Film Print Anamorphic | 715 Titles
Fruitvale Station (2013)
Directed by | Ryan Coogler | Cinematography by | Rachel Morrison | Editing by | Claudia Castello, Michael P. Shawver
Cameras | ARRIFLEX 416 Camera
Lenses | Zeiss Ultra 16 Lenses
The Impossible (2012)
Directed by | J.A. Bayona | Cinematography by | Oscar Faura | Editing by | Elena Ruiz, Bernat Vilaplana
Lenses | Zeiss Master Prime Lenses
The Hobbit: The Desolation of Smaug (2013)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen
Cameras | GoPro HD Hero3 Camera, Red Epic Camera
Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Silver Linings Playbook (2012)
Directed by | David O. Russell | Cinematography by | Masanobu Takayanagi | Editing by | Jay Cassidy, Crispin Struthers
Fool’s Gold (2008)
Directed by | Andy Tennant | Cinematography by | Don Burgess | Editing by | Troy Takaki, Tracey Wadmore-Smith
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Race 2 (2013)
Directed by | Abbas Alibhai Burmawalla, Mastan Alibhai Burmawalla | Cinematography by | Ravi Yadav | Editing by | Hussain A. Burmawala
The Last Stand (2013)
Directed by | Jee-woon Kim | Cinematography by | Ji-yong Kim | Editing by | Steven Kemper
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses
Monsieur Lazhar (2011)
Directed by | Philippe Falardeau | Cinematography by | Ronald Plante | Editing by | Stéphane Lafleur
Ek Tha Tiger (2012)
Dabangg 2 (2012)
Directed by | Arbaaz Khan | Cinematography by | Aseem Mishra | Editing by | Hemal Kothari
Cameras | ARRICAM Lite (LT) Camera
Barfi! (2012)
Directed by | Anurag Basu | Cinematography by | Ravi Varman | Editing by | Akiv Ali
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Talaash (2012)
Directed by | Reema Kagti | Cinematography by | K.U. Mohanan | Editing by | Anand Subaya
Cameras | ARRICAM Lite (LT) Camera
Jab Tak Hai Jaan (2012)
Directed by | Yash Chopra | Cinematography by | Anil Mehta | Editing by | Namrata Rao
Cameras | ARRIFLEX 435 Xtreme Camera
Kon-Tiki (2012)
Directed by | Joachim Rønning, Espen Sandberg | Cinematography by | Geir Hartly Andreassen | Editing by | Perry Eriksen, Martin Stoltz
Hyde Park on Hudson (2012)
Won’t Back Down (2012)
Directed by | Daniel Barnz | Cinematography by | Roman Osin | Editing by | Kristina Boden
Cameras | ARRICAM Lite (LT) Camera
For Greater Glory: The True Story of Cristiada (2012)
Directed by | Dean Wright | Cinematography by | Eduardo Martínez Solares | Editing by | Richard Francis-Bruce, Mike Jackson
Cameras | ARRIFLEX 435 Camera
Lenses | Zeiss Lenses
Gone (2012)
Directed by | Heitor Dhalia | Cinematography by | Michael Grady | Editing by | John Axelrad
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses
Playing for Keeps (2012)
Directed by | Gabriele Muccino | Cinematography by | Peter Menzies Jr. | Editing by | Padraic McKinley
Lenses | Panavision Primo Anamorphic Lenses
Seven Psychopaths (2012)
Directed by | Martin McDonagh | Cinematography by | Ben Davis | Editing by | Lisa Gunning
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
























































