Mark Glindeman

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The Great Gatsby | ShotOnWhat?

Gaffer Insert Unit

The Great Gatsby (2013)

Directed by: Baz Luhrmann

Cinematography by: Simon Duggan

Edited by: Jason Ballantine, Jonathan Redmond, Matt Villa

Cameras: Red Epic Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Goddess | ShotOnWhat?

Gaffer

Goddess (2013)

Directed by: Mark Lamprell

Cinematography by: Damian Wyvill

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses

Australia | ShotOnWhat?

Gaffer Insert Unit

Australia (2008)

Directed by: Baz Luhrmann

Cinematography by: Mandy Walker

Edited by: Dody Dorn, Michael McCusker

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

The Great Raid | ShotOnWhat?

Best Boy Electric

The Great Raid (2005)

Directed by: John Dahl

Cinematography by: Peter Menzies Jr.

Edited by: Scott Chestnut, Pietro Scalia

Kangaroo Jack | ShotOnWhat?

Best Boy

Kangaroo Jack (2003)

Directed by: David McNally

Cinematography by: Peter Menzies Jr.

Edited by: William Goldenberg, Jim May, John Murray

Cameras: Panavision Cameras

Mission: Impossible II | ShotOnWhat?

Rigging Electrician

Mission: Impossible II (2000)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Steven Kemper, Christian Wagner

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Dark City | ShotOnWhat?

Electrician: Additional Photography

Dark City (1998)

Directed by: Alex Proyas

Cinematography by: Dariusz Wolski

Edited by: Dov Hoenig

Cameras: Panavision Panaflex Gold II Camera

Babe: Pig in the City | ShotOnWhat?

Best Boy Electric

Babe: Pig in the City (1998)

Directed by: George Miller

Cinematography by: Andrew Lesnie

Edited by: Jay Friedkin, Margaret Sixel

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