Final Colorist
'Ice' It All Comes to This (2018)
Directed by: Edward Allen Bernero
Cinematography by: Christos Bitsakos
Edited by: Lisa Binkley
Final Colorist
'Ice' Game of Stones (2018)
Directed by: Edward Allen Bernero
Cinematography by: Christos Bitsakos
Edited by: Lisa Binkley
Final Colorist
'Ice' Rendezvous with Death (2018)
Directed by: Samira Radsi
Cinematography by: Christos Bitsakos
Edited by: Stein Myhrstad
Final Colorist
'Ice' Heart of Darkness (2018)
Directed by: Guy Norman Bee
Cinematography by: Christos Bitsakos
Edited by: Daria Ellerman
Final Colorist
'Ice' Thicker Than Water (2018)
Directed by: Edward Allen Bernero
Cinematography by: Christos Bitsakos
Edited by: Stein Myhrstad
Final Colorist
'Ice' Run You Bastards Run (2017)
Directed by: Ashley Way
Cinematography by: Robert Aschmann
Edited by: Lisa Binkley
Final Colorist
'Ice' Clarity (2017)
Directed by: T.J. Scott
Cinematography by: Robert Aschmann
Edited by: Stein Myhrstad
Final Colorist
'Ice' Facet (2017)
Directed by: John David Coles
Cinematography by: Robert Aschmann
Edited by: Jamie Alain
Final Colorist
'Ice' Side Trip (2017)
Directed by: Peter Werner
Cinematography by: Robert Aschmann
Edited by: Lisa Binkley
Final Colorist
'Ice' The Cut (2017)
Directed by: Jon Amiel
Cinematography by: Robert Aschmann
Edited by: Jamie Alain
Final Colorist
'Ice' The Line (2016)
Directed by: Norberto Barba
Cinematography by: Robert Aschmann
Edited by: Jamie Alain
Final Colorist
'Ice' Two Handkerchiefs (2016)
Directed by: Ashley Way
Cinematography by: Robert Aschmann
Edited by: Stein Myhrstad
Final Colorist - 14 Episodes, 2016-2018
Ice (2016)
Directed by: Guy Norman Bee, Edward Allen Bernero, Ashley Way, Norberto Barba, Thomas Carter, Antoine Fuqua, Jon Amiel, John David Coles, Rod Holcomb, T.J. Scott, Peter Werner, Samira Radsi
Edited by: Lisa Binkley, Stein Myhrstad, Jamie Alain, Daria Ellerman, Luis Carballar, William Paley, Adina Moore
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic 44-440 mm A2S T4.5 Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens, Zeiss Master Prime Lenses
Colorist
Edge of Winter (2016)
Directed by: Rob Connolly
Cinematography by: Norm Li
Edited by: Greg Ng
Cameras: Red Epic Dragon Camera
Final Colorist
'Ice' Tears of the Gods (2016)
Directed by: Thomas Carter
Cinematography by: Robert Aschmann
Edited by: Lisa Binkley
Digital Intermediate Colorist
Girl in Progress (2012)
Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Dan Schalk
Cameras: Red One MX Camera
Lenses: Angenieux Optimo Zoom Lenses
Digital Intermediate Colorist: Technicolor Creative Services, Vancouver
In the Name of the King: Two Worlds (2011)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: Peter Forslund
Digital Intermediate Colorist: Laser Pacific
Beyond the Black Rainbow (2010)
Directed by: Panos Cosmatos
Cinematography by: Norm Li
Edited by: Nicholas T. Shepard
Cameras: Panavision Panaflex Gold II Camera
Digital Intermediate Colorist
Repeaters (2010)
Directed by: Carl Bessai
Cinematography by: Carl Bessai
Edited by: Mark Shearer
Digital Film Colorist
Altitude (2010)
Directed by: Kaare Andrews
Cinematography by: Norm Li
Edited by: Chris Bizzocchi
Digital Intermediate Colorist
Fear Island (2009)
Directed by: Michael Storey
Cinematography by: Glenn Warner
Digital Intermediate Colorist
The Thaw (2009)
Directed by: Mark A. Lewis
Cinematography by: Jan Kiesser
Edited by: Rob Neilson
Final Colorist
45 R.P.M. (2008)
Directed by: Dave Schultz
Cinematography by: Craig Wrobleski
Edited by: Bridget Durnford
Digital Transfers
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Digital Transfers
Are We There Yet? (2005)
Directed by: Brian Levant
Cinematography by: Thomas E. Ackerman
Edited by: Lawrence Jordan
Final Colorist
Just Friends (2005)
Directed by: Roger Kumble
Cinematography by: Anthony B. Richmond
Edited by: Jeff Freeman
Colourist
Severed (2005)
Directed by: Carl Bessai
Cinematography by: James Liston
Edited by: Julian Clarke
Color Timer
Fetching Cody (2005)
Directed by: David Ray
Cinematography by: Paul Mitchnick
Edited by: Karen Porter
Telecine Transfer: Toybox
Miracle (2004)
Directed by: Gavin O'Connor
Cinematography by: Dan Stoloff
Cameras: Panavision Cameras
Colorist: Digital Pictures / Telecine Transfers: Digital Pictures
Mr. Accident (2000)
Directed by: Yahoo Serious
Cinematography by: Steve Arnold
Edited by: Simon Martin
Telecine Transfers: Digital Pictures / Colorist: Digital Pictures
Oscar and Lucinda (1997)
Directed by: Gillian Armstrong
Cinematography by: Geoffrey Simpson
Edited by: Nicholas Beauman
Cameras: Panavision Panaflex Gold II Camera
Colorist: Digital Pictures
Paradise Road (1997)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Tim Wellburn
Colorist: Video 8 Broadcast
Operation Dumbo Drop (1995)
Directed by: Simon Wincer
Cinematography by: Russell Boyd
Edited by: O. Nicholas Brown
