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Arane-Gulliver, Paris | 9 Titles

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Paradise Now (2005)

Motion Picture | 2D | Color | 2.39:1 | 91 Minutes

Directed by | Hany Abu-Assad | Cinematography by | Antoine Héberlé | Editing by | Sander Vos

Starring | Kais Nashif, Ali Suliman, Lubna Azabal, Hamza Abu-Aiaash

Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera

Lenses | Cooke Varotal Lenses, Zeiss Ultra Prime Lenses

Party Girl (2014)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Marie Amachoukeli-Barsacq, Claire Burger, Samuel Theis | Cinematography by | Julien Poupard | Editing by | Frédéric Baillehaiche

Starring | Angélique Litzenburger, Joseph Bour, Mario Theis, Samuel Theis

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke miniS4/i Lenses, Zeiss Ultra Prime Lenses

Le dernier des injustes (2013)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 220 Minutes

Directed by | Claude Lanzmann | Cinematography by | Caroline Champetier, William Lubtchansky | Editing by | Chantal Hymans

Starring | Benjamin Murmelstein, Claude Lanzmann

Cameras | Aaton Penelope Camera, Aaton Xterà Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens

The Family (2013)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 111 Minutes

Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Julien Rey

Starring | Robert De Niro, Michelle Pfeiffer, Dianna Agron, John D'Leo

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

La délicatesse (2011)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | David Foenkinos, Stéphane Foenkinos | Cinematography by | Rémy Chevrin | Editing by | Virginie Bruant

Starring | Audrey Tautou, François Damiens, Bruno Todeschini, Mélanie Bernier

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Central Station (1998)

Motion Picture | 2D | Color | 2.39:1 | 113 Minutes

Directed by | Walter Salles | Cinematography by | Walter Carvalho | Editing by | Felipe Lacerda, Isabelle Rathery

Starring | Fernanda Montenegro, Vinícius de Oliveira, Marília Pêra, Soia Lira

Cameras | Moviecam Cameras, Panavision Panaflex Series Cameras

Le renard et l’enfant (2007)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Luc Jacquet | Cinematography by | Eric Dumage, Gérard Simon | Editing by | Sabine Emiliani

Starring | Bertille Noël-Bruneau, Isabelle Carré, Thomas Laliberté, Camille Lambert

Cameras | Aaton 35-III Camera, ARRIFLEX 435 Camera, Sony HDW-750 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Micmacs à tire-larigot (2009)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Jean-Pierre Jeunet | Cinematography by | Tetsuo Nagata | Editing by | Hervé Schneid

Starring | Dany Boon, André Dussollier, Nicolas Marié, Yolande Moreau

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Classic Spherical Lenses

The Class (2008)

Motion Picture | 2D | HD Project | Color | 2.39:1 | 128 Minutes

Directed by | Laurent Cantet | Cinematography by | Pierre Milon | Editing by | Robin Campillo, Stephanie Leger

Starring | François Bégaudeau, Agame Malembo-Emene, Angélica Sancio, Arthur Fogel

Cameras | Panasonic Cameras

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