edited by: Scott Vickrey, David Dworetzky, Matthew Kregor, David C. Cook, Katherine Skjerping, Jacque Elaine Toberen, Hibah Schweitzer, Paul Karasick, Jake Cohen, Dody Dorn, Robb Sullivan
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Returning Soldier
The Messenger (2009)
Directed by: Oren Moverman
Cinematography by: Bobby Bukowski
Edited by: Alex Hall
Cameras: ARRICAM Lite (LT) Camera
Private Auster
The Happening (2008)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Assistant: Mr. Day-Lewis
The Ballad of Jack and Rose (2005)
Directed by: Rebecca Miller
Cinematography by: Ellen Kuras
Edited by: Sabine Hoffman
Production Assistant
Pleasantville (1998)
Directed by: Gary Ross
Cinematography by: John Lindley
Edited by: William Goldenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Production Assistant
You've Got Mail (1998)
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Richard Marks
Production Intern
Deconstructing Harry (1997)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Production Intern
Amistad (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Lenses: Zeiss Super Speed Lenses
Production Assistant
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Art Department Intern
The Crucible (1996)
Directed by: Nicholas Hytner
Cinematography by: Andrew Dunn
Edited by: Tariq Anwar
Cameras: Panavision Cameras
Lenses: Panavision Lenses
