Film Print Spherical | 212 Titles
Madagascar 3: Europe’s Most Wanted (2012)
Here Comes the Boom (2012)
Directed by | Frank Coraci | Cinematography by | Phil Meheux | Editing by | Scott Hill
Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera
Chronicle (2012)
Directed by | Josh Trank | Cinematography by | Matthew Jensen | Editing by | Elliot Greenberg
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
This Is It (2009)
Directed by | Kenny Ortega | Cinematography by | Sandrine Orabona, Tim Patterson | Editing by | Don Brochu, Brandon Key, Tim Patterson, Kevin Stitt
Cameras | Red One Camera
Who Framed Roger Rabbit (1988)
Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Arthur Schmidt
Cameras | Panavision Panaflex Camera, VistaVision Cameras
Lenses | Panavision Lenses
Higher Ground (2011)
Directed by | Vera Farmiga | Cinematography by | Michael McDonough | Editing by | Colleen Sharp
Cameras | Red One MX Camera
Mang lung (2005)
Directed by | Daniel Lee | Cinematography by | Tony Cheung | Editing by | Wai Chiu Chung
Cameras | Sony HDW-F900 Camera
Lenses | Canon HJ Series Lenses, Zeiss DigiPrime Lenses
Jennifer’s Body (2009)
Directed by | Karyn Kusama | Cinematography by | M. David Mullen | Editing by | Plummy Tucker
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Phantom HD Camera
Lenses | Panavision Primo Anamorphic Lenses
Chernobyl Diaries (2012)
Directed by | Bradley Parker | Cinematography by | Morten Søborg | Editing by | Stan Salfas
Cameras | ARRI ALEXA Camera
Tristan + Isolde (2006)
The Muppets (2011)
Directed by | James Bobin | Cinematography by | Don Burgess | Editing by | James Thomas
Cameras | Red Epic Camera, Red One MX Camera
Splice (2009)
Directed by | Vincenzo Natali | Cinematography by | Tetsuo Nagata | Editing by | Michele Conroy
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Anamorphic Lenses
Hao men ye yan (1991)
Directed by | Alfred Cheung, Tung Cho 'Joe' Cheung, Clifton Ko, Hark Tsui | Cinematography by | David Chung, Ardy Lam, Andrew Lau Wai-Keung, Kin Keung Lee, Tak-Wai Lee, Peter Pau, Chi-Wai Tam, Wing-Hang Wong | Editing by | Ma Kam, Marco Mak, David Wu, Shao Feng Yu
Cameras | ARRIFLEX 35 BL4s Camera
The Sitter (2011)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert
Lenses | Panavision Primo Anamorphic Lenses
Like Crazy (2011)
Directed by | Drake Doremus | Cinematography by | John Guleserian | Editing by | Jonathan Alberts
Cameras | Canon EOS-7D Camera
Lenses | Zeiss Ultra Prime Lenses
Kray (2010)
Directed by | Aleksey Uchitel | Cinematography by | Yuriy Klimenko | Editing by | Elena Andreeva, Gleb Nikulskiy
Cameras | ARRI Cameras
Something Borrowed (2011)
Directed by | Luke Greenfield | Cinematography by | Charles Minsky | Editing by | John Axelrad
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Help (2011)
Directed by | Tate Taylor | Cinematography by | Stephen Goldblatt | Editing by | Hughes Winborne
Lenses | Panavision Primo Anamorphic Lenses
La dame de trèfle (2009)
Directed by | Jérôme Bonnell | Cinematography by | Pascal Lagriffoul | Editing by | Laure Gardette
Cameras | ARRICAM Studio (ST) Camera
Lenses | Cooke S4 Lenses
Wendy and Lucy (2008)
Directed by | Kelly Reichardt | Cinematography by | Sam Levy | Editing by | Kelly Reichardt
Cameras | ARRIFLEX 16SR3 Camera