Post Sound Coordinator
Clemency (2019)
Directed by: Chinonye Chukwu
Cinematography by: Eric Branco
Edited by: Phyllis Housen
Lenses: Cooke Anamorphic Lenses
Post Sound Coordinator
'PEN15' First Day (2019)
Directed by: Daniel Gray Longino
Cinematography by: Andy Rydzewski
Edited by: Matt McBrayer
Post Sound Coordinator
'PEN15' Ojichan (2019)
Directed by: Daniel Gray Longino
Cinematography by: Andy Rydzewski
Edited by: Matt McBrayer
Post Sound Coordinator
'PEN15' Miranda (2019)
Directed by: Daniel Gray Longino
Cinematography by: Andy Rydzewski
Edited by: Taichi Erskine
Post Sound Coordinator
'PEN15' Solo (2019)
Directed by: Andrew DeYoung
Cinematography by: Andy Rydzewski
Edited by: Taichi Erskine
Post Sound Coordinator
'PEN15' Community Service (2019)
Directed by: Andrew DeYoung
Cinematography by: Andy Rydzewski
Edited by: Amelia Allwarden
Post Sound Coordinator
'PEN15' AIM (2019)
Directed by: Sam Zvibleman
Cinematography by: Andy Rydzewski
Edited by: Matt McBrayer
Post Sound Coordinator
'PEN15' Posh (2019)
Directed by: Andrew DeYoung
Cinematography by: Andy Rydzewski
Edited by: Amelia Allwarden
Post Sound Coordinator
'PEN15' Wild Things (2019)
Directed by: Sam Zvibleman
Cinematography by: Andy Rydzewski
Edited by: Matt McBrayer
Post Sound Coordinator
'PEN15' Anna Ishii-Peters (2019)
Directed by: Sam Zvibleman
Cinematography by: Andy Rydzewski
Edited by: Taichi Erskine
Post Sound Coordinator
'PEN15' Dance (2019)
Directed by: Sam Zvibleman
Cinematography by: Andy Rydzewski
Edited by: Taichi Erskine
Adr Facility Supervisor
Tully (2018)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Stefan Grube
Cameras: ARRI ALEXA Mini Camera
Adr Facility Supervisor
Before I Fall (2017)
Directed by: Ry Russo-Young
Cinematography by: Michael Fimognari
Edited by: Joe Landauer
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Plus Lenses
Adr Facility Supervisor
The 33 (2015)
Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Michael Tronick
Adr Facility Supervisor
'Orphan Black' Variable and Full of Perturbation (2014)
Directed by: John Fawcett
Cinematography by: Aaron Morton
Edited by: Brett Sullivan
Post Sound Coordinator
10 Cent Pistol (2014)
Directed by: Michael C. Martin
Cinematography by: Michael Fimognari
Edited by: Aram Nigoghossian
Cameras: Aaton XTR Prod Camera
Post Sound Coordinator
Manhunt: The Inside Story of the Hunt for Bin Laden (2013)
Directed by: Greg Barker
Edited by: Joe Bini
Cameras: Sony PMW-F3 Camera
Adr Facility Supervisor - 1 Episode, 2014
Orphan Black (2013)
Directed by: John Fawcett, David Frazee, Ken Girotti, T.J. Scott, Grant Harvey, Helen Shaver, Aaron Morton, David Wellington, Brett Sullivan, Chris Grismer, Vincenzo Natali, Peter Stebbings
Edited by: Jay Prychidny, D. Gillian Truster, Brett Sullivan, Reginald Harkema, Stephen Lawrence, Stephen Philipson, Stephen Roque, Matthew Anas
Cameras: ARRI ALEXA XT Camera
Adr Facility Supervisor
We Are What We Are (2013)
Directed by: Jim Mickle
Cinematography by: Ryan Samul
Edited by: Jim Mickle
Cameras: Red Epic Camera
Lenses: Red Pro Prime Lenses, Red Pro Zoom Lenses
Adr Facility Supervisor
The Spectacular Now (2013)
Directed by: James Ponsoldt
Cinematography by: Jess Hall
Edited by: Darrin Navarro
Post Sound Coordinator
Filly Brown (2012)
Cinematography by: Ben Kufrin
Cameras: Red One MX Camera
Lenses: Zeiss Lenses
Adr Facility Supervisor
Lawless (2012)
Directed by: John Hillcoat
Cinematography by: Benoît Delhomme
Edited by: Dylan Tichenor
Cameras: ARRI ALEXA Camera
Post Sound Coordinator
Battlefield America (2012)
Directed by: Chris Stokes
Cinematography by: Miko Dannels
Adr Facility Supervisor
Safety Not Guaranteed (2012)
Directed by: Colin Trevorrow
Cinematography by: Benjamin Kasulke
Cameras: Sony PMW-F3 Camera
Adr Facility Supervisor
The Cold Light of Day (2012)
Directed by: Mabrouk El Mechri
Cinematography by: Remi Adefarasin
Edited by: Valerio Bonelli
Cameras: ARRIFLEX 435 Camera
Editing System: Avid Editing System
Post Sound Coordinator
Tim and Eric's Billion Dollar Movie (2012)
Cinematography by: Rachel Morrison
Post Sound Coordinator
Apart (2011)
Directed by: Aaron Rottinghaus
Cinematography by: J.P. Lipa
Edited by: Aaron Rottinghaus
Adr Facility Supervisor
Judy Moody and the Not Bummer Summer (2011)
Directed by: John Schultz
Cinematography by: Shawn Maurer
Edited by: John Pace
Post Sound Coordinator
God Don't Make the Laws (2011)
Directed by: David Sabbath
Cinematography by: Adam N. White
Edited by: David Sabbath
Cameras: ARRI Cameras
Adr Facility Supervisor
Faster (2010)
Directed by: George Tillman Jr.
Cinematography by: Michael Grady
Edited by: Dirk Westervelt
Post Sound Coordinator
Kaboom (2010)
Directed by: Gregg Araki
Cinematography by: Sandra Valde-Hansen
Edited by: Gregg Araki
Post Sound Coordinator
Stay Cool (2009)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Edited by: Cary Gries
Post Sound Coordinator
X Games 3D: The Movie (2009)
Directed by: Steven Lawrence
Cinematography by: Matt Goodman
Edited by: Todd Crites
Studio Manager
Scooby-Doo! The Mystery Begins (2009)
Directed by: Brian Levant
Cinematography by: Jan Kiesser
Edited by: Eric Osmond
Studio Manager
American Son (2008)
Directed by: Neil Abramson
Cinematography by: Kris Kachikis
Edited by: Karen Schmeer
Studio Manager
Adventures of Power (2008)
Directed by: Ari Gold
Cinematography by: Lisa Wiegand
Edited by: Geraud Brisson
Lenses: Zeiss Super Speed Lenses
Studio Manager
Lost Boys: The Tribe (2008)
Directed by: P.J. Pesce
Cinematography by: Barry Donlevy
Edited by: Amanda I. Kirpaul
Studio Manager
Tenure (2008)
Directed by: Mike Million
Cinematography by: Steve Yedlin
Edited by: Tom McArdle
