Red Raw | 334 Titles
Crooked Arrows (2012)
Directed by | Steve Rash | Cinematography by | Dan Stoloff | Editing by | Bart Rachmil, Danny Saphire
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses
Higher Ground (2011)
Directed by | Vera Farmiga | Cinematography by | Michael McDonough | Editing by | Colleen Sharp
Cameras | Red One MX Camera
The Devil’s Double (2011)
Directed by | Lee Tamahori | Cinematography by | Sam McCurdy | Editing by | Luis Carballar
Cameras | ARRIFLEX 435 Camera, Red One Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Muppets (2011)
Directed by | James Bobin | Cinematography by | Don Burgess | Editing by | James Thomas
Cameras | Red Epic Camera, Red One MX Camera
Circle of Pain (2010)
Jackass 3D (2010)
Directed by | Jeff Tremaine | Cinematography by | Lance Bangs, Dimitry Elyashkevich, Rick Kosick | Editing by | Seth Casriel, Matthew Kosinski, Matthew Probst
4:44 Last Day on Earth (2011)
Directed by | Abel Ferrara | Cinematography by | Ken Kelsch | Editing by | Anthony Redman
Cameras | Red One MX Camera
Lenses | Cooke S4 Lenses
To Save a Life (2009)
Directed by | Brian Baugh | Cinematography by | C. Clifford Jones | Editing by | Dan O'Brien, Sarah Sanders
Cameras | Red One Camera
Girl in Progress (2012)
Directed by | Patricia Riggen | Cinematography by | Checco Varese | Editing by | Dan Schalk
Cameras | Red One MX Camera
Lenses | Angenieux Optimo Zoom Lenses
Goon (2011)
Directed by | Michael Dowse | Cinematography by | Bobby Shore | Editing by | Reginald Harkema
Cameras | Red One MX Camera
Elle s’appelait Sarah (2010)
Directed by | Gilles Paquet-Brenner | Cinematography by | Pascal Ridao | Editing by | Hervé Schneid
Cameras | Red One Camera
Terumae romae (2012)
Directed by | Hideki Takeuchi | Cinematography by | Kazunari Kawagoe | Editing by | Hiroshi Matsuo
Cameras | Red One MX Camera
Think Like a Man (2012)
Directed by | Tim Story | Cinematography by | Larry Blanford | Editing by | Peter S. Elliot
Cameras | Red Epic Camera
American Animal (2011)
Directed by | Matt D'Elia | Cinematography by | Julian King | Editing by | Matt D'Elia, Julian King
Cameras | Red One MX Camera
Lenses | Cooke Zoom Lenses, Red Pro Prime 18 mm T1.8 Lens, Red Pro Prime 25 mm T1.8 Lens, Red Pro Prime 35 mm T1.8 Lens, Red Pro Prime 50 mm T1.8 Lens, Red Pro Prime 85 mm T1.8 Lens
Transformers: Dark of the Moon (2011)
Directed by | Michael Bay | Cinematography by | Amir Mokri | Editing by | Roger Barton, William Goldenberg, Joel Negron
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
District 9 (2009)
Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke
Cameras | Phantom HD Gold Camera, Red One Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera, Sony PMW-EX3 Camera
Lenses | Angenieux Lenses, Cooke S4 Lenses
Lockout (2012)
Directed by | James Mather, Steve Saint Leger | Cinematography by | James Mather | Editing by | Camille Delamarre, Eamonn Power
Cameras | Red One MX Camera
Lenses | Red Pro Prime Lenses
Margin Call (2011)
October Baby (2011)
Directed by | Andrew Erwin, Jon Erwin | Cinematography by | Jon Erwin | Editing by | Andrew Erwin
Cameras | Red One Camera
Neighbor (2009)
Directed by | Robert A. Masciantonio | Cinematography by | MJ Schirmer | Editing by | R. Emmett Sibley
Cameras | Red One MX Camera
