Executive Producer, Unit Production Manager
The Help (2011)
Directed by: Tate Taylor
Cinematography by: Stephen Goldblatt
Edited by: Hughes Winborne
Unit Production Manager - 1 Episode, 2008
Privileged (2008)
Unit Production Manager
Body of Lies (2008)
Directed by: Ridley Scott
Cinematography by: Alexander Witt
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Production Manager
Rent (2005)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Richard Pearson
Unit Production Manager: U.S.
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Unit Production Manager
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
First Assistant Director: Second Unit
Bicentennial Man (1999)
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
First Assistant Director: Present Day Sequences, Unit Production Manager
The Green Mile (1999)
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Richard Francis-Bruce
Cameras: Panavision Panaflex Platinum Camera
First Assistant Director: Los Angeles Post Production Unit
The Thin Red Line (1998)
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Assistant Director
The Hi-Lo Country (1998)
Directed by: Stephen Frears
Cinematography by: Oliver Stapleton
Edited by: Masahiro Hirakubo
Assistant Director: Second Unit
Sphere (1998)
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Unit Production Manager
L.A. Confidential (1997)
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Peter Honess
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Unit Production Manager: Live Action Unit
James and the Giant Peach (1996)
Directed by: Henry Selick
Edited by: Stan Webb
First Assistant Director
Jack (1996)
Directed by: Francis Ford Coppola
Cinematography by: John Toll
Edited by: Barry Malkin
Cameras: Panavision Cameras
First Assistant Director
Made in America (1993)
Directed by: Richard Benjamin
Cinematography by: Ralf D. Bode
Edited by: Jacqueline Cambas
First Assistant Director
A Perfect World (1993)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
First Assistant Director
Donato and Daughter (1993)
Directed by: Rod Holcomb
Cinematography by: Thomas Del Ruth
Edited by: Christopher Nelson
First Assistant Director
The Dead Pool (1988)
Directed by: Buddy Van Horn
Cinematography by: Jack N. Green
Edited by: Ron Spang
Second Assistant Director
Johnnie Mae Gibson: FBI (1986)
Directed by: Bill Duke
Cinematography by: Hal Trussell
Edited by: Jack Harnish
Second Assistant Director
Heartbreak Ridge (1986)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Second Assistant Director
Ratboy (1986)
Directed by: Sondra Locke
Cinematography by: Bruce Surtees
Edited by: Joel Cox
Cameras: Panavision Cameras
Second Assistant Director
Pale Rider (1985)
Directed by: Clint Eastwood
Cinematography by: Bruce Surtees
Edited by: Joel Cox
Second Assistant Director
Tightrope (1984)
Directed by: Richard Tuggle
Cinematography by: Bruce Surtees
Edited by: Joel Cox
Second Assistant Director
City Heat (1984)
Directed by: Richard Benjamin
Cinematography by: Nick McLean
Edited by: Jacqueline Cambas
Second Assistant Director
The Right Stuff (1983)
Directed by: Philip Kaufman
Cinematography by: Caleb Deschanel
Production Assistant
Honky Tonk Freeway (1981)
Directed by: John Schlesinger
Cinematography by: John Bailey
Edited by: Jim Clark
Production Assistant
More American Graffiti (1979)
Directed by: Bill Norton
Cinematography by: Caleb Deschanel
Cameras: Panavision Cameras
