Panavision Panaflex Millennium XL2 Camera | 181 Titles
Django Unchained (2012)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
For Colored Girls (2010)
Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy
Lenses | Panavision Primo Anamorphic Lenses
Tooth Fairy (2010)
Directed by | Michael Lembeck | Cinematography by | David Tattersall | Editing by | David Finfer
Lenses | Panavision Primo Anamorphic Lenses
Jack Reacher (2012)
Directed by | Christopher McQuarrie | Cinematography by | Caleb Deschanel | Editing by | Kevin Stitt
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Valentine’s Day (2010)
Directed by | Garry Marshall | Cinematography by | Charles Minsky | Editing by | Bruce Green
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Lincoln (2012)
Faster (2010)
Directed by | George Tillman Jr. | Cinematography by | Michael Grady | Editing by | Dirk Westervelt
Lenses | Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
The Duchess (2008)
Moneyball (2011)
Directed by | Bennett Miller | Cinematography by | Wally Pfister | Editing by | Christopher Tellefsen
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
The Best Exotic Marigold Hotel (2011)
Directed by | John Madden | Cinematography by | Ben Davis | Editing by | Chris Gill
Lenses | Panavision Primo Anamorphic Lenses
Sherlock Holmes: A Game of Shadows (2011)
Directed by | Guy Ritchie | Cinematography by | Philippe Rousselot | Editing by | James Herbert
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex Camera, Phantom HD Camera, Phantom HD Gold Camera
Lenses | Panavision Primo Anamorphic Lenses
The Sitter (2011)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert
Lenses | Panavision Primo Anamorphic Lenses
The Help (2011)
Directed by | Tate Taylor | Cinematography by | Stephen Goldblatt | Editing by | Hughes Winborne
Lenses | Panavision Primo Anamorphic Lenses
The Black Balloon (2008)
Directed by | Elissa Down | Cinematography by | Denson Baker | Editing by | Veronika Jenet
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
50/50 (2011)
Rush Hour 3 (2007)
Directed by | Brett Ratner | Cinematography by | James M. Muro | Editing by | Mark Helfrich, Dean Zimmerman, Don Zimmerman
Hotel for Dogs (2009)
Directed by | Thor Freudenthal | Cinematography by | Michael Grady | Editing by | Sheldon Kahn
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Your Highness (2011)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
The Bourne Legacy (2012)
Directed by | Tony Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Faubourg 36 (2008)
