Re-recording Mixer
'Master of None' Finale (2015)
Directed by: Eric Wareheim
Cinematography by: Mark Schwartzbard
Edited by: Jennifer Lilly
Re-recording Mixer
'Master of None' Mornings (2015)
Directed by: Eric Wareheim
Cinematography by: Mark Schwartzbard
Edited by: Jennifer Lilly
Re-recording Mixer
'Master of None' Old People (2015)
Directed by: Lynn Shelton
Cinematography by: Mark Schwartzbard
Edited by: Jennifer Lilly
Re-recording Mixer
'Master of None' Ladies and Gentlemen (2015)
Directed by: Lynn Shelton
Cinematography by: Mark Schwartzbard
Edited by: Suzy Elmiger
Re-recording Mixer
'Master of None' Nashville (2015)
Directed by: Aziz Ansari
Cinematography by: Mark Schwartzbard
Re-recording Mixer
'Master of None' The Other Man (2015)
Directed by: Eric Wareheim
Cinematography by: Mark Schwartzbard
Edited by: Jennifer Lilly
Re-recording Mixer
'Master of None' Indians on TV (2015)
Directed by: Eric Wareheim
Cinematography by: Mark Schwartzbard
Edited by: Jennifer Lilly
Re-recording Mixer
'Master of None' Hot Ticket (2015)
Directed by: James Ponsoldt
Cinematography by: Mark Schwartzbard
Edited by: Suzy Elmiger
Re-recording Mixer
'Master of None' Parents (2015)
Directed by: Aziz Ansari
Cinematography by: Mark Schwartzbard
Edited by: Suzy Elmiger
Re-recording Mixer
'Master of None' Plan B (2015)
Directed by: James Ponsoldt
Cinematography by: Mark Schwartzbard
Edited by: Suzy Elmiger
Re-recording Mixer - 10 Episodes, 2015
Master of None (2015)
Cinematography by: Mark Schwartzbard
Cameras: Panasonic VariCam 35
Additional Adr Recordist: New York
Blindness (2008)
Directed by: Fernando Meirelles
Cinematography by: César Charlone
Edited by: Daniel Rezende
Additional Adr
Repo! The Genetic Opera (2008)
Directed by: Darren Lynn Bousman
Cinematography by: Joseph White
Edited by: Harvey Rosenstock
Cameras: Panavision Genesis Camera
Re-recording Mixer
Anamorph (2007)
Directed by: Henry Miller
Cinematography by: Fred Murphy
Edited by: Geraud Brisson
Re-recording Mixer
Purple Violets (2007)
Directed by: Edward Burns
Cinematography by: William Rexer
Edited by: Thom Zimny
Cameras: ARRI Cameras
Re-recording Mixer
New York City Serenade (2007)
Directed by: Frank Whaley
Cinematography by: Ryan Samul
Edited by: Miran Miosic
Re-recording Mixer
Sherrybaby (2006)
Directed by: Laurie Collyer
Cinematography by: Russell Lee Fine
Cameras: ARRI Cameras
Re-recording Mixer
The Groomsmen (2006)
Directed by: Edward Burns
Cinematography by: William Rexer
Edited by: Jamie Kirkpatrick
Re-recording Mixer
Because of Winn-Dixie (2005)
Directed by: Wayne Wang
Cinematography by: Karl Walter Lindenlaub
Edited by: Deirdre Slevin
Re-recording Mixer
The Notorious Bettie Page (2005)
Directed by: Mary Harron
Cinematography by: W. Mott Hupfel III
Edited by: Tricia Cooke
Re-recording Mixer
School of Rock (2003)
Directed by: Richard Linklater
Cinematography by: Rogier Stoffers
Edited by: Sandra Adair
Sound Mixer
Capturing the Friedmans (2003)
Directed by: Andrew Jarecki
Cinematography by: Adolfo Doring
Edited by: Richard Hankin
Editing System: Avid Editing System
Re-recording Mixer - Segments "Somewhere In California", "Strange To Meet You"
Coffee and Cigarettes (2003)
Directed by: Jim Jarmusch
Re-recording Mixer
Face (2002)
Directed by: Bertha Bay-Sa Pan
Cinematography by: John Inwood
Edited by: Gary Levy
Re-recording Mixer
Blue Car (2002)
Directed by: Karen Moncrieff
Cinematography by: Rob Sweeney
Edited by: Toby Yates
Re-recording Mixer
The Royal Tenenbaums (2001)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Re-recording Mixer
Songcatcher (2000)
Directed by: Maggie Greenwald
Cinematography by: Enrique Chediak
Edited by: Keith Reamer
Re-recording Mixer
The Best Man (1999)
Directed by: Malcolm D. Lee
Cinematography by: Frank Prinzi
Edited by: Cara Silverman
Adr Mixer: New York
Mickey Blue Eyes (1999)
Directed by: Kelly Makin
Cinematography by: Donald E. Thorin
Edited by: David Freeman
Sound Re-recording: Predub
The Cider House Rules (1999)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Lisa Zeno Churgin
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Re-recording Mixer
No Looking Back (1998)
Directed by: Edward Burns
Cinematography by: Frank Prinzi
Edited by: Susan Graef
Adr Mixer
Snake Eyes (1998)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Bill Pankow
Lenses: Panavision C Series Anamorphic Lenses, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens
Editing System: Avid Editing System
Re-recording Mixer
Practical Magic (1998)
Directed by: Griffin Dunne
Cinematography by: Andrew Dunn
Edited by: Elizabeth Kling
Re-recording Mixer
Julian Po (1997)
Directed by: Alan Wade
Cinematography by: Bernd Heinl
Edited by: Jeffrey Wolf
Adr Recordist
SubUrbia (1996)
Directed by: Richard Linklater
Cinematography by: Lee Daniel
Edited by: Sandra Adair
Re-recording Mixer
Beautiful Girls (1996)
Directed by: Ted Demme
Cinematography by: Adam Kimmel
Edited by: Jeffrey Wolf
Adr Mixer: Sound One N.Y.C.
Safe Passage (1994)
Directed by: Robert Allan Ackerman
Cinematography by: Ralf D. Bode
Edited by: Rick Shaine
Re-recording Mixer
The Night We Never Met (1993)
Directed by: Warren Leight
Cinematography by: John Thomas
Edited by: Camilla Toniolo
Cameras: Panavision Cameras
Adr Recordist: New York
The Cemetery Club (1993)
Directed by: Bill Duke
Cinematography by: Steven Poster
Edited by: John Carter
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Whispers in the Dark (1992)
Directed by: Christopher Crowe
Cinematography by: Michael Chapman
Sound Re-recording Engineer
Dogfight (1991)
Directed by: Nancy Savoca
Cinematography by: Bobby Bukowski
Edited by: John Tintori
Cameras: ARRIFLEX 35 BL4s Camera
Lenses: Cooke Lenses
Sound Re-recordist
Down by Law (1986)
Directed by: Jim Jarmusch
Cinematography by: Robby Müller
Edited by: Melody London
