Angenieux Optimo Zoom Lenses | 645 Titles
Nymphomaniac: Vol. I (2013)
Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard
Quartet (2012)
Trilogia II: I skoni tou hronou (2008)
Directed by | Theodoros Angelopoulos | Cinematography by | Andreas Sinanos | Editing by | Giorgos Helidonidis, Yannis Tsitsopoulos
Cameras | ARRIFLEX 535 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Lone Survivor (2013)
Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr.
Cameras | Phantom Flex Camera, Red Epic Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens
Blood Ties (2013)
Directed by | Guillaume Canet | Cinematography by | Christophe Offenstein | Editing by | Hervé de Luze
Cameras | ARRI ALEXA Plus Camera
Prisoners of the Sun (2013)
Directed by | Roger Christian | Cinematography by | Ed Wild | Editing by | Valerie Haaf, Alan Strachan
Cameras | ARRIFLEX 435 Camera, ARRIFLEX D-20 Camera
Lenses | Angenieux Optimo Zoom Lenses
Puhdistus (2012)
Directed by | Antti Jokinen | Cinematography by | Rauno Ronkainen | Editing by | Kimmo Taavila
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Thérèse (2012)
Directed by | Claude Miller | Cinematography by | Gérard de Battista | Editing by | Véronique Lange
Cameras | ARRI ALEXA Camera
Nous York (2012)
Directed by | Hervé Mimran, Géraldine Nakache | Cinematography by | Stéphane Le Parc | Editing by | Benjamin Weill
Cameras | ARRI ALEXA Camera
Something in the Air (2012)
Directed by | Olivier Assayas | Cinematography by | Eric Gautier | Editing by | Luc Barnier
Cameras | Aaton 35-III Camera, Aaton Penelope Camera
Mauvaise fille (2012)
Directed by | Patrick Mille | Cinematography by | Jérôme Alméras | Editing by | Yann Dedet
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke 5/i Lenses, Cooke S4 Lenses
Denis (2013)
Directed by | Lionel Bailliu | Cinematography by | Stéphane Le Parc | Editing by | Vincent Zuffranieri
Cameras | ARRI ALEXA Camera
Un beau dimanche (2013)
Directed by | Nicole Garcia | Cinematography by | Pierre Milon | Editing by | Simon Jacquet
Cameras | ARRI ALEXA Camera
En solitaire (2013)
Directed by | Christophe Offenstein | Cinematography by | Guillaume Schiffman | Editing by | Ruy Diaz, Véronique Lange
Cameras | Red Epic Camera, Red Scarlet Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
À coup sûr (2014)
Directed by | Delphine de Vigan | Cinematography by | Antoine Monod | Editing by | Reynald Bertrand
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Dans la cour (2014)
Directed by | Pierre Salvadori | Cinematography by | Gilles Henry | Editing by | Isabelle Devinck
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Do Not Disturb (2012)
Directed by | Yvan Attal | Cinematography by | Thomas Hardmeier | Editing by | Jennifer Augé
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Master Prime Lenses, Zeiss Super Speed Lenses
Main dans la main (2012)
Directed by | Valérie Donzelli | Cinematography by | Sébastien Buchmann | Editing by | Pauline Gaillard
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Quelques heures de printemps (2012)
Directed by | Stéphane Brizé | Cinematography by | Antoine Héberlé | Editing by | Anne Klotz
Cameras | ARRI ALEXA Camera