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Celluloid | 2971 Titles

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9/Tenths (2006)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Bob Degus | Cinematography by | Nathan Wilson | Editing by | Logan Breit

Starring | Gabrielle Anwar, Henry Ian Cusick, Dave Baez, Cole S. McKay

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Bourne Ultimatum (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Christopher Rouse

Starring | Matt Damon, Edgar Ramírez, Joan Allen, Julia Stiles

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

The Fog of War: Eleven Lessons from the Life of Robert S. McNamara (2003)

Documentary | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Errol Morris | Cinematography by | Robert Chappell, Peter Donahue | Editing by | Doug Abel, Chyld King, Karen Schmeer

Starring | Robert McNamara, John F. Kennedy, Fidel Castro, Richard Nixon

Cameras | Sony HDW-F900 Camera

Knocked Up (2007)

Motion Picture | 2D | Color | 1.85:1 | 129 Minutes

Knocked Up | ShotOnWhat?

Directed by | Judd Apatow | Cinematography by | Eric Alan Edwards | Editing by | Craig Alpert, Brent White

Starring | Seth Rogen, Katherine Heigl, Paul Rudd, Leslie Mann

Cameras | Panavision Cameras

Hereafter (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 129 Minutes

Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach

Starring | Matt Damon, Cécile de France, Bryce Dallas Howard, Thierry Neuvic

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Ali (2001)

Motion Picture | 2D | Color | 2.39:1 | 157 Minutes

Directed by | Michael Mann | Cinematography by | Emmanuel Lubezki | Editing by | William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks

Starring | Will Smith, Jamie Foxx, Jon Voight, Mario Van Peebles

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Broken Embraces (2009)

Motion Picture | 2D | Color | 2.39:1 | 127 Minutes

Directed by | Pedro Almodóvar | Cinematography by | Rodrigo Prieto | Editing by | José Salcedo, Roberto Serrano

Starring | Penélope Cruz, Lluís Homar, Blanca Portillo, José Luis Gómez

Cameras | ARRIFLEX 416 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra 16 Lenses

The Untouchables (1987)

Motion Picture | 2D | Color | 119 Minutes

The Untouchables | ShotOnWhat?

Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Gerald B. Greenberg, Bill Pankow

Starring | Kevin Costner, Sean Connery, Robert De Niro, Charles Martin Smith

Cameras | Panavision Panaflex Gold Camera

Lenses | Panavision C Anamorphic Flare Lenses, Panavision C Anamorphic Portrait Lenses, Panavision Lenses

Cleopatra (1963)

Motion Picture | 2D | Color | 192 Minutes

Directed by | Joseph L. Mankiewicz | Cinematography by | Leon Shamroy, Jack Hildyard | Editing by | Dorothy Spencer, Elmo Williams

Starring | Elizabeth Taylor, Richard Burton, Rex Harrison, Pamela Brown

Cameras | Todd-AO 65mm Camera

Lenses | Todd-AO Lenses

Rendition (2007)

Motion Picture | Color | 2.35:1 | 122 Minutes

Rendition | ShotOnWhat?

Directed by | Gavin Hood | Cinematography by | Dion Beebe | Editing by | Megan Gill

Starring | Reese Witherspoon, Jake Gyllenhaal, Peter Sarsgaard, Alan Arkin

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Dance Flick (2009)

Motion Picture | 2D | Color | 1.85:1 | 83 Minutes

Dance Flick | ShotOnWhat?

Directed by | Damien Dante Wayans | Cinematography by | Mark Irwin | Editing by | Scott Hill

Starring | Marlon Wayans, Shawn Wayans, Shoshana Bush, Damon Wayans Jr.

Cameras | Moviecam Compact Camera

The Last Samurai (2003)

Motion Picture | 2D | Color | 2.39:1 | 154 Minutes

Directed by | Edward Zwick | Cinematography by | John Toll | Editing by | Victor Du Bois, Steven Rosenblum

Starring | Tom Cruise, Ken Watanabe, Billy Connolly, William Atherton

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Coming to America (1988)

Motion Picture | 2D | Color | 1.85:1 | 116 Minutes

Directed by | John Landis | Cinematography by | Woody Omens | Editing by | Malcolm Campbell, George Folsey Jr.

Starring | Eddie Murphy, Paul Bates, Garcelle Beauvais, Feather

Cameras | Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

Win Win (2011)

Motion Picture | 2D | 2K Project | Color | 106 Minutes

Directed by | Tom McCarthy | Cinematography by | Oliver Bokelberg | Editing by | Tom McArdle

Starring | Paul Giamatti, Amy Ryan, Jeffrey Tambor, Bobby Cannavale

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Lenses, Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Rite (2011)

Motion Picture | 2D | Color | 2.35:1 | 114 Minutes

The Rite | ShotOnWhat?

Directed by | Mikael Håfström | Cinematography by | Ben Davis | Editing by | David Rosenbloom

Starring | Colin O'Donoghue, Anthony Hopkins, Ciarán Hinds, Alice Braga

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision G100 100 mm T2.6 Lens

TRON (1982)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 96 Minutes

Directed by | Steven Lisberger | Cinematography by | Bruce Logan | Editing by | Jeff Gourson

Starring | Jeff Bridges, Bruce Boxleitner, David Warner, Cindy Morgan

Cameras | Panavision Cameras, Panavision System 65 Camera, Super Panavision-70 Camera

Lenses | Panavision Lenses

Downfall (2004)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 156 Minutes

Directed by | Oliver Hirschbiegel | Cinematography by | Rainer Klausmann | Editing by | Hans Funck

Starring | Bruno Ganz, Alexandra Maria Lara, Ulrich Matthes, Juliane Köhler

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Zeiss Ultra Prime Lenses

Brightness (1987)

Motion Picture | 2D | Color | 1.66:1 | 105 Minutes

Directed by | Souleymane Cissé | Cinematography by | Jean-Noël Ferragut, Jean-Michel Humeau | Editing by | Dounamba Coulibaly, Andrée Davanture, Jenny Frenck, Nathalie Goepfert, Seipati Keita, Marie-Catherine Miqueau, Seipati N'Xumalo

Starring | Issiaka Kane, Aoua Sangare, Niamanto Sanogo, Balla Moussa Keita

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Angenieux HP Zoom Lenses, Zeiss Standard Speed Prime Lenses

Beasts of the Southern Wild (2012)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Benh Zeitlin | Cinematography by | Ben Richardson | Editing by | Crockett Doob, Affonso Gonçalves

Starring | Quvenzhané Wallis, Dwight Henry, Levy Easterly, Lowell Landes

Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Camera

Lenses | Zeiss Super Speed Lenses

An le zhan chang (1989)

Motion Picture | 2D | Color | 96 Minutes

An le zhan chang | ShotOnWhat?

Directed by | Eric Tsang | Cinematography by | Jingle Ma | Editing by | Sun-Kit Chu, Ma Kam, Chai Sek

Starring | Eric Tsang, Irene Wan, Victor Wong, Pik-Wan Tang

Cameras | ARRIFLEX 35 BL4 Camera

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