 | Directed by | Scott Stewart Cinematography by ~ David Boyd Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses |
Search Results: Alexa | 1848 Titles
Dark Skies (2013)
The Last Exorcism Part II (2013)
 | Directed by | Ed Gass-Donnelly Cinematography by ~ Brendan Steacy Cameras | ARRI ALEXA Camera |
21 & Over (2013)
 | Directed by | Jon Lucas, Scott Moore Cinematography by ~ Terry Stacey Cameras | ARRI ALEXA Camera Lenses | Cooke S4 Lenses |
Jack the Giant Slayer (2013)
 | Directed by | Bryan Singer Cinematography by ~ Newton Thomas Sigel Cameras | ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera Lenses | Panavision Primo Primes Spherical Lenses |
The Host (2013)
 | Directed by | Andrew Niccol Cinematography by ~ Roberto Schaefer Cameras | ARRI ALEXA Camera |
The Loft (2014)
 | Directed by | Erik Van Looy Cinematography by ~ Nicolas Karakatsanis Cameras | ARRI ALEXA Plus Camera Lenses | Zeiss Master Prime Lenses |
Carrie (2013)
 | Directed by | Kimberly Peirce Cinematography by ~ Steve Yedlin Cameras | ARRI ALEXA Camera |
Dead Man Down (2013)
 | Directed by | Niels Arden Oplev Cinematography by ~ Paul Cameron Cameras | ARRI ALEXA Plus Camera Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Hawk 150-450 mm T2.8 Lens |
Riddick (2013)
 | Directed by | David Twohy Cinematography by ~ David Eggby Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses |
Äkta människor (2012)
 | Cameras | ARRI ALEXA Camera Lenses | Zeiss Master Prime Lenses |
Amstel (2012)
 | Directed by | Jaap van Eyck Cinematography by ~ Dirk-Jan Kerkkamp Cameras | ARRI ALEXA Camera Lenses | Cooke Speed Panchro Lenses |
Elementary (2012)
 | Cameras | ARRI ALEXA Camera Lenses | ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses |
The Call (2013)
 | Directed by | Brad Anderson Cinematography by ~ Thomas Yatsko Cameras | ARRI ALEXA Camera, Phantom Flex Camera Lenses | Angenieux Optimo Zoom Lenses |
New Girl (2011)
 | Cameras | ARRI ALEXA Camera Lenses | Panavision Primo Classic Spherical Lenses |
Body of Proof (2011)
 | Cameras | ARRI ALEXA Camera Lenses | Panavision Primo Classic Spherical Lenses |
White House Down (2013)
 | Directed by | Roland Emmerich Cinematography by ~ Anna Foerster Cameras | ARRI ALEXA Plus Camera, Sony CineAlta F65 Camera Lenses | ARRI / Zeiss Lenses, Fujinon Premier Lenses, Zeiss Lenses |
The Lego Movie (2014)
 | Directed by | Phil Lord, Christopher Miller Cinematography by ~ Pablo Plaisted, Barry Peterson Cameras | ARRI ALEXA Series Cameras |
The Hangover Part III (2013)
 | Directed by | Todd Phillips Cinematography by ~ Lawrence Sher Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera Lenses | Panavision Primo Primes Spherical Lenses |
