Year Released ~ 2012 | 3077 Titles
Schutzengel (2012)
Directed by | Til Schweiger | Cinematography by | Adrian Cranage | Editing by | Constantin von Seld
Lenses | Zeiss Master Prime Lenses
Leverage (2008)
| Cinematography by | David Connell, Neil Holcomb, Alan Caso | Editing by | Sonny Baskin, Brian Gonosey, David Siegel, Chris A. Peterson
Impávido (2012)
Directed by | Carlos Therón | Cinematography by | Antonio J. García | Editing by | Carlos Therón
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
Qu’est-ce qu’on va faire de toi? (2012)
Directed by | Jean-Daniel Verhaeghe | Cinematography by | Marc Falchier | Editing by | Dominique Faysse
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens
Rue Mandar (2012)
Directed by | Idit Cebula | Cinematography by | Rémy Chevrin | Editing by | Célia Lafitedupont
Cameras | Red Epic Camera
Comme un lion (2012)
Directed by | Samuel Collardey | Cinematography by | Samuel Collardey, Charles Wilhelem | Editing by | Sylvie Lager
Cameras | ARRI ALEXA Camera
Tu honoreras ta mère et ta mère (2012)
Directed by | Brigitte Roüan | Cinematography by | Agnès Godard | Editing by | Laurent Rouan
Cameras | ARRI ALEXA Camera
Foxfire (2012)
Directed by | Laurent Cantet | Cinematography by | Pierre Milon | Editing by | Robin Campillo, Stephanie Leger, Sophie Reine
Cameras | ARRI ALEXA Camera
Quartet (2012)
La disparition (2012)
Directed by | Jean-Xavier de Lestrade | Cinematography by | Isabelle Razavet | Editing by | Sophie Brunet, Julie Decondé, Gaëlle Perroteau
Cameras | ARRI ALEXA Camera
Puhdistus (2012)
Directed by | Antti Jokinen | Cinematography by | Rauno Ronkainen | Editing by | Kimmo Taavila
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Thérèse (2012)
Directed by | Claude Miller | Cinematography by | Gérard de Battista | Editing by | Véronique Lange
Cameras | ARRI ALEXA Camera
Nous York (2012)
Directed by | Hervé Mimran, Géraldine Nakache | Cinematography by | Stéphane Le Parc | Editing by | Benjamin Weill
Cameras | ARRI ALEXA Camera
Something in the Air (2012)
Directed by | Olivier Assayas | Cinematography by | Eric Gautier | Editing by | Luc Barnier
Cameras | Aaton 35-III Camera, Aaton Penelope Camera
Mauvaise fille (2012)
Directed by | Patrick Mille | Cinematography by | Jérôme Alméras | Editing by | Yann Dedet
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke 5/i Lenses, Cooke S4 Lenses
Do Not Disturb (2012)
Directed by | Yvan Attal | Cinematography by | Thomas Hardmeier | Editing by | Jennifer Augé
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Master Prime Lenses, Zeiss Super Speed Lenses
Main dans la main (2012)
Directed by | Valérie Donzelli | Cinematography by | Sébastien Buchmann | Editing by | Pauline Gaillard
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Quelques heures de printemps (2012)
Directed by | Stéphane Brizé | Cinematography by | Antoine Héberlé | Editing by | Anne Klotz
Cameras | ARRI ALEXA Camera
Trois mondes (2012)
Directed by | Catherine Corsini | Cinematography by | Claire Mathon | Editing by | Muriel Breton
Cameras | Aaton Penelope Camera
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses
Don-eui mat (2012)
Directed by | Sang-soo Im | Cinematography by | Woo-hyung Kim | Editing by | Eun Soo Lee
Cameras | Red One Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens


























































