Sound Mixer
Bardo: False Chronicle of a Handful of Truths (2022)
Directed by: Alejandro G. Iñárritu
Cinematography by: Darius Khondji
Cameras: ARRI ALEXA 65 Camera
Production Sound Mixer
'Queen of the South' Piloto (2016)
Directed by: Charlotte Sieling
Cinematography by: Alejandro Martínez
Production Sound Mixer - 1 Episode, 2016
Queen of the South (2016)
Directed by: Eduardo Sánchez, David Boyd, David Rodriguez, Rebecca Rodriguez, Matthew Penn, Scott Peters, Nick Copus, Laura Belsey, Ben Hernandez Bray, Darren Grant, Zetna Fuentes, Constantine Makris, Jamie Payne, David Platt, T.J. Scott, Charlotte Sieling, Nick Gomez, Bronwen Hughes, Tina Mabry, Ami Canaan Mann, Joe Menendez, Loni Peristere, David Grossman, Meera Menon, Steve Acevedo, Leon Ichaso, Jessica Lowrey, Tawnia McKiernan, Batan Silva
Edited by: Matthew Philip Smith, Priscilla Nedd-Friendly, Briana London, Juan Carlos Garza, Philip Carr Neel, Nicole Brik, Amy M. Fleming, Betsy C. Thompson, Harvey Rosenstock, Benjamin Howdeshell
Lenses: Panavision PVintage 100 mm T1.6 Lens, Panavision PVintage 14 mm T1.9 Lens, Panavision PVintage 17 mm T1.9 Lens, Panavision PVintage 24 mm T1.2 Lens, Panavision PVintage 29 mm T1.2 Lens, Panavision PVintage 35 mm T1.6 Lens, Panavision PVintage 40 mm T1.3 Lens, Panavision PVintage 50 mm T1.0 Lens, Panavision PVintage 75 mm T1.6 Lens
Sound Mixer
The 33 (2015)
Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Michael Tronick
Sound: Additional Sound Mexico
Spectre (2015)
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Sound Mixer: Second Unit, Mexico
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Sound Mixer
Get the Gringo (2012)
Directed by: Adrian Grunberg
Cinematography by: Benoît Debie
Edited by: Steven Rosenblum
Cameras: Red One MX Camera
Lenses: Hawk V-Lite Lenses
Sound Mixer
Vantage Point (2008)
Directed by: Pete Travis
Cinematography by: Amir Mokri
Edited by: Stuart Baird
Sound Mixer
Under the Same Moon (2007)
Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Aleshka Ferrero
Sound Mixer
Nacho Libre (2006)
Directed by: Jared Hess
Cinematography by: Xavier Grobet
Edited by: Billy Weber
Sound Mixer
The Matador (2005)
Directed by: Richard Shepard
Cinematography by: David Tattersall
Edited by: Carole Kravetz Aykanian
Production Sound Mixer
Conejo en la luna (2004)
Directed by: Jorge Ramírez Suárez
Cinematography by: Luis David Sansans
Edited by: Alex Rodríguez
Sound Mixer
Vampires: Los Muertos (2002)
Directed by: Tommy Lee Wallace
Cinematography by: Henner Hofmann
Edited by: Charles Bornstein
Sound Mixer: Mexico
High Crimes (2002)
Directed by: Carl Franklin
Cinematography by: Theo van de Sande
Edited by: Carole Kravetz Aykanian
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Editing System: Final Cut Pro Editing System
Production Sound Mixer
Frida (2002)
Directed by: Julie Taymor
Cinematography by: Rodrigo Prieto
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Sound Mixer
El crimen del Padre Amaro (2002)
Directed by: Carlos Carrera
Cinematography by: Guillermo Granillo
Edited by: Óscar Figueroa
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Mixer
Herod's Law (1999)
Directed by: Luis Estrada
Cinematography by: Norman Christianson
Edited by: Luis Estrada
Cable Person
McHale's Navy (1997)
Directed by: Bryan Spicer
Cinematography by: Buzz Feitshans IV
Edited by: Russell Denove
Cameras: Panavision Cameras
Cable Person: Mexico
The Juror (1996)
Directed by: Brian Gibson
Cinematography by: Jamie Anderson
Edited by: Robert M. Reitano
Cable Person
The Wrong Man (1993)
Directed by: Jim McBride
Cinematography by: Affonso Beato
Edited by: Lisa Zeno Churgin
Sound Assistant
Gunmen (1993)
Directed by: Deran Sarafian
Cinematography by: Hiro Narita
Edited by: Bonnie Koehler
