Digital Cinema | 1863 Titles
Total Recall (2012)
Directed by | Len Wiseman | Cinematography by | Paul Cameron | Editing by | Christian Wagner
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Sons of Tennessee Williams (2010)
Directed by | Tim Wolff | Cinematography by | Eric Adkins | Editing by | Matt Bucy, Tim Wolff
Cameras | Sony CineAlta F23 Camera, Sony PMW-EX1 Camera
Roaming (2015)
Directed by | Michael Ray Fox | Cinematography by | Kyle Cameron, Cam Erais | Editing by | Drew Wilson
Cameras | Red One Camera
Lenses | Red Pro Prime Lenses
Sparkle (2012)
Directed by | Salim Akil | Cinematography by | Anastas N. Michos | Editing by | Terilyn A. Shropshire
Cameras | ARRI ALEXA Plus Camera
Trishna (2011)
Death of a Superhero (2011)
Directed by | Ian Fitzgibbon | Cinematography by | Tom Fährmann | Editing by | Tony Cranstoun
Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark II Camera
Lenses | Zeiss Ultra Prime Lenses
Comes a Bright Day (2012)
Directed by | Simon Aboud | Cinematography by | John Lynch | Editing by | Gavin Buckley
Cameras | ARRI ALEXA Camera
127 Hours (2010)
Directed by | Danny Boyle | Cinematography by | Enrique Chediak, Anthony Dod Mantle | Editing by | Jon Harris
Cameras | Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera
The Informant! (2009)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Stephen Mirrione
Cameras | Red One Camera
I Now Pronounce You Chuck & Larry (2007)
Directed by | Dennis Dugan | Cinematography by | Dean Semler | Editing by | Jeff Gourson
Cameras | Panavision Genesis Camera
L’exercice de l’État (2011)
Directed by | Pierre Schoeller | Cinematography by | Julien Hirsch | Editing by | Laurence Briaud
Cameras | ARRI ALEXA Camera
Além de Ti (2013)
Directed by | João Marco | Cinematography by | João Marco | Editing by | João Marco
Cameras | Canon EOS 550D Camera
Lenses | Canon Lenses
Forces spéciales (2011)
Directed by | Stéphane Rybojad | Cinematography by | David Jankowski | Editing by | Erwan Pecher, Stéphane Rybojad
Cameras | ARRI ALEXA Camera
Safety Not Guaranteed (2012)
Directed by | Colin Trevorrow | Cinematography by | Benjamin Kasulke | Editing by | Joe Landauer, Franklin Peterson
Cameras | Sony PMW-F3 Camera
Lenses | Panavision Ultra Speed MKII Lenses
Twice Born (2012)
Directed by | Sergio Castellitto | Cinematography by | Gian Filippo Corticelli | Editing by | Patrizio Marone
Cameras | ARRI ALEXA Plus Camera
My Brother the Devil (2012)
Directed by | Sally El Hosaini | Cinematography by | David Raedeker | Editing by | Iain Kitching
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Young Adult (2011)
Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Spectrauma (2011)
Directed by | Michael Lauter | Cinematography by | Jon Firestone | Editing by | Michael Lauter
Cameras | Red One MX Camera
Bachelorette (2012)
Directed by | Leslye Headland | Cinematography by | Doug Emmett | Editing by | Jeffrey Wolf
Cameras | Red One MX Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Lebanon, Pa. (2010)
Directed by | Ben Hickernell | Cinematography by | MJ Schirmer | Editing by | Ben Hickernell
Cameras | Red One Camera
Lenses | ARRI / Zeiss Lenses, Zeiss Lenses





















































