 | Directed by | Darren Aronofsky Cinematography by ~ Matthew Libatique Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk 150-450 mm T2.8 Lens, Zeiss Ultra Prime Lenses |
Search Results: Alexa | 1848 Titles
Noah (2014)
Scary Movie 5 (2013)
 | Directed by | Malcolm D. Lee, David Zucker Cinematography by ~ Steven Douglas Smith Cameras | ARRI ALEXA Camera |
Captain Phillips (2013)
Escape Plan (2013)
 | Directed by | Mikael Håfström Cinematography by ~ Brendan Galvin Cameras | ARRI ALEXA Camera Lenses | Panavision Primo Primes Spherical Lenses |
The Chicago Code (2011)
 | Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses |
Seventh Son (2014)
 | Directed by | Sergei Bodrov Cinematography by ~ Newton Thomas Sigel Cameras | ARRI ALEXA Camera |
Homefront (2013)
 | Directed by | Gary Fleder Cinematography by ~ Theo van de Sande Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses |
The Broken Circle Breakdown (2012)
 | Directed by | Felix van Groeningen Cinematography by ~ Ruben Impens Cameras | ARRI ALEXA Camera |
The Sweeney (2012)
 | Directed by | Nick Love Cinematography by ~ Simon Dennis Cameras | ARRI ALEXA Camera, Red One MX Camera |
Godzilla (2014)
 | Directed by | Gareth Edwards Cinematography by ~ Seamus McGarvey Cameras | ARRI ALEXA Plus Camera, Phantom Flex Camera Lenses | Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses |
The Conjuring (2013)
 | Directed by | James Wan Cinematography by ~ John R. Leonetti Cameras | ARRI ALEXA Camera Lenses | Leitz Summilux-C Series Lenses |
Only God Forgives (2013)
 | Directed by | Nicolas Winding Refn Cinematography by ~ Larry Smith Cameras | ARRI ALEXA Camera, Red Epic Camera Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses |
The Colony (2013)
 | Directed by | Jeff Renfroe Cinematography by ~ Pierre Gill Cameras | ARRI ALEXA Camera Lenses | Panavision Primo Anamorphic Lenses |
The Way Way Back (2013)
 | Directed by | Nat Faxon, Jim Rash Cinematography by ~ John Bailey Cameras | ARRI ALEXA Camera Lenses | Panavision Primo Primes Spherical Lenses |
The Purge (2013)
 | Directed by | James DeMonaco Cinematography by ~ Jacques Jouffret Cameras | ARRI ALEXA Plus Camera |
The Internship (2013)
 | Directed by | Shawn Levy Cinematography by ~ Jonathan Brown Cameras | ARRI ALEXA Plus Camera |
Jobs (2013)
 | Directed by | Joshua Michael Stern Cinematography by ~ Russell Carpenter Cameras | ARRI ALEXA Camera Lenses | Zeiss Ultra Prime Lenses |
