Studios » Lionsgate

Lionsgate | 15 Titles

Rate It

LessUpdatedTitleYear

John Wick: Chapter 4 (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 169 Minutes

Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Nathan Orloff

Starring | Keanu Reeves, Laurence Fishburne, George Georgiou

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses

John Wick: Chapter 3 – Parabellum (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 130 Minutes

Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Evan Schiff

Starring | Keanu Reeves, Halle Berry, Ian McShane

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

John Wick: Chapter 2 (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Evan Schiff

Starring | Keanu Reeves, Riccardo Scamarcio, Ian McShane

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses

Buffalo ’66 (1998)

Motion Picture | 2D | Film Project | Color | 110 Minutes

Directed by | Vincent Gallo | Cinematography by | Lance Acord | Editing by | Curtiss Clayton

Starring | Vincent Gallo, Christina Ricci, Ben Gazzara, Mickey Rourke

Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Zeiss Super Speed Lenses

The Spy Who Dumped Me (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 117 Minutes

Directed by | Susanna Fogel | Cinematography by | Barry Peterson | Editing by | Jonathan Schwartz

Starring | Justin Theroux, Kate McKinnon, Blanka Györfi-Tóth

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Angenieux Lenses, Cooke S4/i Lenses

12 Strong (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 130 Minutes

Directed by | Nicolai Fuglsig | Cinematography by | Rasmus Videbæk | Editing by | Lisa Lassek

Starring | Chris Hemsworth, Michael Shannon, Michael Peña

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, Red Epic Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Weeds (2005)

Television Series | 2D | Color | 1.78:1 (16x9) | 28 Minutes

| Cinematography by | Michael Trim, Steven H. Smith, Bobby Bukowski, Feliks Parnell, Ethan Phillips | Editing by | David Helfand, William Turro, Scott J. Wallace, Lisa Bromwell, Debra F. Simone, Brian Barr, Pamela Martin, Lance Luckey, W. Kale Whorton

Starring | Mary-Louise Parker, Hunter Parrish, Alexander Gould

Cameras | Sony CineAlta F23 Camera

Bombshell (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Jay Roach | Cinematography by | Barry Ackroyd | Editing by | Jon Poll

Starring | Charlize Theron, Nicole Kidman, Margot Robbie

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

A.I. Rising (2018)

Motion Picture | 2D | 3.4K Project | Color | 2.66:1 | 85 Minutes

Directed by | Lazar Bodroza | Cinematography by | Kosta Glusica | Editing by | Milena Z. Petrovic

Starring | Sebastian Cavazza, Stoya, Marusa Majer, Kirsty Besterman

Cameras | ARRI ALEXA XT Plus Camera

Lenses | ARRI Lenses

Semper Fi (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 99 Minutes

Directed by | Henry Alex Rubin | Cinematography by | David Devlin | Editing by | Kevin Tent, Kyle Valenta

Starring | Jai Courtney, Nat Wolff, Finn Wittrock

Cameras | Red Monstro 8K Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Cineovision Lenses, Zeiss Lenses

Disaster Movie (2008)

Motion Picture | Film Project | 1.85:1 | 87 Minutes

Disaster Movie | ShotOnWhat?

Directed by | Jason Friedberg, Aaron Seltzer | Cinematography by | Shawn Maurer | Editing by | Peck Prior

Starring | Carmen Electra, Vanessa Lachey, Nicole Parker, Matt Lanter

Cameras | Moviecam Compact Camera, Moviecam Superlight Camera

Knives Out (2019)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 130 Minutes

Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay

Starring | Daniel Craig, Chris Evans, Ana de Armas

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Panavision Silent Reflex PSR Camera

Lenses | ARRI Rental Prime 65 Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses

Killers Anonymous (2019)

Motion Picture | 2D | UHD Project | Color | 2.39:1 | 95 Minutes

Directed by | Martin Owen | Cinematography by | Håvard Helle | Editing by | Stephen Hedley

Starring | Tommy Flanagan, Rhyon Nicole Brown, MyAnna Buring, Michael Socha

Cameras | Blackmagic Micro Cinema Camera, Red Helium (Weapon) 8K

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Schneider Lenses, Zeiss Jena Lens

Pi (1998)

Motion Picture | 2D | Film Project | Black & White | 1.66:1 | 84 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Oren Sarch

Starring | Sean Gullette, Mark Margolis, Ben Shenkman, Pamela Hart

Cameras | Aaton XTR Prod Camera, Bolex H16 Camera

Lenses | Angenieux Lenses, Canon Lenses

Rock, Paper, Scissors (2017)

Direct to Video | 2D | 3.4K Project | Color | 2.39:1 | 85 Minutes

Directed by | Tom Holland | Cinematography by | Yash Bhatt | Editing by | Ed Marx

Starring | Michael Madsen, Maureen McCormick, Luke Macfarlane, Tatum O'Neal

©2012 - 2025 ShotOnWhat?

20254.20