Post-production Producer
Everything Everywhere All at Once (2022)
Cinematography by: Larkin Seiple
Edited by: Paul Rogers
Cameras: ARRI ALEXA Mini Camera
Lenses: Atlas Orion Anamorphic Series Lenses, Hawk V-Lite Lenses, Todd-AO Lenses, Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Elements Producer
The Girl with the Dragon Tattoo (2011)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System, Sony Vegas Editing System
Post-production Supervisor
The Social Network (2010)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red One MX Camera
Editing System: Adobe Premiere Editing System
Post-production Executive
Piranha 3D (2010)
Directed by: Alexandre Aja
Cinematography by: John R. Leonetti
Edited by: Baxter
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Post-production Executive
Shanghai (2010)
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Executive In Charge Of Post-production: Dimension Films
Halloween II (2009)
Directed by: Rob Zombie
Cinematography by: Brandon Trost
Cameras: ARRI Cameras
Executive In Charge Of Post-production: Dimension Films
Youth in Revolt (2009)
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Executive In Charge Of Post-production: The Weinstein Company
Zack and Miri Make a Porno (2008)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Post-production Executive
Soul Men (2008)
Directed by: Malcolm D. Lee
Cinematography by: Matthew F. Leonetti
Post-production Supervisor
The Kite Runner (2007)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Post-production Supervisor
Rocky Balboa (2006)
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses: Zeiss Master Prime Lenses
Post-production Supervisor
The Prize Winner of Defiance, Ohio (2005)
Directed by: Jane Anderson
Cinematography by: Jonathan Freeman
Edited by: Robert Dalva
Post-production Supervisor
The Forgotten (2004)
Directed by: Joseph Ruben
Cinematography by: Anastas N. Michos
Edited by: Richard Francis-Bruce
Post-production Supervisor
America's Sweethearts (2001)
Directed by: Joe Roth
Cinematography by: Phedon Papamichael
Edited by: Stephen A. Rotter
Visual Effects Coordinator: Toybox
The Cell (2000)
Directed by: Tarsem Singh
Cinematography by: Paul Laufer
Visual Effects Post Producer
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
