Michael Schaefer

17 Titles

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The Creator | ShotOnWhat?

Executive Producer

The Creator (2023)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser, Oren Soffer

Edited by: Hank Corwin, Scott Morris, Joe Walker

Cameras: Sony ILME-FX3 Camera

Lenses: Atlas Mercury 42 mm T2.2 Lens, P+S Technik Kowa Cine Prominar Anamorphic 75mm T2.8 Lens (rehoused)

The Lighthouse | ShotOnWhat?

Executive Producer

The Lighthouse (2019)

Directed by: Robert Eggers

Cinematography by: Jarin Blaschke

Edited by: Louise Ford

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Bausch & Lomb Lenses, Pathé Lenses

Ad Astra | ShotOnWhat?

Executive Producer

Ad Astra (2019)

Directed by: James Gray

Cinematography by: Hoyte Van Hoytema

Edited by: John Axelrad, Lee Haugen

Cameras: Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses: CamTec Astra Master Prime Series Lenses, Zeiss Master Prime Lenses

Bohemian Rhapsody | ShotOnWhat?

Production Executive

Bohemian Rhapsody (2018)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: John Ottman

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA SXT Plus Camera, ARRIFLEX 35 BL Camera

Lenses: ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Cooke Speed Panchro Lenses

Editing System: Avid Editing System

Alien: Covenant | ShotOnWhat?

Producer - Produced By - P.g.a.

Alien: Covenant (2017)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses

Murder on the Orient Express | ShotOnWhat?

Producer - Produced By - P.g.a.

Murder on the Orient Express (2017)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Mick Audsley

Cameras: ARRI ALEXA 65 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision System 65 Camera

Lenses: Panavision Sphero 65 Series Lenses

The Martian | ShotOnWhat?

Producer - Produced By

The Martian (2015)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: GoPro (Woodman Labs) Cameras, Red Epic Dragon Camera, Red Scarlet Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses

Child 44 | ShotOnWhat?

Producer

Child 44 (2015)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Pietro Scalia, Dylan Tichenor

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk Anamorphic Lenses

Exodus: Gods and Kings | ShotOnWhat?

Producer

Exodus: Gods and Kings (2014)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Counselor | ShotOnWhat?

Executive Producer

The Counselor (2013)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Now You See Me | ShotOnWhat?

Executive Producer

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

The Impossible | ShotOnWhat?

Production Executive

The Impossible (2012)

Directed by: J.A. Bayona

Cinematography by: Oscar Faura

Edited by: Elena Ruiz, Bernat Vilaplana

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Phantom HD Camera

Lenses: Zeiss Master Prime Lenses

Source Code | ShotOnWhat?

Production Executive

Source Code (2011)

Directed by: Duncan Jones

Cinematography by: Don Burgess

Edited by: Paul Hirsch

Cameras: Iconix HD-RH1 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

50/50 | ShotOnWhat?

Production Executive

50/50 (2011)

Directed by: Jonathan Levine

Cinematography by: Terry Stacey

Edited by: Zene Baker

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Sorority Row | ShotOnWhat?

Production Executive

Sorority Row (2009)

Directed by: Stewart Hendler

Cinematography by: Ken Seng

Edited by: Elliot Greenberg

The Hurt Locker | ShotOnWhat?

Production Executive

The Hurt Locker (2008)

Directed by: Kathryn Bigelow

Cinematography by: Barry Ackroyd

Edited by: Chris Innis, Bob Murawski

Cameras: Aaton A-Minima Camera, Aaton XTR Prod Camera, IDT / Redlake Cameras

Editing System: Avid Editing System

The Brothers Bloom | ShotOnWhat?

Production Executive

The Brothers Bloom (2008)

Directed by: Rian Johnson

Cinematography by: Steve Yedlin

Edited by: Gabriel Wrye

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