Ravi D. Mehta

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Executive In Charge Of Production

Ready Player One (2018)

Motion Picture

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Executive Producer

A Star Is Born (2018)

Motion Picture

Directed by: Bradley Cooper

Cinematography by: Matthew Libatique

Edited by: Jay Cassidy

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses

Executive In Charge Of Production

The Accountant (2016)

Motion Picture

Directed by: Gavin O'Connor

Cinematography by: Seamus McGarvey

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Executive In Charge Of Production

Live by Night (2016)

Motion Picture

Directed by: Ben Affleck

Cinematography by: Robert Richardson

Edited by: William Goldenberg

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

Executive Producer

Get Hard (2015)

Motion Picture

Directed by: Etan Cohen

Cinematography by: Tim Suhrstedt

Edited by: Michael L. Sale

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Executive In Charge Of Production

American Sniper (2014)

Motion Picture

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Executive In Charge Of Production

Gangster Squad (2013)

Motion Picture

Directed by: Ruben Fleischer

Cinematography by: Dion Beebe

Edited by: Alan Baumgarten, James Herbert

Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Executive Producer

The Lucky One (2012)

Motion Picture

Directed by: Scott Hicks

Cinematography by: Alar Kivilo

Edited by: Scott Gray

Executive In Charge Of Production

Trouble with the Curve (2012)

Motion Picture

Directed by: Robert Lorenz

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Executive In Charge Of Production

The Campaign (2012)

Motion Picture

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Craig Alpert, Jon Poll

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Executive Producer

Jonah Hex (2010)

Motion Picture

Directed by: Jimmy Hayward

Cinematography by: Mitchell Amundsen

Edited by: Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Executive In Charge Of Production

Observe and Report (2009)

Motion Picture

Directed by: Jody Hill

Cinematography by: Tim Orr

Edited by: Zene Baker

Executive In Charge Of Production

Chaos Theory (2008)

Motion Picture

Directed by: Marcos Siega

Cinematography by: Ramsey Nickell

Edited by: Nicholas Erasmus

Executive In Charge Of Production

Nights in Rodanthe (2008)

Motion Picture

Directed by: George C. Wolfe

Cinematography by: Affonso Beato

Edited by: Brian A. Kates

The Assassination of Jesse James by the Coward Robert Ford | ShotOnWhat?

Executive In Charge Of Production

The Assassination of Jesse James by the Coward Robert Ford (2007)

Motion Picture

Directed by: Andrew Dominik

Cinematography by: Roger Deakins

Edited by: Curtiss Clayton, Dylan Tichenor

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Cooke Lenses, Cooke S4 Lenses

Executive In Charge Of Production

Trick 'r Treat (2007)

Motion Picture

Directed by: Michael Dougherty

Cinematography by: Glen MacPherson

Edited by: Robert Ivison

Executive In Charge Of Production

Infamous (2006)

Motion Picture

Directed by: Douglas McGrath

Cinematography by: Bruno Delbonnel

Edited by: Camilla Toniolo

Executive In Charge Of Production

Lady in the Water (2006)

Motion Picture

Directed by: M. Night Shyamalan

Cinematography by: Christopher Doyle

Edited by: Barbara Tulliver

Executive In Charge Of Production

The Astronaut Farmer (2006)

Motion Picture

Directed by: Michael Polish

Cinematography by: M. David Mullen

Edited by: James Haygood

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Executive In Charge Of Production

Beerfest (2006)

Motion Picture

Directed by: Jay Chandrasekhar

Cinematography by: Frank G. DeMarco

Edited by: Lee Haxall

Executive In Charge Of Production

The Dukes of Hazzard (2005)

Motion Picture

Directed by: Jay Chandrasekhar

Cinematography by: Lawrence Sher

Edited by: Jay Chandrasekhar, Lee Haxall, Myron Kerstein

Executive In Charge Of Production

North Country (2005)

Motion Picture

Directed by: Niki Caro

Cinematography by: Chris Menges

Edited by: David Coulson

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Executive In Charge Of Production

Everything Is Illuminated (2005)

Motion Picture

Directed by: Liev Schreiber

Cinematography by: Matthew Libatique

Edited by: Andrew Marcus, Craig McKay

Executive In Charge Of Production

A Cinderella Story (2004)

Motion Picture

Directed by: Mark Rosman

Cinematography by: Anthony B. Richmond

Edited by: Cara Silverman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Panavision Lenses

Production Accountant

Torque (2004)

Motion Picture

Directed by: Joseph Kahn

Cinematography by: Peter Levy

Edited by: David Blackburn, Howard E. Smith

Production Accountant

Rock Star (2001)

Motion Picture

Directed by: Stephen Herek

Cinematography by: Ueli Steiger

Edited by: Trudy Ship

Cameras: Panavision Cameras

Production Accountant

Training Day (2001)

Motion Picture

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Hawk C-Series Lenses

Production Accountant

Romeo Must Die (2000)

Motion Picture

Directed by: Andrzej Bartkowiak

Cinematography by: Glen MacPherson

Edited by: Derek Brechin

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Ravi D. Mehta

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Executive In Charge Of Production

Executive Producer

Executive In Charge Of Production

Executive In Charge Of Production

Executive Producer

Executive In Charge Of Production

Executive In Charge Of Production

Executive Producer

Executive In Charge Of Production

Executive In Charge Of Production

Executive Producer

Executive In Charge Of Production

Executive In Charge Of Production

Executive In Charge Of Production

Executive In Charge Of Production

Executive In Charge Of Production

Executive In Charge Of Production

Executive In Charge Of Production

Executive In Charge Of Production

Executive In Charge Of Production

Executive In Charge Of Production

Executive In Charge Of Production

Executive In Charge Of Production

Executive In Charge Of Production

Production Accountant

Production Accountant

Production Accountant

Production Accountant