Panavision Panaflex Series Cameras | 788 Titles
Thank You for Smoking (2005)
Directed by | Jason Reitman | Cinematography by | Jim Whitaker | Editing by | Dana E. Glauberman
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony Betacam (Unknown) Camera, Sony DSC-T1 Camera
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E40 40 mm T2.0 Lens, Panavision Primo Anamorphic Lenses
Meet the Parents (2000)
Directed by | Jay Roach | Cinematography by | Peter James | Editing by | Greg Hayden, Jon Poll
Cameras | Panavision Panaflex Platinum Camera
Death Defying Acts (2007)
Directed by | Gillian Armstrong | Cinematography by | Haris Zambarloukos | Editing by | Nicholas Beauman
Cameras | Panavision Panaflex Millennium XL Camera
Con Air (1997)
Directed by | Simon West | Cinematography by | David Tattersall | Editing by | Chris Lebenzon, Steve Mirkovich, Glen Scantlebury
Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
One Night at McCool’s (2001)
Directed by | Harald Zwart | Cinematography by | Karl Walter Lindenlaub | Editing by | Bruce Cannon
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Enigma (2001)
Directed by | Michael Apted | Cinematography by | Seamus McGarvey | Editing by | Rick Shaine
Cameras | Panavision Panaflex Camera
Lenses | Panavision Primo Anamorphic Lenses
Terminator Salvation (2009)
Directed by | McG | Cinematography by | Shane Hurlbut | Editing by | Conrad Buff IV
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Hidalgo (2004)
Zelary (2003)
Altered States (1980)
Directed by | Ken Russell | Cinematography by | Jordan Cronenweth | Editing by | Eric Jenkins, Jack Harnish
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Blow (2001)
Directed by | Ted Demme | Cinematography by | Ellen Kuras | Editing by | Kevin Tent
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Up in the Air (2009)
Lost Highway (1997)
Directed by | David Lynch | Cinematography by | Peter Deming | Editing by | Mary Sweeney
Lenses | Panavision Primo Anamorphic Lenses
Rush Hour 2 (2001)
Directed by | Brett Ratner | Cinematography by | Matthew F. Leonetti | Editing by | Mark Helfrich, Robert K. Lambert
Cameras | Panavision Panaflex Millennium Camera
50/50 (2011)
300 (2006)
Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | William Hoy
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Boogie Nights (1997)
Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor
Basic Instinct (1992)
Directed by | Paul Verhoeven | Cinematography by | Jan de Bont | Editing by | Frank J. Urioste
Cameras | Panavision Panaflex Camera
Lenses | Panavision Primo Anamorphic Lenses
The Wolfman (2010)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Walter Murch, Dennis Virkler, Mark Goldblatt
Cameras | Panavision Panaflex Millennium XL Camera
There Will Be Blood (2007)
Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens
