Panavision Panaflex Millennium XL2 Camera | 172 Titles
John Carter (2012)
Directed by | Andrew Stanton | Cinematography by | Dan Mindel | Editing by | Eric Zumbrunnen
Lenses | Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Crazy Heart (2009)
Directed by | Scott Cooper | Cinematography by | Barry Markowitz | Editing by | John Axelrad, Jeffrey Ford
We Need to Talk About Kevin (2011)
Directed by | Lynne Ramsay | Cinematography by | Seamus McGarvey | Editing by | Joe Bini
Cameras | Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Fast Five (2011)
Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Kelly Matsumoto, Fred Raskin, Christian Wagner
Lenses | Panavision Primo Anamorphic Lenses
Battleship (2012)
Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr., Billy Rich, Paul Rubell
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Premium Rush (2012)
Directed by | David Koepp | Cinematography by | Mitchell Amundsen | Editing by | Derek Ambrosi, Jill Savitt
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Prestige (2006)
State of Play (2009)
Directed by | Kevin Macdonald | Cinematography by | Rodrigo Prieto | Editing by | Justine Wright
Cameras | Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
The Perks of Being a Wallflower (2012)
Changeling (2008)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Away from Her (2006)
Psych:9 (2010)
Directed by | Andrew Shortell | Cinematography by | Shane Daly | Editing by | Nick McCahearty
Lenses | Panavision Lenses
The Hangover Part II (2011)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Debra Neil-Fisher, Michael L. Sale
The Good German (2006)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh
Anna Karenina (2012)
Directed by | Joe Wright | Cinematography by | Seamus McGarvey | Editing by | Melanie Oliver
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Jayne Mansfield’s Car (2012)
Directed by | Billy Bob Thornton | Cinematography by | Barry Markowitz | Editing by | Lauren Zuckerman
Gulliver’s Travels (2010)
Directed by | Rob Letterman | Cinematography by | David Tattersall | Editing by | Alan Edward Bell, Nicolas De Toth, Dean Zimmerman
Cameras | Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision Primo Anamorphic Lenses
Biutiful (2010)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione
Lenses | Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
The Weather Man (2005)
Eat Pray Love (2010)
