Errol Stussi

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"Stranger Things" Chapter Four: Dear Billy | ShotOnWhat?

Digital Artist: Scanline VFX

'Stranger Things' Chapter Four: Dear Billy (2022)

Television Episode

Directed by: Shawn Levy

Cinematography by: Brett Jutkiewicz

Edited by: Dean Zimmerman

"Stranger Things" Chapter Two: Vecna's Curse | ShotOnWhat?

Digital Artist: Scanline VFX

'Stranger Things' Chapter Two: Vecna's Curse (2022)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Caleb Heymann

Edited by: Nat Fuller, Dean Zimmerman

Visual Effects Crew: Scanline VFX

The Batman (2022)

Motion Picture

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: William Hoy, Tyler Nelson

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera, ARRI ALEXA Plus 4:3 Camera

Lenses: ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses

Black Panther: Wakanda Forever | ShotOnWhat?

Vfx Crew: Scanline VFX

Black Panther: Wakanda Forever (2022)

Motion Picture

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Vfx Coordinator: Scanline VFX

Black Panther (2018)

Motion Picture

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Visual Effects Production: Scanline VFX

The Meg (2018)

Motion Picture

Directed by: Jon Turteltaub

Cinematography by: Tom Stern

Edited by: Steven Kemper, Kelly Matsumoto

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Angenieux Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

I/o Coordinator: Visual Effects

Guardians of the Galaxy Vol. 2 (2017)

Motion Picture

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Knights of the Roundtable: King Arthur | ShotOnWhat?

I/o Coordinator: Visual Effects

King Arthur: Legend of the Sword (2017)

Motion Picture

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

I/o Coordinator

Ben-Hur (2016)

Motion Picture

Directed by: Timur Bekmambetov

Cinematography by: Oliver Wood

Edited by: Dody Dorn, Richard Francis-Bruce

Cameras: ARRI ALEXA Series Cameras, GoPro (Woodman Labs) Cameras, Red Digital Cinema Cameras

Editing System: Avid Editing System

Batman v Superman: Dawn of Justice | ShotOnWhat?

Stereo Coordinator: Scanline VFX

Batman v Superman: Dawn of Justice (2016)

Motion Picture

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: David Brenner

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

I/o Coordinator: Visual Effects

The 5th Wave (2016)

Motion Picture

Directed by: J Blakeson

Cinematography by: Enrique Chediak

Edited by: Paul Rubell

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

I/o Coordinator: Visual Effects

Suicide Squad (2016)

Motion Picture

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Digital Artist: Scanline VFX - 2 Episodes, 2022

Stranger Things (2016)

Television Series

Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg

Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco

Edited by: Dean Zimmerman, Nat Fuller, Kevin D. Ross, Katheryn Naranjo, Casey Cichocki

Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera

Lenses: Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

I/o Coordinator

The Hunger Games: Mockingjay - Part 2 (2015)

Motion Picture

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

I/o Coordinator: Visual Effects

The Hateful Eight (2015)

Motion Picture

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

Editing System: Avid Editing System

I/o Coordinator

Pan (2015)

Motion Picture

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

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Errol Stussi

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Digital Artist: Scanline VFX

'Stranger Things' Chapter Four: Dear Billy (2022)

Digital Artist: Scanline VFX

'Stranger Things' Chapter Two: Vecna's Curse (2022)

Visual Effects Crew: Scanline VFX

The Batman (2022)

Vfx Crew: Scanline VFX

Black Panther: Wakanda Forever (2022)

Vfx Coordinator: Scanline VFX

Black Panther (2018)

Visual Effects Production: Scanline VFX

The Meg (2018)

I/o Coordinator: Visual Effects

Guardians of the Galaxy Vol. 2 (2017)

I/o Coordinator: Visual Effects

King Arthur: Legend of the Sword (2017)

I/o Coordinator

Ben-Hur (2016)

Stereo Coordinator: Scanline VFX

Batman v Superman: Dawn of Justice (2016)

I/o Coordinator: Visual Effects

The 5th Wave (2016)

I/o Coordinator: Visual Effects

Suicide Squad (2016)

Digital Artist: Scanline VFX - 2 Episodes, 2022

Stranger Things (2016)

I/o Coordinator

The Hunger Games: Mockingjay - Part 2 (2015)

I/o Coordinator: Visual Effects

The Hateful Eight (2015)

I/o Coordinator

Pan (2015)

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