Executive Visual Effects Producer
21 (2008)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Edited by: Elliot Graham
Cameras: Pan-Arri 435 Camera, Panavision Genesis Camera
Supervising Visual Effects Producer: Gray Matter FX
American Gangster (2007)
Directed by: Ridley Scott
Cinematography by: Harris Savides
Edited by: Pietro Scalia
Editing System: Avid Editing System
Visual Effects Producer: Gray Matter Visual Effects
The Invisible (2007)
Directed by: David S. Goyer
Cinematography by: Gabriel Beristain
Edited by: Conrad Smart
Supervising Visual Effects Producer: Gray Matter Visual Effects
Married Life (2007)
Directed by: Ira Sachs
Cinematography by: Peter Deming
Edited by: Affonso Gonçalves
Visual Effects Supervising Producer
Dreamgirls (2006)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Visual Effects Supervising Producer
All the King's Men (2006)
Directed by: Steven Zaillian
Cinematography by: Pawel Edelman
Edited by: Wayne Wahrman
Visual Effects Supervising Producer: Grey Matter FX
Fun with Dick and Jane (2005)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Visual Effects Supervising Producer: Gray Matter
Lords of Dogtown (2005)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Visual Effects Supervising Producer
Secret Window (2004)
Directed by: David Koepp
Cinematography by: Fred Murphy
Edited by: Jill Savitt
Visual Effects Producer: Gray Matter FX
Spanglish (2004)
Directed by: James L. Brooks
Cinematography by: John Seale
Visual Effects Producer: Gray Matter
The Life Aquatic with Steve Zissou (2004)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: David Moritz
Supervising Producer: Gray Matter FX
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Visual Effects Supervising Producer: Gray Matter FX
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Visual Effects Producer: Gray Matter
Biker Boyz (2003)
Directed by: Reggie Rock Bythewood
Cinematography by: Greg Gardiner
Visual Effects Producer: Gray Matter
The Italian Job (2003)
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Visual Effects Producer
Old School (2003)
Directed by: Todd Phillips
Cinematography by: Mark Irwin
Edited by: Michael Jablow
Supervising Visual Effects Producer: Gray Matter
Duplex (2003)
Directed by: Danny DeVito
Cinematography by: Anastas N. Michos
Visual Effects Supervising Producer: Gray Matter FX
Adaptation. (2002)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Visual Effects Supervising Producer: Gray Matter
S1m0ne (2002)
Directed by: Andrew Niccol
Cinematography by: Edward Lachman
Edited by: Paul Rubell
Visual Effects Producer: Gray Matter
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Producer: Gray Matter FX
Being John Malkovich (1999)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Lenses: Cooke S4 Lenses
First Assistant Director
Wild at Heart (1990)
Directed by: David Lynch
Cinematography by: Frederick Elmes
Edited by: Duwayne Dunham
First Assistant Director - 1 Episode, 1989
Twin Peaks (1990)
Directed by: David Lynch, Lesli Linka Glatter, Caleb Deschanel, Duwayne Dunham, Tim Hunter, Todd Holland, Tina Rathborne, Graeme Clifford, Mark Frost, Uli Edel, James Foley, Stephen Gyllenhaal, Diane Keaton, Jonathan Sanger
Lenses: Panavision Lenses
Editing System: Steenbeck Editing System
First Assistant Director
'Twin Peaks' Episode #1.1 (1989)
Directed by: David Lynch
Cinematography by: Ronald Víctor García
Edited by: Duwayne Dunham
First Assistant Director
Gotham (1988)
Directed by: Lloyd Fonvielle
Cinematography by: Michael Chapman
Edited by: Evan A. Lottman
