Vfx Technical Director
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Compositing Technical Director
'Penny Dreadful' No Beast So Fierce (2016)
Directed by: Paco Cabezas
Cinematography by: John Conroy
Edited by: Geoff Ashenhurst
Compositing Technical Director
'Vikings' A Good Treason (2016)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Compositing Technical Director
'Vikings' Mercy (2016)
Directed by: Ciaran Donnelly
Edited by: Tad Seaborn
Compositing Technical Director
'Vikings' Promised (2016)
Directed by: Helen Shaver
Edited by: Christopher Donaldson
Compositing Technical Director
'Vikings' Yol (2016)
Directed by: Helen Shaver
Edited by: Aaron Marshall
Compositing Technical Director
'Vikings' What Might Have Been (2016)
Directed by: Ken Girotti
Edited by: Tad Seaborn
Compositing Technical Director
'Vikings' The Profit and the Loss (2016)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Compositing Technical Director
'Vikings' Portage (2016)
Directed by: Ken Girotti
Edited by: Christopher Donaldson
Compositing Technical Director
'Vikings' The Last Ship (2016)
Directed by: Jeff Woolnough
Cinematography by: Owen McPolin
Edited by: Don Cassidy
Compositing Technical Director
'Vikings' Death All 'Round (2016)
Directed by: Jeff Woolnough
Cinematography by: Owen McPolin
Edited by: Aaron Marshall
Compositing Technical Director
'Penny Dreadful' The Day Tennyson Died (2016)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Christopher Donaldson
Compositing Technical Director
'Penny Dreadful' Predators Far and Near (2016)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Christopher Donaldson
Compositing Technical Director
'Penny Dreadful' Good and Evil Braided Be (2016)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Geoff Ashenhurst
Compositing Technical Director
'Penny Dreadful' A Blade of Grass (2016)
Directed by: Toa Fraser
Cinematography by: Nigel Willoughby
Edited by: Aaron Marshall
Compositing Technical Director
'Penny Dreadful' This World Is Our Hell (2016)
Directed by: Paco Cabezas
Cinematography by: John Conroy
Edited by: Michele Conroy
Compositing Technical Director
'Penny Dreadful' Ebb Tide (2016)
Directed by: Paco Cabezas
Cinematography by: Nigel Willoughby
Edited by: Christopher Donaldson
Compositing Technical Director
'Penny Dreadful' Perpetual Night (2016)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Michele Conroy
Compositing Technical Director
'Penny Dreadful' The Blessed Dark (2016)
Directed by: Paco Cabezas
Cinematography by: Nigel Willoughby
Edited by: Geoff Ashenhurst
Compositing Technical Director
Assassin's Creed (2016)
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Compositor
Ride Along 2 (2016)
Directed by: Tim Story
Cinematography by: Mitchell Amundsen
Edited by: Peter S. Elliot
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Compositing Technical Director
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Compositing Technical Director
Zoolander 2 (2016)
Directed by: Ben Stiller
Cinematography by: Dan Mindel
Edited by: Greg Hayden
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Compositing Technical Director
Ben-Hur (2016)
Directed by: Timur Bekmambetov
Cinematography by: Oliver Wood
Editing System: Avid Editing System
Compositing Technical Director
Crimson Peak (2015)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Bernat Vilaplana
Cameras: ARRI ALEXA XT Camera
Compositing Technical Director - 9 Episodes, 2016
Penny Dreadful (2014)
Directed by: Damon Thomas, James Hawes, Brian Kirk, Paco Cabezas, J.A. Bayona, Coky Giedroyc, Dearbhla Walsh, Kari Skogland, Toa Fraser
Edited by: Michele Conroy, Christopher Donaldson, Geoff Ashenhurst, Aaron Marshall, Jaume Martí, Bernat Vilaplana, Gareth C. Scales
Cameras: ARRI ALEXA Camera
Compositing Technical Director
The Lego Movie (2014)
Cameras: ARRI ALEXA Series Cameras
Editing System: Final Cut Pro Editing System
Compositing Technical Director - 9 Episodes, 2016
Vikings (2013)
Directed by: Ciaran Donnelly, Ken Girotti, Steve Saint Leger, Jeff Woolnough, Daniel Grou, Helen Shaver, David Wellington, Johan Renck, David Frazee, Kari Skogland, Kelly Makin, Sarah Harding, Ben Bolt, Anthony Karkosza, Joshua Zimmerman, Karla Braun, Katheryn Winnick
Edited by: Aaron Marshall, Tad Seaborn, Don Cassidy, Dan Briceno, Michele Conroy, Christopher Donaldson
Lenses: Panavision Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Compositing Technical Director
Walking with Dinosaurs 3D (2013)
Cinematography by: John Brooks
Edited by: John Carnochan
Cameras: Red Epic Camera
Digital Artist: Animal Logic
The Great Gatsby (2013)
Directed by: Baz Luhrmann
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Matchmove Artist: Framestore
Contraband (2012)
Directed by: Baltasar Kormákur
Cinematography by: Barry Ackroyd
Edited by: Elísabet Ronaldsdóttir
Cameras: Aaton Penelope Camera
2d Artist: Framestore
Tinker Tailor Soldier Spy (2011)
Directed by: Tomas Alfredson
Cinematography by: Hoyte Van Hoytema
Edited by: Dino Jonsäter
Editing System: Avid Editing System
Matchmove Artist: Framestore
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
