Digital Intermediate Finishing Process | 1761 Titles
How I Met Your Mother (2005)
| Cinematography by | Chris La Fountaine, Steven V. Silver | Editing by | Susan Federman, Kirk Benson
Cameras | Sony CineAlta F23 Camera
The Hobbit: The Desolation of Smaug (2013)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen
Cameras | GoPro HD Hero3 Camera, Red Epic Camera
Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Zero Dark Thirty (2012)
Directed by | Kathryn Bigelow | Cinematography by | Greig Fraser | Editing by | William Goldenberg, Dylan Tichenor
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses | Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses
Silver Linings Playbook (2012)
Directed by | David O. Russell | Cinematography by | Masanobu Takayanagi | Editing by | Jay Cassidy, Crispin Struthers
Les Misérables (2012)
Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Chris Dickens, Melanie Oliver
Bullet to the Head (2012)
Directed by | Walter Hill | Cinematography by | Lloyd Ahern II | Editing by | Timothy Alverson
Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Un giorno devi andare (2013)
Directed by | Giorgio Diritti | Cinematography by | Roberto Cimatti | Editing by | Esmeralda Calabria
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
The Truth About Emanuel (2013)
Directed by | Francesca Gregorini | Cinematography by | Polly Morgan | Editing by | Antony Langdon
Cameras | ARRI ALEXA Camera
Fool’s Gold (2008)
Directed by | Andy Tennant | Cinematography by | Don Burgess | Editing by | Troy Takaki, Tracey Wadmore-Smith
Cameras | Panavision Cameras
Lenses | Panavision Lenses
LUV (2012)
Directed by | Sheldon Candis | Cinematography by | Gavin Kelly | Editing by | Jeff Wishengrad
Cameras | Red One MX Camera
Lenses | Hawk V-Lite Lenses
Race 2 (2013)
Directed by | Abbas Alibhai Burmawalla, Mastan Alibhai Burmawalla | Cinematography by | Ravi Yadav | Editing by | Hussain A. Burmawala
Movie 43 (2013)
Directed by | Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk | Cinematography by | Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt | Editing by | Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker
Cameras | Red One MX Camera
Parker (2013)
Directed by | Taylor Hackford | Cinematography by | James M. Muro | Editing by | Mark Warner
Cameras | Red Epic Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
The Last Stand (2013)
Directed by | Jee-woon Kim | Cinematography by | Ji-yong Kim | Editing by | Steven Kemper
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses
A Haunted House (2013)
Mama (2013)
Directed by | Andy Muschietti | Cinematography by | Antonio Riestra | Editing by | Michele Conroy
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Monsieur Lazhar (2011)
Directed by | Philippe Falardeau | Cinematography by | Ronald Plante | Editing by | Stéphane Lafleur
Ek Tha Tiger (2012)
Dabangg 2 (2012)
Directed by | Arbaaz Khan | Cinematography by | Aseem Mishra | Editing by | Hemal Kothari
Cameras | ARRICAM Lite (LT) Camera
Barfi! (2012)
Directed by | Anurag Basu | Cinematography by | Ravi Varman | Editing by | Akiv Ali
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
