Michelle Butler

16 Titles

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Evan Almighty | ShotOnWhat?

Compositor: Rhythm & Hues Studios

Evan Almighty (2007)

Directed by: Tom Shadyac

Cinematography by: Ian Baker

Edited by: Scott Hill

Cameras: Panavision Cameras

Editing System: Lightworks Editing System

Superman Returns | ShotOnWhat?

Digital Compositor: Rhythm & Hues

Superman Returns (2006)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Willard | ShotOnWhat?

Compositor: Centropolis Effects

Willard (2003)

Directed by: Glen Morgan

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Scary Movie 3 | ShotOnWhat?

Digital Compositor: YU+Co

Scary Movie 3 (2003)

Directed by: David Zucker

Cinematography by: Mark Irwin

Edited by: Malcolm Campbell, Jon Poll

Open Range | ShotOnWhat?

Digital Compositor

Open Range (2003)

Directed by: Kevin Costner

Cinematography by: James M. Muro

Edited by: Michael J. Duthie, Miklos Wright

The Scorpion King | ShotOnWhat?

Digital Compositor: CFX

The Scorpion King (2002)

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Greg Parsons, Michael Tronick

Eight Legged Freaks | ShotOnWhat?

Digital Compositor

Eight Legged Freaks (2002)

Directed by: Ellory Elkayem

Cinematography by: John S. Bartley

Edited by: David Siegel

61* | ShotOnWhat?

Roto/paint Artist: CFX

61* (2001)

Television Movie

Directed by: Billy Crystal

Cinematography by: Haskell Wexler

Edited by: Michael Jablow

Cameras: ARRIFLEX 435 ES Camera

Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Hawk 150-450 mm T2.8 Lens

Monkeybone | ShotOnWhat?

Digital Artist: CFX

Monkeybone (2001)

Directed by: Henry Selick

Cinematography by: Andrew Dunn

Edited by: Jon Poll, Nicholas C. Smith, Mark Warner

K-PAX | ShotOnWhat?

Roto/paint Artist: CFX

K-PAX (2001)

Directed by: Iain Softley

Cinematography by: John Mathieson

Edited by: Craig McKay

How the Grinch Stole Christmas | ShotOnWhat?

Digital/paint Compositor

How the Grinch Stole Christmas (2000)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

The Patriot | ShotOnWhat?

Digital Artist: CFX

The Patriot (2000)

Directed by: Roland Emmerich

Cinematography by: Caleb Deschanel

Edited by: David Brenner, Christopher Holmes, Julie Monroe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

End of Days | ShotOnWhat?

Motion Tracking: CFX

End of Days (1999)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Jeff Gullo, Steven Kemper

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Stuart Little | ShotOnWhat?

Motion Tracking: CFX

Stuart Little (1999)

Directed by: Rob Minkoff

Cinematography by: Guillermo Navarro

Edited by: Tom Finan

Cameras: Moviecam Compact Camera

Lenses: Zeiss Ultra Prime Lenses

Babe: Pig in the City | ShotOnWhat?

Matchmove Artist: Rhythm & Hues

Babe: Pig in the City (1998)

Directed by: George Miller

Cinematography by: Andrew Lesnie

Edited by: Jay Friedkin, Margaret Sixel

Spawn | ShotOnWhat?

Production Coordinator: SBS

Spawn (1997)

Directed by: Mark A.Z. Dippé

Cinematography by: Guillermo Navarro

Edited by: Todd Busch, Michael N. Knue

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