Head Of Compositing: DNEG, Montreal
Dune (2021)
Directed by: Denis Villeneuve
Cinematography by: Greig Fraser
Edited by: Joe Walker
Compositing Supervisor: Cinesite
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Compositor: Cinesite
X-Men: Apocalypse (2016)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Compositing Supervisor: Cinesite
Assassin's Creed (2016)
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Digital Compositor: Hybride
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Digital Compositor: Hybride
Unbroken (2014)
Directed by: Angelina Jolie
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Digital Compositor: Hybride
The Smurfs 2 (2013)
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Edited by: Sabrina Plisco
Cameras: Sony CineAlta F65 Camera
Compositing Supervisor: Mokko Studio
Riddick (2013)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Tracy Adams
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Digital Compositor: Hybride
The Hunger Games: Catching Fire (2013)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Compositing Supervisor: Mokko Studio
The Last Stand (2013)
Directed by: Jee-woon Kim
Cinematography by: Ji-yong Kim
Edited by: Steven Kemper
Cameras: ARRI ALEXA Plus Camera
Lead Compositor: Mokko
Underworld Awakening (2012)
Cinematography by: Scott Kevan
Edited by: Jeff McEvoy
Cameras: Red Epic Camera
Compositing Supervisor: Mokko Studio
Mirror Mirror (2012)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Cameras: Sony CineAlta F35 Camera
Compositing Supervisor: Mokko - 8 Episodes, 2011
The Kennedys (2011)
Directed by: Jon Cassar
Cinematography by: David Moxness
Cameras: Sony CineAlta F35 Camera
Compositing Supervisor: Mokko
'The Kennedys' Joe's Revenge (2011)
Directed by: Jon Cassar
Cinematography by: David Moxness
Edited by: David B. Thompson
Compositing Supervisor: Mokko
'The Kennedys' My Brother's Keeper (2011)
Directed by: Jon Cassar
Cinematography by: David Moxness
Edited by: David B. Thompson
Compositing Supervisor: Mokko
'The Kennedys' Lancer and Lace (2011)
Directed by: Jon Cassar
Cinematography by: David Moxness
Edited by: David B. Thompson
Compositing Supervisor: Mokko
'The Kennedys' Cuban Missiles (2011)
Directed by: Jon Cassar
Cinematography by: David Moxness
Edited by: David B. Thompson
Compositing Supervisor: Mokko
'The Kennedys' Life Sentences (2011)
Directed by: Jon Cassar
Cinematography by: David Moxness
Edited by: David B. Thompson
Compositing Supervisor: Mokko
'The Kennedys' Bobby's War (2011)
Directed by: Jon Cassar
Cinematography by: David Moxness
Edited by: Don Cassidy
Compositing Supervisor: Mokko
'The Kennedys' Bay of Pigs (2011)
Directed by: Jon Cassar
Cinematography by: David Moxness
Edited by: Don Cassidy
Compositing Supervisor: Mokko
'The Kennedys' The First Campaign (2011)
Directed by: Jon Cassar
Cinematography by: David Moxness
Edited by: David B. Thompson
Inferno Compositor
Journey to the Center of the Earth (2008)
Directed by: Eric Brevig
Cinematography by: Chuck Shuman
Lead Compositor: Oblique Fx
Babine (2008)
Directed by: Luc Picard
Cinematography by: Jérôme Sabourin
Edited by: Gaétan Huot
Inferno Artist
300 (2006)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Flame Artist
Snakes on a Plane (2006)
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Flame Artist
The Adventures of Sharkboy and Lavagirl 3-D (2005)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Flame Artist
Sin City (2005)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDC-F950 Camera, Sony Other Camera
Editing System: Avid Editing System
Flame Artist
Unleashed (2005)
Directed by: Louis Leterrier
Cinematography by: Pierre Morel
Edited by: Nicolas Trembasiewicz
Digital Effects Artist: Eclair Numerique / Flame Artist
Two Brothers (2004)
Directed by: Jean-Jacques Annaud
Cinematography by: Jean-Marie Dreujou
Edited by: Noëlle Boisson
Visual Effects Artist: Graphics, Additional Visual Effects
Alexander (2004)
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Digital Artist
Ruby & Quentin (2003)
Directed by: Francis Veber
Cinematography by: Luciano Tovoli
Edited by: Georges Klotz
Flame Artist
Ripoux 3 (2003)
Directed by: Claude Zidi
Cinematography by: Gérard de Battista
Edited by: Nicole Saunier
Flame Artist
Fanfan (2003)
Directed by: Gérard Krawczyk
Cinematography by: Gérard Simon
Edited by: Nicolas Trembasiewicz