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Digital Intermediate Finishing Process | 1761 Titles

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Le grand retournement (2013)

Motion Picture | 2D | Color | 1.85:1 | 77 Minutes

Directed by | Gérard Mordillat | Cinematography by | François Catonné | Editing by | Marie Quinton

Starring | Jacques Weber, François Morel, Edouard Baer, Franck de la Personne

Cameras | Sony PMW-F3 Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses

20 ans d’écart (2013)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | David Moreau | Cinematography by | Laurent Tangy | Editing by | Cyril Besnard

Starring | Virginie Efira, Pierre Niney, Charles Berling, Gilles Cohen

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Foxfire (2012)

Motion Picture | 2D | Color | 2.39:1 | 143 Minutes

Directed by | Laurent Cantet | Cinematography by | Pierre Milon | Editing by | Robin Campillo, Stephanie Leger, Sophie Reine

Starring | Raven Adamson, Katie Coseni, Madeleine Bisson, Claire Mazerolle

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Nymphomaniac: Vol. I (2013)

Motion Picture | 2D | Black & White, Color | 1.85:1, 2.39:1 | 117 Minutes

Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard

Starring | Charlotte Gainsbourg, Stellan Skarsgård, Stacy Martin, Shia LaBeouf

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Lenses

Quartet (2012)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | Dustin Hoffman | Cinematography by | John de Borman | Editing by | Barney Pilling

Starring | Maggie Smith, Michael Gambon, Billy Connolly, Tom Courtenay

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses

Lone Survivor (2013)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr.

Starring | Mark Wahlberg, Taylor Kitsch, Emile Hirsch, Ben Foster

Cameras | Phantom Flex Camera, Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

Prisoners of the Sun (2013)

Motion Picture | 2D | Color | 85 Minutes

Directed by | Roger Christian | Cinematography by | Ed Wild | Editing by | Valerie Haaf, Alan Strachan

Starring | John Rhys-Davies, David Charvet, Carmen Chaplin, Emily Holmes

Cameras | ARRIFLEX 435 Camera, ARRIFLEX D-20 Camera

Lenses | Angenieux Optimo Zoom Lenses

Faust (2011)

Motion Picture | 2D | Color | 1.37:1, 1.85:1 | 140 Minutes

Directed by | Aleksandr Sokurov | Cinematography by | Bruno Delbonnel | Editing by | Jörg Hauschild

Starring | Johannes Zeiler, Anton Adasinsky, Isolda Dychauk, Georg Friedrich

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Thérèse (2012)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Claude Miller | Cinematography by | Gérard de Battista | Editing by | Véronique Lange

Starring | Audrey Tautou, Gilles Lellouche, Anaïs Demoustier, Catherine Arditi

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Alura Lenses

Something in the Air (2012)

Motion Picture | 2D | Color | 1.85:1 | 122 Minutes

Directed by | Olivier Assayas | Cinematography by | Eric Gautier | Editing by | Luc Barnier

Starring | Clément Métayer, André Marcon, Lola Créton, Felix Armand

Cameras | Aaton 35-III Camera, Aaton Penelope Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses

Mauvaise fille (2012)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Patrick Mille | Cinematography by | Jérôme Alméras | Editing by | Yann Dedet

Starring | Carole Bouquet, Arthur Dupont, Izïa Higelin, Bob Geldof

Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke 5/i Lenses, Cooke S4 Lenses

Denis (2013)

Motion Picture | 2D | Color | 1.85:1 | 85 Minutes

Directed by | Lionel Bailliu | Cinematography by | Stéphane Le Parc | Editing by | Vincent Zuffranieri

Starring | Fabrice Eboué, Jean-Paul Rouve, Audrey Dana, Sara Giraudeau

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Un beau dimanche (2013)

Motion Picture | 2D | Color | 95 Minutes

Directed by | Nicole Garcia | Cinematography by | Pierre Milon | Editing by | Simon Jacquet

Starring | Pierre Rochefort, Louise Bourgoin, Dominique Sanda, Déborah François

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Do Not Disturb (2012)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Yvan Attal | Cinematography by | Thomas Hardmeier | Editing by | Jennifer Augé

Starring | François Cluzet, Yvan Attal, Laetitia Casta, Charlotte Gainsbourg

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Master Prime Lenses, Zeiss Super Speed Lenses

Don-eui mat (2012)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Sang-soo Im | Cinematography by | Woo-hyung Kim | Editing by | Eun Soo Lee

Starring | Kang-woo Kim, Yun-shik Baek, Yuh Jung Youn, Hyo-jin Kim

Cameras | Red One Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Camille redouble (2012)

Motion Picture | 2D | Color | 1.85:1 | 115 Minutes

Directed by | Noémie Lvovsky | Cinematography by | Jean-Marc Fabre | Editing by | Annette Dutertre, Michel Klochendler

Starring | Noémie Lvovsky, Samir Guesmi, Judith Chemla, India Hair

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Le grand soir (2012)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Benoît Delépine, Gustave Kervern | Cinematography by | Hugues Poulain | Editing by | Stéphane Elmadjian

Starring | Benoît Poelvoorde, Albert Dupontel, Brigitte Fontaine, Areski Belkacem

Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

10 jours en or (2012)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Nicolas Brossette | Cinematography by | Benoît Chamaillard | Editing by | Jean-François Elie

Starring | Franck Dubosc, Claude Rich, Marie Kremer, Mathis Touré

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

À coeur ouvert (2012)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | Marion Laine | Cinematography by | Antoine Héberlé | Editing by | Mathilde Van de Moortel

Starring | Juliette Binoche, Edgar Ramírez, Hippolyte Girardot, Amandine Dewasmes

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses

Astérix and Obélix: God Save Britannia (2012)

Motion Picture | 3D | Color | 2.39:1 | 110 Minutes

Directed by | Laurent Tirard | Cinematography by | Catherine Pujol, Denis Rouden | Editing by | Valérie Deseine

Starring | Gérard Depardieu, Dany Boon, Edouard Baer, Guillaume Gallienne

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens

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