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Focus Features | 5 Titles

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Tár (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 158 Minutes

Directed by | Todd Field | Cinematography by | Florian Hoffmeister | Editing by | Monika Willi

Starring | Cate Blanchett, Noémie Merlant, Nina Hoss

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

BlacKkKlansman (2018)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 135 Minutes

Directed by | Spike Lee | Cinematography by | Chayse Irvin | Editing by | Barry Alexander Brown

Starring | John David Washington, Adam Driver, Laura Harrier

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses

Promising Young Woman (2020)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 113 Minutes

Directed by | Emerald Fennell | Cinematography by | Benjamin Kracun | Editing by | Frédéric Thoraval

Starring | Carey Mulligan, Bo Burnham, Alison Brie, Clancy Brown

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision G Series Anamorphic Lenses

The Book of Henry (2017)

Motion Picture | 2D | Film Project | Color | 1.85:1, 2.0:1 | 105 Minutes

Directed by | Colin Trevorrow | Cinematography by | John Schwartzman | Editing by | Kevin Stitt

Starring | Naomi Watts, Jaeden Martell, Jacob Tremblay, Sarah Silverman

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Lenses

Mary Queen of Scots (2018)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Josie Rourke | Cinematography by | John Mathieson | Editing by | Chris Dickens

Starring | Saoirse Ronan, Margot Robbie, Jack Lowden, Joe Alwyn

Cameras | Panavision Millennium DXL Camera, Red Epic Helium Camera

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