Assimilate Scratch Finishing System | 10 Titles
Camino a La Paz (2015)
Directed by | Francisco Varone | Cinematography by | Christian Cottet | Editing by | Federico Peretti, Alberto Ponce
Cameras | Canon EOS-C500 Camera
Amstel (2012)
Directed by | Jaap van Eyck | Cinematography by | Dirk-Jan Kerkkamp | Editing by | Elsbeth Kasteel
Cameras | ARRI ALEXA Camera
Lenses | Cooke Speed Panchro Lenses
Curfew (2012)
Directed by | Shawn Christensen | Cinematography by | Daniel Katz | Editing by | Shawn Christensen, Evan Henke
Cameras | Red One Camera
Early Birds (2012)
Directed by | Jeroen Bogaert | Cinematography by | Rik Zang | Editing by | Karel van Bellingen
Cameras | ARRI ALEXA Camera, ARRI Cameras
Lenses | Cooke Lenses
Vito Bonafacci (2011)
Directed by | John Martoccia | Cinematography by | Patrick Wells Valenti | Editing by | Ingmar Cederstrom, Patrick Wells Valenti
Cameras | Red One Camera
Lenses | Zeiss DigiPrime Lenses
Splinterheads (2009)
Directed by | Brant Sersen | Cinematography by | Michael Simmonds | Editing by | Chris Lechler
Cameras | Red One Camera
Schemer (2010)
Directed by | Hanro Smitsman | Cinematography by | Joost Rietdijk | Editing by | Marc Bechtold
Cameras | Red One Camera
Lenses | Cooke S4 Lenses
Carancho (2010)
Directed by | Pablo Trapero | Cinematography by | Julián Apezteguia | Editing by | Ezequiel Borovinsky, Pablo Trapero
Cameras | Red One Camera
My Bloody Valentine (2009)
Directed by | Patrick Lussier | Cinematography by | Brian Pearson | Editing by | Cynthia Ludwig, Patrick Lussier
Cameras | Red One Camera, Silicon Imaging SI-2K Camera
X-Men Origins: Wolverine (2009)
Directed by | Gavin Hood | Cinematography by | Donald McAlpine | Editing by | Nicolas De Toth, Megan Gill