Mono | 484 Titles
The 39 Steps (1935)
Directed by | Alfred Hitchcock | Cinematography by | Bernard Knowles | Editing by | Derek N. Twist
Cameras | Mitchell BNC Camera
Strangers on a Train (1951)
The Terminator (1984)
Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Mark Goldblatt
Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses | Zeiss Super Speed Lenses
1941 (1979)
Directed by | Steven Spielberg | Cinematography by | William A. Fraker | Editing by | Michael Kahn
Cameras | Panavision Panaflex Series Cameras
Jaws (1975)
Directed by | Steven Spielberg | Cinematography by | Bill Butler | Editing by | Verna Fields
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera
The Sugarland Express (1974)
Directed by | Steven Spielberg | Cinematography by | Vilmos Zsigmond | Editing by | Edward M. Abroms, Verna Fields
The Good, the Bad and the Ugly (1966)
Directed by | Sergio Leone | Cinematography by | Tonino Delli Colli | Editing by | Eugenio Alabiso, Nino Baragli
Cameras | ARRIFLEX 35 IIC Camera, Mitchell BNC Camera
I Love Lucy (1951)
| Cinematography by | Karl Freund, Sidney Hickox, Robert De Grasse | Editing by | Bud Molin, Dann Cahn
Cameras | Mitchell BNC Camera
Touch of Evil (1958)
Directed by | Orson Welles | Cinematography by | Russell Metty | Editing by | Walter Murch, Aaron Stell, Virgil W. Vogel, Edward Curtiss
Cameras | Mitchell BNC Camera, Mitchell NC Camera
Filming ‘Othello’ (1978)
Othello (1951)
Directed by | Orson Welles | Cinematography by | G.R. Aldo, Anchise Brizzi, George Fanto, Alberto Fusi, Oberdan Troiani | Editing by | Jenö Csepreghy, Renzo Lucidi, William Morton, Jean Sacha
Citizen Kane (1941)
Directed by | Orson Welles | Cinematography by | Gregg Toland | Editing by | Robert Wise
Cameras | Mitchell BNC Camera
Lenses | Cooke Speed Panchro Lenses
The Trial (1962)
Directed by | Orson Welles | Cinematography by | Edmond Richard | Editing by | Yvonne Martin, Frederick Muller, Orson Welles
Confidential Report (1955)
Directed by | Orson Welles | Cinematography by | Jean Bourgoin | Editing by | Renzo Lucidi, William Morton, Orson Welles
F for Fake (1973)
Directed by | Orson Welles, Gary Graver, Oja Kodar, François Reichenbach | Cinematography by | François Reichenbach | Editing by | Marie-Sophie Dubus, Dominique Engerer, Orson Welles
Cameras | Éclair NPR Camera
Lenses | Angenieux Lenses
The Immortal Story (1968)
Directed by | Orson Welles | Cinematography by | Willy Kurant | Editing by | Claude Farny, Françoise Garnault, Yolande Maurette, Marcelle Pluet
Macbeth (1948)
Following (1998)
Directed by | Christopher Nolan | Cinematography by | Christopher Nolan | Editing by | Gareth Heal, Christopher Nolan
Cameras | ARRIFLEX 16BL Camera
The Magnificent Ambersons (1942)
Directed by | Orson Welles, Fred Fleck, Robert Wise | Cinematography by | Stanley Cortez, Jack MacKenzie, Orson Welles | Editing by | Robert Wise, Jack Moss, Mark Robson
Cameras | Mitchell Cameras
Chimes at Midnight (1965)
Directed by | Orson Welles | Cinematography by | Edmond Richard | Editing by | Elena Jaumandreu, Frederick Muller, Peter Parasheles
Cameras | ARRIFLEX Camera
