Angenieux Optimo Zoom Lenses | 645 Titles
Rue Mandar (2012)
Directed by | Idit Cebula | Cinematography by | Rémy Chevrin | Editing by | Célia Lafitedupont
Cameras | Red Epic Camera
Tu honoreras ta mère et ta mère (2012)
Directed by | Brigitte Roüan | Cinematography by | Agnès Godard | Editing by | Laurent Rouan
Cameras | ARRI ALEXA Camera
Casse-tête chinois (2013)
Le dernier des injustes (2013)
Directed by | Claude Lanzmann | Cinematography by | Caroline Champetier, William Lubtchansky | Editing by | Chantal Hymans
Cameras | Aaton Penelope Camera, Aaton Xterà Camera
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens
La grande boucle (2013)
Directed by | Laurent Tuel | Cinematography by | Gilles Porte | Editing by | Antoine Vareille
Cameras | Red Epic Camera
Bicycling with Molière (2013)
Directed by | Philippe Le Guay | Cinematography by | Jean-Claude Larrieu | Editing by | Monica Coleman
Cameras | Red Epic Camera
Max (2013)
Directed by | Roman Wyden | Cinematography by | Zach Voytas | Editing by | Nik Voytas
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Elle s’en va (2013)
Directed by | Emmanuelle Bercot | Cinematography by | Guillaume Schiffman | Editing by | Julien Leloup
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Möbius (2013)
Directed by | Eric Rochant | Cinematography by | Pierre Novion | Editing by | Pascale Fenouillet
Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera
Bird People (2014)
Directed by | Pascale Ferran | Cinematography by | Julien Hirsch | Editing by | Mathilde Muyard
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses
100% cachemire (2013)
Directed by | Valérie Lemercier | Cinematography by | Denis Lenoir | Editing by | Célia Lafitedupont
Cameras | ARRI ALEXA Studio Camera
Les gamins (2013)
Directed by | Anthony Marciano | Cinematography by | Jean-Paul Agostini | Editing by | Virginie Bruant, Samuel Danési
Cameras | ARRI ALEXA Camera
La dune (2013)
Le coeur des hommes 3 (2013)
Directed by | Marc Esposito | Cinematography by | Pascal Caubère | Editing by | Benoît Alavoine
Cameras | ARRI ALEXA Camera
Les invincibles (2013)
Directed by | Frédéric Berthe | Cinematography by | David Quesemand | Editing by | Vanessa Basté, Hugues Darmois, Stéphane Garnier
Cameras | ARRI ALEXA Camera
Belle et Sébastien (2013)
Directed by | Nicolas Vanier | Cinematography by | Éric Guichard | Editing by | Stéphanie Pedelacq, Raphaele Urtin
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
Collision (2013)
Directed by | David Marconi | Cinematography by | Thomas Hardmeier | Editing by | Julien Rey
Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero2 Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Leitz Summilux-C Series Lenses, Zeiss Compact Prime Lenses
Au bout du conte (2013)
Directed by | Agnès Jaoui | Cinematography by | Lubomir Bakchev | Editing by | Fabrice Rouaud
Cameras | ARRI ALEXA Plus Camera
Le grand retournement (2013)
Directed by | Gérard Mordillat | Cinematography by | François Catonné | Editing by | Marie Quinton
Cameras | Sony PMW-F3 Camera
Foxfire (2012)
Directed by | Laurent Cantet | Cinematography by | Pierre Milon | Editing by | Robin Campillo, Stephanie Leger, Sophie Reine
Cameras | ARRI ALEXA Camera