Paramount Pictures | 46 Titles
Transformers: The Last Knight (2017)
Directed by | Michael Bay | Cinematography by | Jonathan Sela | Editing by | Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer
Lenses | ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Terminator: Dark Fate (2019)
Directed by | Tim Miller | Cinematography by | Ken Seng | Editing by | Julian Clarke
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera
Raiders of the Lost Ark (1981)
Directed by | Steven Spielberg | Cinematography by | Douglas Slocombe | Editing by | Michael Kahn, George Lucas
Interstellar (2014)
Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith
Cameras | Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Forrest Gump (1994) 
Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt
Cameras | Panavision Panaflex Platinum Camera
Mission: Impossible – Dead Reckoning Part One (2023)
Directed by | Christopher McQuarrie | Cinematography by | Fraser Taggart | Editing by | Eddie Hamilton
Lenses | Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses
Ordinary People (1980)
Directed by | Robert Redford | Cinematography by | John Bailey | Editing by | Jeff Kanew
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
Ghost in the Shell (2017)
Directed by | Rupert Sanders | Cinematography by | Jess Hall | Editing by | Billy Rich, Neil Smith
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens
With Byrd at the South Pole (1930)
Cinematography by | Joseph T. Rucker, Willard Van der VeerEditing by | Emanuel Cohen
Cameras | Akeley 35mm Ciné Camera
Shane (1953)
Directed by | George Stevens | Cinematography by | Loyal Griggs | Editing by | William Hornbeck, Tom McAdoo
Cameras | Technicolor 3-Strip Camera
Top Gun: Maverick (2022)
Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Eddie Hamilton
Cameras | Sony CineAlta VENICE Camera
Shanghai Express (1932)
Directed by | Josef von Sternberg | Cinematography by | Lee Garmes, James Wong Howe | Editing by | Frank Sullivan
Annihilation (2018)
Directed by | Alex Garland | Cinematography by | Rob Hardy | Editing by | Barney Pilling
Lenses | Panavision G Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Panatar Anamorphic Lenses
Mission: Impossible – Fallout (2018)
Directed by | Christopher McQuarrie | Cinematography by | Rob Hardy | Editing by | Eddie Hamilton
Cameras | ARRIFLEX 235 Camera, Panavision Millennium DXL Camera, Panavision Panaflex Millennium XL2 Camera, Red Weapon Dragon Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses
Reds (1981)
Directed by | Warren Beatty | Cinematography by | Vittorio Storaro | Editing by | Dede Allen, Craig McKay
Cameras | Technovision Cameras
Lenses | Technovision Lenses
A Farewell to Arms (1932)
Directed by | Frank Borzage | Cinematography by | Charles Lang | Editing by | Otho Lovering, George Nicholls Jr.
Days of Heaven (1978)
Directed by | Terrence Malick | Cinematography by | Néstor Almendros | Editing by | Billy Weber
Cameras | Panavision Panaflex Camera
Lenses | Canon FD 55mm f1.2 AL, Panavision Lenses
Overlord (2018)
Directed by | Julius Avery | Cinematography by | Laurie Rose, Fabian Wagner | Editing by | Matt Evans
Cleopatra (1934)
Directed by | Cecil B. DeMille | Cinematography by | Victor Milner | Editing by | Anne Bauchens
Cameras | Mitchell Standard Camera
Skippy (1931)
