Focus Features | 10 Titles
Dìdi (2024)
Directed by | Sean Wang | Cinematography by | Sam A. Davis | Editing by | Arielle Zakowski
Cameras | ARRI Alexa 35 Camera
Victoria & Abdul (2017)
Directed by | Stephen Frears | Cinematography by | Danny Cohen | Editing by | Melanie Oliver
Cameras | ARRI ALEXA Camera, Red Epic Dragon Camera
Lenses | Angenieux Lenses, Zeiss Master Prime Lenses
Darkest Hour (2017)
Directed by | Joe Wright | Cinematography by | Bruno Delbonnel | Editing by | Valerio Bonelli
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera
Lenses | Angenieux Lenses, Cooke S4/i Lenses
Boy Erased (2018)
Directed by | Joel Edgerton | Cinematography by | Eduard Grau | Editing by | Jay Rabinowitz
Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera
Lenses | Zeiss Super Speed Lenses
The Sisters Brothers (2018)
Directed by | Jacques Audiard | Cinematography by | Benoît Debie | Editing by | Juliette Welfling
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses | Hawk C-Series Lenses, Hawk V-Series Lenses
Tár (2022)
Directed by | Todd Field | Cinematography by | Florian Hoffmeister | Editing by | Monika Willi
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera
Lenses | ARRI Signature Prime Lenses
BlacKkKlansman (2018)
Directed by | Spike Lee | Cinematography by | Chayse Irvin | Editing by | Barry Alexander Brown
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses
Promising Young Woman (2020)
Directed by | Emerald Fennell | Cinematography by | Benjamin Kracun | Editing by | Frédéric Thoraval
Cameras | ARRI ALEXA Mini Camera
The Book of Henry (2017)
Directed by | Colin Trevorrow | Cinematography by | John Schwartzman | Editing by | Kevin Stitt
Lenses | Panavision Lenses
Mary Queen of Scots (2018)
