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Celluloid | 3105 Titles

Celluloid 3.60/5 10 Votes

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In & Out (1997)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Frank Oz | Cinematography by | Rob Hahn | Editing by | Daniel P. Hanley, John Jympson

Starring | Kevin Kline, Joan Cusack, Tom Selleck, Matt Dillon

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Hercules (1997)

Motion Picture | 2D | Color | 1.78:1 (16x9), 1.85:1 | 93 Minutes

Directed by | Ron Clements, John Musker | Cinematography by | Rasoul Azadani | Editing by | Tom Finan, Robert W. Hedland

Starring | Tate Donovan, Susan Egan, James Woods, Josh Keaton

Four Days in September (1997)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 110 Minutes

Directed by | Bruno Barreto | Cinematography by | Félix Monti | Editing by | Isabelle Rathery

Starring | Alan Arkin, Pedro Cardoso, Fernanda Torres, Luiz Fernando Guimarães

Cameras | ARRIFLEX 535 B Camera

Beyond Silence (1996)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Caroline Link | Cinematography by | Gernot Roll | Editing by | Patricia Rommel

Starring | Sylvie Testud, Tatjana Trieb, Howie Seago, Emmanuelle Laborit

Ayn Rand: A Sense of Life (1997)

Documentary | 2D | Black & White, Color | 1.85:1 | 145 Minutes

Directed by | Michael Paxton | Cinematography by | Alik Sakharov | Editing by | Christopher Earl, Lauren A. Schaffer

Starring | Sharon Gless, Michael S. Berliner, Harry Binswanger, Sylvia Bokor

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Anastasia (1997)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | Don Bluth, Gary Goldman | Editing by | Bob Bender, Fiona Trayler

Starring | Meg Ryan, John Cusack, Christopher Lloyd, Kelsey Grammer

Amazon (1997)

Documentary | 2D | Color | 1.44:1 | 38 Minutes

Directed by | Kieth Merrill | Cinematography by | Mike Hoover | Editing by | Stephen L. Johnson

Starring | Linda Hunt, Jesse Corti, Mark Plotkin, Sydney Possuelo

Alaska: Spirit of the Wild (1998)

Documentary | 2D | Color | 1.44:1 | 41 Minutes

Directed by | George Casey | Cinematography by | Rodney Taylor | Editing by | Tim Huntley

Når livet går sin vej (1997)

Short Film | 2D | Color | 1.66:1 | 11 Minutes

Directed by | Stefan Fjeldmark, Karsten Kiilerich | Editing by | Henrik Lindemann

The Ridiculous 6 (2015)

Motion Picture | 2D | Color | 2.39:1 | 119 Minutes

Directed by | Frank Coraci | Cinematography by | Dean Semler | Editing by | Tom Costain

Starring | Adam Sandler, Terry Crews, Jorge Garcia, Taylor Lautner

Cameras | Panavision Cameras

Lenses | Panavision Lenses

It’s Only the End of the World (2016)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Xavier Dolan | Cinematography by | André Turpin | Editing by | Xavier Dolan

Starring | Gaspard Ulliel, Marion Cotillard, Léa Seydoux, Vincent Cassel

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera

Doctor Strange (2016)

Motion Picture | 3D | Color | 1.78:1 (16x9), 2.39:1 | 115 Minutes

Directed by | Scott Derrickson | Cinematography by | Ben Davis | Editing by | Sabrina Plisco, Wyatt Smith

Starring | Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Benedict Wong

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

American Honey (2016)

Motion Picture | 2D | Color | 163 Minutes

Directed by | Andrea Arnold | Cinematography by | Robbie Ryan | Editing by | Joe Bini

Starring | Sasha Lane, Shia LaBeouf, Riley Keough, McCaul Lombardi

Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera

Clouds of Sils Maria (2014)

Motion Picture | 2D | Black & White, Color | 124 Minutes

Directed by | Olivier Assayas | Cinematography by | Yorick Le Saux | Editing by | Marion Monnier

Starring | Juliette Binoche, Kristen Stewart, Chloë Grace Moretz, Lars Eidinger

Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Primes Spherical Lenses

Exposed (2016)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Gee Malik Linton | Cinematography by | Trevor Forrest | Editing by | Melody London

Starring | Ana de Armas, Keanu Reeves, Christopher McDonald, Mira Sorvino

Cameras | ARRI ALEXA Camera

Sing Street (2016)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | John Carney | Cinematography by | Yaron Orbach | Editing by | Andrew Marcus, Julian Ulrichs

Starring | Ferdia Walsh-Peelo, Aidan Gillen, Maria Doyle Kennedy, Jack Reynor

Cameras | ARRICAM Lite (LT) Camera, Red Epic Camera

Pride and Prejudice and Zombies (2016)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Burr Steers | Cinematography by | Remi Adefarasin | Editing by | Padraic McKinley

Starring | Lily James, Sam Riley, Jack Huston, Bella Heathcote

Lenses | Cooke S4/i Lenses

Jane Got a Gun (2015)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Gavin O'Connor | Cinematography by | Mandy Walker | Editing by | Alan Cody

Starring | Natalie Portman, Joel Edgerton, Ewan McGregor, Rodrigo Santoro

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Mulan (1998)

Motion Picture | 2D | Color | 1.66:1, 1.85:1 | 88 Minutes

Directed by | Tony Bancroft, Barry Cook | Editing by | Michael Kelly

Starring | Ming-Na Wen, Eddie Murphy, BD Wong, Miguel Ferrer

More (1998)

Short Film | 2D | Color | 1.44:1 | 6 Minutes

Directed by | Mark Osborne | Cinematography by | Mark Osborne | Editing by | Mark Osborne

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