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DVD | 2011 Titles

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Goliyon Ki Rasleela Ram-Leela (2013)

Motion Picture | 2D | Color | 2.39:1 | 150 Minutes

Directed by | Sanjay Leela Bhansali | Cinematography by | Ravi Varman | Editing by | Sanjay Leela Bhansali, Rajesh Pandey

Starring | Ranveer Singh, Deepika Padukone, Supriya Pathak, Sharad Kelkar

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera

Commando (2013)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Dilip Ghosh | Cinematography by | Sejal Shah | Editing by | Amitabh Shukla

Starring | Vidyut Jammwal, Hsieh Chang Hai, Nelson Liao Sheng Hua, Ishita Vyas

Lenses | Angenieux Optimo Zoom Lenses

Rubinrot (2013)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Felix Fuchssteiner | Cinematography by | Sonja Rom | Editing by | Wolfgang Weigl

Starring | Josefine Preuß, Florian Bartholomäi, Uwe Kockisch, Johannes Silberschneider

Cameras | Red Epic Camera, Red One MX Camera

In Their Skin (2012)

Motion Picture | 2D | Color | 97 Minutes

Directed by | Jeremy Power Regimbal | Cinematography by | Norm Li | Editing by | Austin Andrews

Starring | Selma Blair, Joshua Close, James D'Arcy, Rachel Miner

A Million Ways to Die in the West (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman

Starring | Seth MacFarlane, Charlize Theron, Liam Neeson, Amanda Seyfried

Cameras | Sony PMW-F55 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Chappie (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 120 Minutes

Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Mark Goldblatt

Starring | Sharlto Copley, Dev Patel, Hugh Jackman, Sigourney Weaver

Cameras | Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, Red Epic Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Dolphin Tale 2 (2014)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Charles Martin Smith | Cinematography by | Daryn Okada | Editing by | Harvey Rosenstock

Starring | Morgan Freeman, Ashley Judd, Nathan Gamble, Cozi Zuehlsdorff

Cameras | Sony PMW-F55 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Sarah Landon and the Paranormal Hour (2007)

Motion Picture | 2D | Color | 1.85:1 | 81 Minutes

Directed by | Lisa Comrie | Cinematography by | Andrew Kuepper | Editing by | Andrew Cohen

Starring | Rissa Walters, Brian Comrie, Dan Comrie, Kurt Braun

Cameras | Panasonic AG-HVX200 Camera

The Remnant (2001)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Rick Jordan | Cinematography by | John Lazear | Editing by | Erik Anderson

Starring | Rick Jordan, Jeff Marlow, Teresa Castracane, Roxzane T. Mims

Cameras | ARRIFLEX 16SR2 Camera, Cinema Products CP-16R Camera

A-List (2006)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Shira-Lee Shalit | Cinematography by | John Lazear | Editing by | Annette Davey, Paul Frost, Tim Goodwin

Starring | Sally Kirkland, Damon Shalit, Daphne Zuniga, JoAnna Garcia Swisher

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera, Bell & Howell Eyemo Camera, Cineflex Cameras

Lenses | Cooke Lenses

Wara no tate (2013)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Takashi Miike | Cinematography by | Nobuyasu Kita | Editing by | Kenji Yamashita

Starring | Takao Ohsawa, Nanako Matsushima, Gorô Kishitani, Masatô Ibu

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Mai wei (2011)

Motion Picture | 2D | Color | 2.39:1 | 137 Minutes

Directed by | Je-kyu Kang | Cinematography by | Mo-gae Lee | Editing by | Gok-ji Park

Starring | Dong-Gun Jang, Joe Odagiri, Bingbing Fan, In-kwon Kim

Cameras | Red One Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Mi-seu-teo Go (2013)

Motion Picture | 3D | Color | 1.85:1 | 132 Minutes

Directed by | Yong-hwa Kim | Cinematography by | Dae-seong Jeon, Hyeon-cheol Park | Editing by | Zino Kim

Starring | Dong-il Sung, Jiao Xu, Hee-won Kim, Kang-woo Kim

Cameras | Red Epic Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Sinsegye (2013)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | Hoon-jung Park | Cinematography by | Chung-hoon Chung, Eok Yu | Editing by | Sae-kyoung Moon

Starring | Jung-jae Lee, Min-sik Choi, Jung-min Hwang, Sung-woong Park

Cameras | Red One Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Pop Redemption (2013)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | Martin Le Gall | Cinematography by | Frédéric Nony | Editing by | Christophe Pinel

Starring | Julien Doré, Grégory Gadebois, Jonathan Cohen, Yacine Belhousse

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Shame (2011)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Steve McQueen | Cinematography by | Sean Bobbitt | Editing by | Joe Walker

Starring | Michael Fassbender, Carey Mulligan, James Badge Dale, Lucy Walters

Cameras | ARRICAM Lite (LT) Camera

Lenses | Cooke S4 Lenses

The French Minister (2013)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

Directed by | Bertrand Tavernier | Cinematography by | Jérôme Alméras | Editing by | Guy Lecorne

Starring | Thierry Lhermitte, Raphaël Personnaz, Niels Arestrup, Bruno Raffaelli

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Age of Uprising: The Legend of Michael Kohlhaas (2013)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Arnaud des Pallières | Cinematography by | Jeanne Lapoirie | Editing by | Sandie Bompar, Arnaud des Pallières

Starring | Mads Mikkelsen, Mélusine Mayance, Delphine Chuillot, David Kross

Lenses | Angenieux HR 25-250 mm T3.5 Lens

Jimmy P. (2013)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Arnaud Desplechin | Cinematography by | Stéphane Fontaine | Editing by | Laurence Briaud

Starring | Benicio Del Toro, Mathieu Amalric, Gina McKee, Larry Pine

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

La Vénus à la fourrure (2013)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze, Margot Meynier

Starring | Emmanuelle Seigner, Mathieu Amalric

Cameras | Sony CineAlta F65 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

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