Carlos de la Sotilla

11 Titles

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Ready Player One | ShotOnWhat?

Digital Compositor: ILM

Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Star Wars: Episode VIII - The Last Jedi | ShotOnWhat?

Transformers: The Last Knight | ShotOnWhat?

A Monster Calls | ShotOnWhat?

Digital Compositor: Glassworks Barcelona

A Monster Calls (2016)

Directed by: J.A. Bayona

Cinematography by: Oscar Faura

Edited by: Jaume Martí, Bernat Vilaplana

Cameras: ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

The Gunman | ShotOnWhat?

Storyboard Artist

The Gunman (2015)

Directed by: Pierre Morel

Cinematography by: Flavio Martínez Labiano

Edited by: Frédéric Thoraval

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Out of the Dark | ShotOnWhat?

Concept Artist, Digital Compositor

Out of the Dark (2014)

Directed by: Lluís Quílez

Cinematography by: Isaac Vila

Edited by: Bernat Vilaplana

Cameras: ARRI ALEXA Studio Camera

Lenses: Hawk C-Series Lenses, Hawk V-Plus Lenses, Kowa Cine Prominar Spherical Lenses

Grand Piano | ShotOnWhat?

Compositor

Grand Piano (2013)

Directed by: Eugenio Mira

Cinematography by: Unax Mendia

Edited by: José Luis Romeu, Rodrigo Cortés

Lenses: Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

[REC] 3: Genesis | ShotOnWhat?

Compositor

[REC] 3: Genesis (2012)

Directed by: Paco Plaza

Cinematography by: Pablo Rosso

Edited by: David Gallart

Cameras: ARRI ALEXA Camera

Lenses: Hawk V-Lite Lenses

Total Recall | ShotOnWhat?

Paint/prep Artist: Double Negative

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Skyfall | ShotOnWhat?

Senior Paint Artist: Double Negative

Skyfall (2012)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Buried | ShotOnWhat?

Storyboard Artist

Buried (2010)

Directed by: Rodrigo Cortés

Cinematography by: Eduard Grau

Edited by: Rodrigo Cortés

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