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From Russia with Love (1963)

Motion Picture | 2D | Film Project | Color | 1.66:1 | 115 Minutes

Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Peter R. Hunt

Starring | Sean Connery, Robert Shaw, Lotte Lenya

Cameras | Mitchell BNC Camera

Goldfinger (1964)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 110 Minutes

Directed by | Guy Hamilton | Cinematography by | Ted Moore | Editing by | Peter R. Hunt

Starring | Sean Connery, Gert Fröbe, Honor Blackman

Cameras | Mitchell BNC Camera

Thunderball (1965)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 130 Minutes

Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Ernest Hosler

Starring | Sean Connery, Claudine Auger, Adolfo Celi

Cameras | ARRIFLEX 35 IIA Camera, Mitchell BNC Camera

Lenses | Panavision B Series Anamorphic Lenses

You Only Live Twice (1967)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 117 Minutes

Directed by | Lewis Gilbert | Cinematography by | Freddie Young | Editing by | Thelma Connell

Starring | Sean Connery, Akiko Wakabayashi, Mie Hama

Cameras | Mitchell BNC Camera

Lenses | Panavision C Series Anamorphic Lenses

The Man with the Golden Gun (1974)

Motion Picture | 2D | Film Project | Color | 1.66:1, 1.85:1 | 125 Minutes

Directed by | Guy Hamilton | Cinematography by | Ted Moore, Oswald Morris | Editing by | Raymond Poulton, John Shirley

Starring | Roger Moore, Christopher Lee, Britt Ekland, Maud Adams

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex Camera, Panavision Super PSR R-200

Lenses | Panavision Super Speed Lenses

The Spy Who Loved Me (1977)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 125 Minutes

Directed by | Lewis Gilbert | Cinematography by | Claude Renoir | Editing by | John Glen

Starring | Roger Moore, Barbara Bach, Curd Jürgens

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses

Diamonds Are Forever (1971)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 120 Minutes

Directed by | Guy Hamilton | Cinematography by | Ted Moore | Editing by | Bert Bates, John W. Holmes

Starring | Sean Connery, Jill St. John, Charles Gray, Lana Wood

Cameras | ARRIFLEX 35 IIA Camera, Panavision Super PSR R-200

Lenses | Panavision C Series Anamorphic Lenses, Panavision Lenses

Casino Royale (1967)

Motion Picture | 2D | Film Project | Black & White, Color | 2.35:1 | 131 Minutes

Directed by | Val Guest, Ken Hughes, John Huston, Joseph McGrath, Robert Parrish, Richard Talmadge | Cinematography by | Jack Hildyard | Editing by | Bill Lenny

Starring | David Niven, Peter Sellers, Ursula Andress, Orson Welles

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Dr. No (1962)

Motion Picture | 2D | Film Project | Color | 1.66:1, 1.85:1 | 110 Minutes

Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Peter R. Hunt

Starring | Sean Connery, Ursula Andress, Bernard Lee, Joseph Wiseman

Cameras | Mitchell BNC Camera

Blood and Sand (1941)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 125 Minutes

Directed by | Rouben Mamoulian | Cinematography by | Ernest Palmer, Ray Rennahan | Editing by | Robert Bischoff

Starring | Tyrone Power, Linda Darnell, Rita Hayworth

Cameras | Technicolor 3-Strip Camera

Joan of Arc (1948)

Motion Picture | 2D | Film Project | Color | 1.37:1, 1.85:1 | 145 Minutes

Directed by | Victor Fleming | Cinematography by | Winton C. Hoch, William V. Skall, Joseph A. Valentine | Editing by | Frank Sullivan

Starring | Ingrid Bergman, José Ferrer, Selena Royle

Cameras | Technicolor 3-Strip Camera

Shane (1953)

Motion Picture | 2D | Film Project | Color | 1.37:1, 1.66:1 | 118 Minutes

Directed by | George Stevens | Cinematography by | Loyal Griggs | Editing by | William Hornbeck, Tom McAdoo

Starring | Alan Ladd, Jean Arthur, Van Heflin

Cameras | Technicolor 3-Strip Camera

Shanghai Express (1932)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 82 Minutes

Directed by | Josef von Sternberg | Cinematography by | Lee Garmes, James Wong Howe | Editing by | Frank Sullivan

Starring | Marlene Dietrich, Clive Brook, Anna May Wong

Bad Girl (1931)

Motion Picture | 2D | Film Project | Black & White | 90 Minutes

Directed by | Frank Borzage | Cinematography by | Chester A. Lyons | Editing by | Margaret Clancey

Starring | James Dunn, Sally Eilers, Minna Gombell

Star Wars: Episode IV – A New Hope (1977)

Motion Picture | 2D | Film Project | Color | 1.33:1 (4x3), 2.20:1, 2.39:1, 2.64:1 | 121 Minutes

Directed by | George Lucas | Cinematography by | Gilbert Taylor | Editing by | Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas

Starring | Mark Hamill, Harrison Ford, Carrie Fisher, Alec Guinness

Cameras | ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200

Lenses | Panavision C Series Anamorphic Lenses

King Solomon’s Mines (1950)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 103 Minutes

Directed by | Compton Bennett, Andrew Marton | Cinematography by | Robert Surtees | Editing by | Conrad A. Nervig, Ralph E. Winters

Starring | Deborah Kerr, Stewart Granger, Richard Carlson

Cameras | Technicolor 3-Strip Camera

Ryan’s Daughter (1970)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 206 Minutes

Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage

Starring | Robert Mitchum, Trevor Howard, John Mills, Christopher Jones

Cameras | Super Panavision-70 Camera

Lenses | Panavision Lenses

Fiddler on the Roof (1971)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 181 Minutes

Directed by | Norman Jewison | Cinematography by | Oswald Morris | Editing by | Antony Gibbs, Robert Lawrence

Starring | Topol, Norma Crane, Leonard Frey, Molly Picon

Cameras | Panavision Silent Reflex PSR Camera

Lenses | Panavision C Series Anamorphic Lenses

The Wizard of Oz (1939)

Motion Picture | 2D, 3D | Film Project | Black & White, Color | 1.37:1 | 102 Minutes

Directed by | Victor Fleming, George Cukor, Mervyn LeRoy, Norman Taurog, Richard Thorpe, King Vidor | Cinematography by | Harold Rosson | Editing by | Blanche Sewell

Starring | Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr

Cameras | Bell & Howell 2709 Camera, Technicolor 3-Strip Camera

Wilson (1944)

Motion Picture | 2D | Film Project | Black & White, Color | 1.37:1 | 154 Minutes

Directed by | Henry King | Cinematography by | Leon Shamroy, Ernest Palmer | Editing by | Barbara McLean

Starring | Alexander Knox, Charles Coburn, Geraldine Fitzgerald

Cameras | Technicolor 3-Strip Camera

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