Stereo | 193 Titles
Dr. Horrible’s Sing-Along Blog (2008)
Country | USA
Type | Miniseries, Web Series
Running Time | 42 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Ryan Green | Editing by | Lisa Lassekmodified:
Angel (1999)
Country | USA
Type | Television Series
Running Time | 44 Minutes
Aspect Ratio | 1.33:1 (4x3), 1.78:1 (16x9)
| Cinematography by | Ross Berryman, Herbert Davis | Editing by | Mark Goldman, Mark S. Westmore, Michael Stern, George Pilkinton, Casey O. Rohrs, Regis Kimble, Frederick Wardell, Ben Wegner
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Lenses
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Steen’s Revenge – Volume 1 (2012)
Country | Canada
Type | Motion Picture
Running Time | 27 Minutes
Aspect Ratio | 2.40:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Michael Naulls | Cinematography by | Michael Naulls | Editing by | Michael Naulls
Cameras | Canon EOS 550D Camera
Lenses | Canon Lenses
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The Moment After (1999)
Country | USA
Type | Motion Picture
Running Time | 89 Minutes
Directed by | Wes Llewellyn | Cinematography by | Philip Hurn | Editing by | Wes Llewellyn
Cameras | Aaton Cameras
Lenses | Cooke Lenses
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Hickory Never Bleeds (2012)
Country | USA
Type | Motion Picture
Running Time | 81 Minutes
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Frank Ladner | Cinematography by | Frank Ladner | Editing by | Frank Ladner
Cameras | Bauer C1 Super 8 Camera, Canon EOS-7D Camera
Lenses | Asahi Pentax Super Takumar 50 mm f1.4 Lens, Canon EF 85 mm f1.4 Lens, Sigma 17-50mm f2.8 EX DC OS HSM Lens, Sigma 30mm f1.4 EX DC HSM Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens
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Urchin (2007)
Country | USA
Type | Motion Picture
Running Time | 105 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | John Harlacher | Cinematography by | Luke Leonard | Editing by | Dave Buchwald
Cameras | Panasonic AG-DVX100 Camera
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Love Simple (2009)
Country | USA
Type | Motion Picture
Running Time | 85 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1280x720 - (1.78:1) Capture Resolution
Directed by | Mark von Sternberg | Cinematography by | Lance Kaplan | Editing by | Dave Buchwald
Cameras | Panasonic AG-HVX200 Camera, Panasonic Cameras
Lenses | Canon Lenses
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Desperate Housewives (2004)
Country | USA
Type | Television Series
Running Time | 45 Minutes
Aspect Ratio | 1.33:1 (4x3), 1.78:1 (16x9)
| Cinematography by | Lowell Peterson, David J. Miller, Richard M. Rawlings Jr., Eric Van Haren Noman, Walt Fraser, Michael Negrin, David Franco, Kenneth Zunder | Editing by | Jonathan Posell, Andrew Doerfer, Karen Castañeda, Nancy Morrison, Brent White, Troy Takaki, Kaja Fehr, Michael Berenbaum, William Marrinson
Cameras | ARRI ALEXA Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
modified:
In Flagrante (2000)
Country | USA
Type | Motion Picture
Running Time | 71 Minutes
Aspect Ratio | 1.37:1
Directed by | Tom Chamberlain | Editing by | Mat Hames, Robert Robinson, J. Kevin Smith
Cameras | Cinema Products CP-16 Camera
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Lawson: White Heat (2009)
Country | USA
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 1.33:1 (4x3)
Directed by | Barry Delehanty, John Koziol | Cinematography by | John Koziol | Editing by | Barry Delehanty
Cameras | Panasonic AG-DVX100 Camera
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Direct to Your Door (2010)
Country | USA
Type | Motion Picture
Running Time | 4 Minutes
Aspect Ratio | 2.35:1
Directed by | Eddie Deirmenjian | Cinematography by | Mark R. Johnson | Editing by | Jonathan Suhadolnik
Cameras | Panasonic AG-HVX200 Camera
modified:
The Last Magic Show (2007)
Country | New Zealand
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 1.85:1
Directed by | Andy Conlan | Cinematography by | Duncan Cole | Editing by | Ahab Blin
Cameras | Aaton Cameras, Panasonic AJ-SDX900 Camera
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The Beast of Bray Road (2005)
Country | USA
Type | Motion Picture
Running Time | 80 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | Leigh Scott | Cinematography by | Steven Parker | Editing by | Leigh Scott
Cameras | ARRI Cameras
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100,000 (2010)
Country | Puerto Rico
Type | Motion Picture
Running Time | 54 Minutes
Starring |
Directed by | Juan Agustin Marquez | Cinematography by | Gerardo Rodriguez | Editing by | Juan Agustin Marquez, Gerardo Rodriguez
Cameras | Canon EOS-5D Mark II Camera
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Johnny Dangerously (1984)
Country | USA
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 1.85:1
Directed by | Amy Heckerling | Cinematography by | David M. Walsh | Editing by | Pembroke J. Herring
Cameras | Panavision Cameras
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The Bannen Way (2010)
Country | USA
Type | Motion Picture
Running Time | 93 Minutes
Aspect Ratio | 2.35:1
Directed by | Jesse Warren | Cinematography by | Roger Chingirian | Editing by | Zack Arnold
Cameras | Red One Camera
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Tex (1982)
Country | USA
Type | Motion Picture
Running Time | 103 Minutes
Aspect Ratio | 1.85:1
Directed by | Tim Hunter | Cinematography by | Ric Waite | Editing by | Howard E. Smith
Cameras | Panavision Cameras
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The Mouse (1996)
Country | USA
Type | Motion Picture
Running Time | 98 Minutes
Directed by | Daniel Adams | Cinematography by | Denise Brassard | Editing by | Victoria Street
Cameras | Panavision Cameras
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Divergence (2007)
Country | USA
Type | Motion Picture
Running Time | 114 Minutes
Aspect Ratio | 1.85:1
Directed by | Patrick J. Donnelly | Cinematography by | Patrick J. Donnelly | Editing by | Patrick J. Donnelly, Robert Mead
Cameras | ARRI Cameras
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Thule (2011)
Country | USA
Type | Motion Picture
Running Time | 27 Minutes
Aspect Ratio | 2.40:1
Directed by | Robert Scott Wildes | Cinematography by | Timothy Nuttall | Editing by | Simon Carmody
Cameras | Panavision Cameras
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