Frank Strzalkowski

17 Titles

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Gaffer: Kerner Optical

Big Miracle (2012)

Motion Picture

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Cara Silverman

Lenses: Panavision C360 350 mm T4.0 Lens, Panavision Primo Anamorphic Lenses

Visual Effects Gaffer: Kerner Optical

The Last Airbender (2010)

Motion Picture

Directed by: M. Night Shyamalan

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Chi bi Part II: Jue zhan tian xia | ShotOnWhat?

Visual Effects Gaffer: Kerner Optical

Chi bi: Jue zhan tian xia (2009)

Motion Picture

Directed by: John Woo

Cinematography by: Yue Lü, Li Zhang

Edited by: Angie Lam, David Wu, Hongyu Yang

Visual Effects Gaffer: Kerner Optical

Terminator Salvation (2009)

Motion Picture

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Conrad Buff IV

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Gaffer: Live Action Production

WALL·E (2008)

Motion Picture

Directed by: Andrew Stanton

Cinematography by: Martin Rosenberg

Edited by: Stephen Schaffer

Visual Effects Gaffer: Kerner Optical

Red Cliff (2008)

Motion Picture

Directed by: John Woo

Cinematography by: Yue Lü, Li Zhang

Edited by: Robert A. Ferretti, Angie Lam, Hongyu Yang

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

Minatures And Special Effects Crew: Kerner Optical

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Motion Picture

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Master and Commander: The Far Side of the World | ShotOnWhat?

Stage Technician: ILM

Master and Commander: The Far Side of the World (2003)

Motion Picture

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Practical Effects: ILM

Hulk (2003)

Motion Picture

Directed by: Ang Lee

Cinematography by: Frederick Elmes

Edited by: Tim Squyres

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke Panchro/i Classic Lenses, Cooke S4 Lenses

Stage Technician: ILM

Planet of the Apes (2001)

Motion Picture

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Gaffer

Made in America (1993)

Motion Picture

Directed by: Richard Benjamin

Cinematography by: Ralf D. Bode

Edited by: Jacqueline Cambas

Gaffer: Second Unit - San Francisco

Basic Instinct (1992)

Motion Picture

Directed by: Paul Verhoeven

Cinematography by: Jan de Bont

Edited by: Frank J. Urioste

Cameras: Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

Best Boy Electric

Class Action (1991)

Motion Picture

Directed by: Michael Apted

Cinematography by: Conrad L. Hall

Edited by: Ian Crafford

Electrician: Northern California

Dying Young (1991)

Motion Picture

Directed by: Joel Schumacher

Cinematography by: Juan Ruiz Anchía

Edited by: Robert Brown, Jim Prior

Electrician

The Dead Pool (1988)

Motion Picture

Directed by: Buddy Van Horn

Cinematography by: Jack N. Green

Edited by: Ron Spang

Best Boy

Birdy (1984)

Motion Picture

Directed by: Alan Parker

Cinematography by: Michael Seresin

Edited by: Gerry Hambling

Cameras: Panavision Cameras

Star Wars: Episode VI - Return of the Jedi | ShotOnWhat?

Grip

Star Wars: Episode VI - Return of the Jedi (1983)

Motion Picture

Directed by: Richard Marquand

Cinematography by: Alan Hume, Alec Mills

Edited by: Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

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Frank Strzalkowski

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Gaffer: Kerner Optical

Big Miracle (2012)

Visual Effects Gaffer: Kerner Optical

The Last Airbender (2010)

Visual Effects Gaffer: Kerner Optical

Chi bi: Jue zhan tian xia (2009)

Visual Effects Gaffer: Kerner Optical

Terminator Salvation (2009)

Gaffer: Live Action Production

WALL·E (2008)

Visual Effects Gaffer: Kerner Optical

Red Cliff (2008)

Minatures And Special Effects Crew: Kerner Optical

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Stage Technician: ILM

Master and Commander: The Far Side of the World (2003)

Practical Effects: ILM

Hulk (2003)

Stage Technician: ILM

Planet of the Apes (2001)

Gaffer

Made in America (1993)

Gaffer: Second Unit - San Francisco

Basic Instinct (1992)

Best Boy Electric

Class Action (1991)

Electrician: Northern California

Dying Young (1991)

Electrician

The Dead Pool (1988)

Best Boy

Birdy (1984)

Grip

Star Wars: Episode VI - Return of the Jedi (1983)

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