Lenses » ARRI Lenses

ARRI / Fujinon Lenses : 40ARRI / Zeiss Lenses : 691ARRI Anamorphic Ultra Wide Zoom 19-36mm T4... : 1ARRI Arriscope Lenses : 1ARRI Rental Lenses : 22ARRI Shift & Tilt System Lens : 7ARRI Signature Prime Lenses : 14ARRI Ultra Wide Zoom 9.5-18mm T2.9 Lens : 1

ARRI Lenses | 761 Titles

Rate It

« Previous 1 … 12 13 14 15 16 … 39 Next »

LessUpdatedTitleYear

9 mois ferme (2013)

Motion Picture | 2D | Color | 2.39:1 | 82 Minutes

Directed by | Albert Dupontel | Cinematography by | Vincent Mathias | Editing by | Christophe Pinel

Starring | Albert Dupontel, Sandrine Kiberlain, Nicolas Marié, Philippe Uchan

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

La Vénus à la fourrure (2013)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze, Margot Meynier

Starring | Emmanuelle Seigner, Mathieu Amalric

Cameras | Sony CineAlta F65 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Labor Day (2013)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman

Starring | Kate Winslet, Josh Brolin, Gattlin Griffith, Clark Gregg

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses

Eden (2014)

Motion Picture | 2D | Color | 131 Minutes

Directed by | Mia Hansen-Løve | Cinematography by | Denis Lenoir | Editing by | Marion Monnier

Starring | Félix de Givry, Pauline Etienne, Vincent Macaigne, Hugo Conzelmann

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses

Nymphomaniac: Vol. II (2013)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard

Starring | Charlotte Gainsbourg, Stellan Skarsgård, Willem Dafoe, Jamie Bell

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses

Party Girl (2014)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Marie Amachoukeli-Barsacq, Claire Burger, Samuel Theis | Cinematography by | Julien Poupard | Editing by | Frédéric Baillehaiche

Starring | Angélique Litzenburger, Joseph Bour, Mario Theis, Samuel Theis

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke miniS4/i Lenses, Zeiss Ultra Prime Lenses

24 Days (2014)

Motion Picture | 2D | Color | 108 Minutes

Directed by | Alexandre Arcady | Cinematography by | Gilles Henry | Editing by | Manuel De Sousa

Starring | Zabou Breitman, Pascal Elbé, Jacques Gamblin, Sylvie Testud

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

The Salvation (2014)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Kristian Levring | Cinematography by | Jens Schlosser | Editing by | Pernille Bech Christensen

Starring | Mads Mikkelsen, Eva Green, Jeffrey Dean Morgan, Eric Cantona

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Lou! Journal infime (2014)

Motion Picture | 2D | Color | 104 Minutes

Directed by | Julien Neel | Cinematography by | Pierre Milon | Editing by | Yannick Kergoat

Starring | Ludivine Sagnier, Kyan Khojandi, Lola Lasseron, Nathalie Baye

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Sherlock (2010)

Television Series | 2D | Color | 1.78:1 (16x9) | 88 Minutes

| Cinematography by | Steve Lawes, Fabian Wagner, Neville Kidd, Matt Gray, Suzie Lavelle, Stuart Biddlecombe, David Luther | Editing by | Charlie Phillips, Yan Miles, Nick Arthurs, Mali Evans, Tim Porter, Mark Davis, Andrew McClelland, William Oswald

Starring | Benedict Cumberbatch, Martin Freeman, Una Stubbs, Rupert Graves

Cameras | ARRI ALEXA Series Cameras, Sony CineAlta F35 Camera

Lenses | Cooke S4 Lenses, Zeiss Super Speed Lenses

Kikaidâ Reboot (2014)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Ten Shimoyama

Starring | Jingi Irie, Kazushige Nagashima, Aimi Satsukawa, Yûto Ikeda

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Fishing Without Nets (2014)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Directed by | Cutter Hodierne | Cinematography by | Alex Disenhof | Editing by | Cutter Hodierne, Dominic LaPerriere

Starring | Abdiwali Farrah, Eric Godon, Abdikhadir Hassan, Idil Ibrahim

Cameras | Red Epic Camera, Red Scarlet Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Super Speed Lenses

Les yeux jaunes des crocodiles (2014)

Motion Picture | 2D | Color | 118 Minutes

Directed by | Cécile Telerman | Cinematography by | Colin Houben, Pascal Ridao

Starring | Julie Depardieu, Emmanuelle Béart, Patrick Bruel, Alice Isaaz

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Leviathan (2014)

Motion Picture | 2D | Color | 2.39:1 | 140 Minutes

Directed by | Andrey Zvyagintsev | Cinematography by | Mikhail Krichman | Editing by | Anna Mass

Starring | Aleksey Serebryakov, Elena Lyadova, Roman Madyanov, Vladimir Vdovichenkov

Cameras | ARRIFLEX Camera

Lenses | Zeiss Master Prime Lenses

La ritournelle (2014)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Marc Fitoussi | Cinematography by | Agnès Godard | Editing by | Laure Gardette

Starring | Isabelle Huppert, Jean-Pierre Darroussin, Michael Nyqvist, Pio Marmaï

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses

Deux jours, une nuit (2014)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Jean-Pierre Dardenne, Luc Dardenne | Cinematography by | Alain Marcoen | Editing by | Marie-Hélène Dozo

Starring | Marion Cotillard, Fabrizio Rongione, Catherine Salée, Baptiste Sornin

Cameras | ARRI ALEXA M Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Zeiss Standard Speed Prime Lenses

My King (2015)

Motion Picture | 2D | Color | 124 Minutes

Directed by | Maïwenn | Cinematography by | Claire Mathon | Editing by | Simon Jacquet

Starring | Vincent Cassel, Emmanuelle Bercot, Louis Garrel, Isild Le Besco

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Zeiss Super Speed Lenses

Boomerang (2015)

Television Series | 2D | Color |

| Cinematography by | Louis-Philippe Blain | Editing by | Claude Palardy

Starring | Marie-Thérèse Fortin, Marc Messier, Magalie Lépine Blondeau, Fabien Cloutier

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

Wild (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Martin Pensa, Jean-Marc Vallée

Starring | Reese Witherspoon, Laura Dern, Gaby Hoffmann, Michiel Huisman

Cameras | ARRI ALEXA XT Camera

Lenses | Zeiss Master Prime Lenses, Zeiss Super Speed Lenses

Under the Skin (2013)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Jonathan Glazer | Cinematography by | Daniel Landin | Editing by | Paul Watts

Starring | Scarlett Johansson, Jeremy McWilliams, Lynsey Taylor Mackay, Dougie McConnell

Cameras | ARRI ALEXA Plus Camera, one-cam Camera

Lenses | Kowa Lenses, Schneider Cinegon Lenses, Schneider Xenon FF Prime Lenses, Schneider Xenoplan Lenses, Zeiss Super Speed Lenses

« Previous 1 … 12 13 14 15 16 … 39 Next »

©2012 - 2025 ShotOnWhat?

20254.20