2D Supervisor
'Altered Carbon' Clash by Night (2018)
Directed by: Uta Briesewitz
Cinematography by: Neville Kidd
Edited by: Julian Clarke
2D Supervisor - 1 Episode, 2018
Altered Carbon (2018)
Directed by: Uta Briesewitz, Alex Graves, Peter Hoar, Nick Hurran, M.J. Bassett, Ciaran Donnelly, Jeremy Webb, Andy Goddard, Miguel Sapochnik
Edited by: Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Digital Compositor: Double Negative
Assassin's Creed (2016)
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Digital Compositor: RISE Visual Effects Studios
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Digital Compositor
Terminator Genisys (2015)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Sequence Lead Compositor: RISE Visual Effects Studios
The Man from U.N.C.L.E. (2015)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Digital Compositor: Double Negative
Spectre (2015)
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Compositor
Mission: Impossible - Rogue Nation (2015)
Directed by: Christopher McQuarrie
Cinematography by: Robert Elswit
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Compositor: RISE Visual Effects Studios
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Compositor: Pixomondo
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Visual Effects Artist
Plan C (2012)
Directed by: Max Porcelijn
Cinematography by: Coen Stroeve
Edited by: Marc Bechtold
Visual Effects Artist
Cloud Atlas (2012)
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
Editing System: Avid Editing System
Visual Effects Artist
The Seven of Daran: The Battle of Pareo Rock (2008)
Directed by: Lourens Blok
Cinematography by: Menno Westendorp
Edited by: J.P. Luijsterburg
Visual Effects Artist
The Silent Army (2008)
Directed by: Jean van de Velde
Cinematography by: Theo van de Sande
Edited by: Peter R. Adam
Compositor
De brief voor de koning (2008)
Directed by: Pieter Verhoeff
Cinematography by: Jules van den Steenhoven
Edited by: Bart van den Broek
Visual Effects Artist
Alles is liefde (2007)
Directed by: Joram Lürsen
Cinematography by: Lex Brand
Edited by: Peter Alderliesten
Visual Effects Artist
Waar is het paard van Sinterklaas? (2007)
Directed by: Mischa Kamp
Cinematography by: Jasper Wolf
