Digital Intermediate Producer
The Adjustment Bureau (2011)
Directed by: George Nolfi
Cinematography by: John Toll
Edited by: Jay Rabinowitz
Digital Intermediate Producer
Dear John (2010)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Kristina Boden
Cameras: Panavision Panaflex Platinum Camera
Digital Intermediate Producer
Jack Goes Boating (2010)
Directed by: Philip Seymour Hoffman
Cinematography by: W. Mott Hupfel III
Edited by: Brian A. Kates
Lenses: Cooke S4 Lenses
Digital Intermediate Project Manager
It's Kind of a Funny Story (2010)
Cinematography by: Andrij Parekh
Edited by: Anna Boden
Digital Intermediate Producer
Twelve (2010)
Directed by: Joel Schumacher
Cinematography by: Steven Fierberg
Digital Intermediate Producer
You Don't Know Jack (2010)
Directed by: Barry Levinson
Cinematography by: Eigil Bryld
Edited by: Aaron Yanes
Digital Intermediate Producer
Black Swan (2010)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses: Zeiss Ultra 16 Lenses
Editing System: Avid Editing System
Digital Intermediate Producer
Blue Valentine (2010)
Directed by: Derek Cianfrance
Cinematography by: Andrij Parekh
Cameras: ARRIFLEX 416 Camera, Red One Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Digital Intermediate Producer
Winter's Bone (2010)
Directed by: Debra Granik
Cinematography by: Michael McDonough
Edited by: Affonso Gonçalves
Cameras: Red One Camera
Lenses: Zeiss Master Prime Lenses
Digital Intermediate Producer
Life During Wartime (2009)
Directed by: Todd Solondz
Cinematography by: Edward Lachman
Edited by: Kevin Messman
Digital Intermediate Producer
Precious (2009)
Directed by: Lee Daniels
Cinematography by: Andrew Dunn
Edited by: Joe Klotz
Lenses: Angenieux Lenses, Cooke S4 Lenses
Digital Intermediate Producer
After.Life (2009)
Directed by: Agnieszka Wojtowicz-Vosloo
Cinematography by: Anastas N. Michos
Edited by: Niven Howie
Digital Opticals Producer: Technicolor, NY
Whatever Works (2009)
Directed by: Woody Allen
Cinematography by: Harris Savides
Edited by: Alisa Lepselter
Digital Intermediate Producer
The Private Lives of Pippa Lee (2009)
Directed by: Rebecca Miller
Cinematography by: Declan Quinn
Edited by: Sabine Hoffman
Digital Intermediate Producer
Cold Souls (2009)
Directed by: Sophie Barthes
Cinematography by: Andrij Parekh
Edited by: Andrew Mondshein
Project Manager: Technicolor NY
Pride and Glory (2008)
Directed by: Gavin O'Connor
Cinematography by: Declan Quinn
Digital Intermediate Project Manager: New York
Stop-Loss (2008)
Directed by: Kimberly Peirce
Cinematography by: Chris Menges
Edited by: Claire Simpson
Digital Intermediate Producer
Afterschool (2008)
Directed by: Antonio Campos
Cinematography by: Jody Lee Lipes
Edited by: Antonio Campos
Cameras: ARRIFLEX 535 Camera
Digital Intermediate Producer
The Reader (2008)
Directed by: Stephen Daldry
Edited by: Claire Simpson
Lenses: Zeiss Master Prime Lenses
Digital Intermediate Producer
The Wrestler (2008)
Directed by: Darren Aronofsky
Cinematography by: Maryse Alberti
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera
Digital Intermediate Producer: Technicolor NY
The Nanny Diaries (2007)
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Digital Intermediate Producer: Technicolor
Perfect Stranger (2007)
Directed by: James Foley
Cinematography by: Anastas N. Michos
Edited by: Christopher Tellefsen
Digital Intermediate Producer
Hot Rod (2007)
Directed by: Akiva Schaffer
Cinematography by: Andrew Dunn
Edited by: Malcolm Campbell
Digital Intermediate Producer: New York, Technicolor Digital Intermediates
The Darjeeling Limited (2007)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Panavision Cameras
Supervisor: High Definition Dailies
Inside Man (2006)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Digital Intermediate Project Manager
The War Within (2005)
Directed by: Joseph Castelo
Cinematography by: Lisa Rinzler
Edited by: Malcolm Jamieson
