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Stereo | 262 Titles

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The Gruffalo (2009)

Short Film | 2D | Color | 1.33:1 (4x3) | 27 Minutes

Directed by | Max Lang, Jakob Schuh | Cinematography by | Ulli Hadding, Hubert Märkl | Editing by | Robin Sales

Starring | Helena Bonham Carter, James Corden, Tom Wilkinson, John Hurt

Living After Midnight (2016)

Motion Picture | 2D | HD Project | Color | 2.39:1 | 64 Minutes

Directed by | Tyler W. Moore | Cinematography by | Izzy Dulay | Editing by | Tyler W. Moore

Starring | David Wayne Young, Miranda S. Nation, Matthew J. Lindblom, Tyler W. Moore

Cameras | Canon EOS Rebel T3i camera, GoPro HD Hero3 Camera, Sony NEX-FS700 Camera

Lenses | Canon EF Series Lenses, Sony Lenses

Capturing the Friedmans (2003)

Documentary | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Andrew Jarecki | Cinematography by | Adolfo Doring | Editing by | Richard Hankin

Starring | Arnold Friedman, Jesse Friedman, David Friedman, Elaine Friedman

Balseros (2002)

Documentary | 2D | Color | 1.66:1 | 120 Minutes

Directed by | Carles Bosch, Josep Maria Domènech | Cinematography by | Josep Maria Domènech | Editing by | Ernest Blasi

Starring | Guillermo Armas, Maria Celeste Arraras, Rafael Cano, Fidel Castro

Kickstart Theft (2012)

Short Film | 2D | 4K Project | Color | 2.39:1 | 7 Minutes

Directed by | Fred Goodich | Cinematography by | Vilmos Zsigmond | Editing by | Gib Jaffe

Starring | Kimani Shillingford, Samuel Caruana, Mickaëlle X. Bizet, Frankie Ray

Cameras | Sony CineAlta F65 Camera

Lenses | Canon CN-E 30-105 mm T2.8 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens

Spellbound (2002)

Documentary | 2D | Color | 1.33:1 (4x3) | 97 Minutes

Directed by | Jeffrey Blitz | Editing by | Yana Gorskaya

Starring | Angela Arenivar, Ubaldo Arenivar, Jorge Arenivar, Scott McGarraugh

Zus & zo (2001)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Paula van der Oest | Cinematography by | Bert Pot | Editing by | Sander Vos

Starring | Sylvia Poorta, Anneke Blok, Monic Hendrickx, Jacob Derwig

Murder on a Sunday Morning (2001)

Documentary | 2D | Color | 1.85:1 | 111 Minutes

Directed by | Jean-Xavier de Lestrade | Cinematography by | Isabelle Razavet | Editing by | Ragnar Van Leyden, Pascal Vernier

Starring | Ann Finnell, Patrick McGuinness, James Williams, Michael Glover

The Warriors of Qiugang (2010)

Documentary | 2D | Color | 39 Minutes

Directed by | Ruby Yang | Cinematography by | Xin Guan | Editing by | Ruby Yang

Starring | Wang Yongcui, Gongli Zhang

Timbuktu (2014)

Motion Picture | 2D | Color | 2.35:1 | 97 Minutes

Directed by | Abderrahmane Sissako | Cinematography by | Sofian El Fani | Editing by | Nadia Ben Rachid

Starring | Ibrahim Ahmed, Abel Jafri, Toulou Kiki, Layla Walet Mohamed

Cameras | ARRI ALEXA Plus Camera

Lenses | Cooke S4 Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses

The Apostate: Call of the Revenant (2015)

Direct to Video | 2D | Color | 1.78:1 (16x9), 2.40:1 | 82 Minutes

Directed by | Andy Dodd | Cinematography by | Andy Dodd, Catherine Kerr-Phillips | Editing by | Andy Dodd

Starring | James Bryhan, Terri Dwyer, Anthony Webster, Bob Sanderson

Cameras | Panasonic Lumix DMC-GH2 Camera

Lenses | Zeiss DigiZoom Vario-Sonnar 17–112 mm T1.9 Lens

Pretty Little Liars (2010)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Larry Reibman, Dana Gonzales, Buzz Feitshans IV, Craig Fikse, Robert LaBonge, Geoffrey Haley | Editing by | Robert Lattanzio, Lois Blumenthal, Melissa Gearhart, Susanne Malles, Jill D'Agnenica, Michael S. Murphy, Kaja Fehr, Jacqueline Cambas

Starring | Troian Bellisario, Ashley Benson, Lucy Hale, Shay Mitchell

Cameras | Red One MX Camera, Red Scarlet Camera

Lenses | Cooke S4/i Prime 300mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens

Survivors (2008)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Alan Almond, Graham Frake, Nigel Willoughby, Fabian Wagner, Tony Miller, Adam Suschitzky | Editing by | David Rees, David Barrett, Steve Singleton, Tim Marchant, Beverley Mills, Roy Sharman

Starring | Julie Graham, Max Beesley, Paterson Joseph, Zoë Tapper

Cameras | ARRIFLEX Camera, ARRIFLEX D-21 Camera

Lenses | ARRI Lenses

Animal Practice (2012)

Television Series | 2D | Color | 22 Minutes

| Cinematography by | Anghel Decca, Giovani Lampassi | Editing by | Ruthie Aslan, Jeff Hall, Peter B. Ellis

Starring | Justin Kirk, JoAnna Garcia Swisher, Bobby Lee, Kym Whitley

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses

The Bridge on the River Kwai (1957)

Motion Picture | 2D | Color | 1.37:1, 2.35:1, 2.55:1 | 161 Minutes

Directed by | David Lean | Cinematography by | Jack Hildyard | Editing by | Peter Taylor

Starring | William Holden, Alec Guinness, Jack Hawkins, Sessue Hayakawa

Lenses | Bausch & Lomb Lenses

Kvadrat (2013)

Documentary | 2D | Color | 1.78:1 (16x9), 1.85:1 | 107 Minutes

Directed by | Anatoly K. Ivanov | Cinematography by | Anatoly K. Ivanov | Editing by | Anatoly K. Ivanov

Cameras | Canon EOS-1D Mark IV Camera

Lenses | Canon EF 24-105 mm f4.0 L IS Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon EF Series Lenses

Primer (2004)

Motion Picture | 2D | Color | 1.85:1 | 77 Minutes

Directed by | Shane Carruth | Cinematography by | Troy Dick | Editing by | Shane Carruth

Starring | Shane Carruth, David Sullivan, Casey Gooden, Anand Upadhyaya

Cameras | ARRIFLEX 16SR Camera

The Returned (2012)

Television Series | 2D | Color | 1.78:1 (16x9) | 52 Minutes

| Cinematography by | Patrick Blossier | Editing by | Bertrand Nail, Peggy Koretzky, Laurence Bawedin, Mike Fromentin, Gwen Mallauran

Starring | Anne Consigny, Clotilde Hesme, Frédéric Pierrot, Céline Sallette

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Nashville (2012)

Television Series | 2D | Color | 1.78:1 (16x9) | 43 Minutes

| Cinematography by | Michael Lohmann, Ross Berryman, Shawn Maurer, Tim Sutherland, Rob Sweeney, Rodney Charters | Editing by | Farrel Levy, Lizzy Calhoun, Larry McGinley, Jamin Bricker, Garret Price, Glenn Farr, J. Kathleen Gibson, Michael Hathaway, Keith Henderson

Starring | Hayden Panettiere, Clare Bowen, Charles Esten, Jonathan Jackson

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens

Chicago Fire (2012)

Television Series | 2D | Color | 1.78:1 (16x9) | 43 Minutes

| Cinematography by | Lisa Wiegand, Jayson Crothers, William R. Nielsen Jr., Marc Ritzema, Anthony J. Lullo | Editing by | Megan D'Arco, Micky Blythe, Oscar Rene Lozoya II, Adam Stilestein, Etienne Des Lauriers, Jeff Cenkner, Michael Schweitzer, Rick Tuber, Billy Fox, John David Buxton

Starring | Jesse Spencer, Taylor Kinney, Yuri Sardarov, Christian Stolte

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Cooke S4 Lenses

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