Ravi D. Mehta

27 Titles

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Ready Player One | ShotOnWhat?

Executive In Charge Of Production

Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

A Star Is Born | ShotOnWhat?

Executive Producer

A Star Is Born (2018)

Directed by: Bradley Cooper

Cinematography by: Matthew Libatique

Edited by: Jay Cassidy

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses

Live by Night | ShotOnWhat?

Executive In Charge Of Production

Live by Night (2016)

Directed by: Ben Affleck

Cinematography by: Robert Richardson

Edited by: William Goldenberg

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

Get Hard | ShotOnWhat?

Executive Producer

Get Hard (2015)

Directed by: Etan Cohen

Cinematography by: Tim Suhrstedt

Edited by: Michael L. Sale

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

American Sniper | ShotOnWhat?

Executive In Charge Of Production

American Sniper (2014)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Gangster Squad | ShotOnWhat?

Executive In Charge Of Production

Gangster Squad (2013)

Directed by: Ruben Fleischer

Cinematography by: Dion Beebe

Edited by: Alan Baumgarten, James Herbert

Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Trouble with the Curve | ShotOnWhat?

Executive In Charge Of Production

Trouble with the Curve (2012)

Directed by: Robert Lorenz

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Campaign | ShotOnWhat?

Executive In Charge Of Production

The Campaign (2012)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Craig Alpert, Jon Poll

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

The Lucky One | ShotOnWhat?

Executive Producer

The Lucky One (2012)

Directed by: Scott Hicks

Cinematography by: Alar Kivilo

Edited by: Scott Gray

Jonah Hex | ShotOnWhat?

Executive Producer

Jonah Hex (2010)

Directed by: Jimmy Hayward

Cinematography by: Mitchell Amundsen

Edited by: Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Observe and Report | ShotOnWhat?

Executive In Charge Of Production

Observe and Report (2009)

Directed by: Jody Hill

Cinematography by: Tim Orr

Edited by: Zene Baker

Chaos Theory | ShotOnWhat?

Executive In Charge Of Production

Chaos Theory (2008)

Directed by: Marcos Siega

Cinematography by: Ramsey Nickell

Edited by: Nicholas Erasmus

Nights in Rodanthe | ShotOnWhat?

Executive In Charge Of Production

Nights in Rodanthe (2008)

Directed by: George C. Wolfe

Cinematography by: Affonso Beato

Edited by: Brian A. Kates

The Assassination of Jesse James by the Coward Robert Ford | ShotOnWhat?

Executive In Charge Of Production

The Assassination of Jesse James by the Coward Robert Ford (2007)

Directed by: Andrew Dominik

Cinematography by: Roger Deakins

Edited by: Curtiss Clayton, Dylan Tichenor

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Cooke Lenses, Cooke S4 Lenses

Trick 'r Treat | ShotOnWhat?

Executive In Charge Of Production

Trick 'r Treat (2007)

Directed by: Michael Dougherty

Cinematography by: Glen MacPherson

Edited by: Robert Ivison

Lady in the Water | ShotOnWhat?

Executive In Charge Of Production

Lady in the Water (2006)

Directed by: M. Night Shyamalan

Cinematography by: Christopher Doyle

Edited by: Barbara Tulliver

The Astronaut Farmer | ShotOnWhat?

Executive In Charge Of Production

The Astronaut Farmer (2006)

Directed by: Michael Polish

Cinematography by: M. David Mullen

Edited by: James Haygood

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Beerfest | ShotOnWhat?

Executive In Charge Of Production

Beerfest (2006)

Directed by: Jay Chandrasekhar

Cinematography by: Frank G. DeMarco

Edited by: Lee Haxall

Infamous | ShotOnWhat?

Executive In Charge Of Production

Infamous (2006)

Directed by: Douglas McGrath

Cinematography by: Bruno Delbonnel

Edited by: Camilla Toniolo

The Dukes of Hazzard | ShotOnWhat?

Executive In Charge Of Production

The Dukes of Hazzard (2005)

Directed by: Jay Chandrasekhar

Cinematography by: Lawrence Sher

Edited by: Jay Chandrasekhar, Lee Haxall, Myron Kerstein

North Country | ShotOnWhat?

Executive In Charge Of Production

North Country (2005)

Directed by: Niki Caro

Cinematography by: Chris Menges

Edited by: David Coulson

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Everything Is Illuminated | ShotOnWhat?

Executive In Charge Of Production

Everything Is Illuminated (2005)

Directed by: Liev Schreiber

Cinematography by: Matthew Libatique

Edited by: Andrew Marcus, Craig McKay

Torque | ShotOnWhat?

Production Accountant

Torque (2004)

Directed by: Joseph Kahn

Cinematography by: Peter Levy

Edited by: David Blackburn, Howard E. Smith

A Cinderella Story | ShotOnWhat?

Executive In Charge Of Production

A Cinderella Story (2004)

Directed by: Mark Rosman

Cinematography by: Anthony B. Richmond

Edited by: Cara Silverman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Panavision Lenses

Rock Star | ShotOnWhat?

Production Accountant

Rock Star (2001)

Directed by: Stephen Herek

Cinematography by: Ueli Steiger

Edited by: Trudy Ship

Cameras: Panavision Cameras

Training Day | ShotOnWhat?

Production Accountant

Training Day (2001)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Hawk C-Series Lenses

Romeo Must Die | ShotOnWhat?

Production Accountant

Romeo Must Die (2000)

Directed by: Andrzej Bartkowiak

Cinematography by: Glen MacPherson

Edited by: Derek Brechin

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