 | Directed by | Sam Mendes Cinematography by ~ Roger Deakins Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses |
Search Results: Alexa | 1848 Titles
Skyfall (2012)
Celeste & Jesse Forever (2012)
 | Directed by | Lee Toland Krieger Cinematography by ~ David Lanzenberg Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses |
Styria (2014)
 | Directed by | Mauricio Chernovetzky, Mark Devendorf Cinematography by ~ Grzegorz Bartoszewicz Cameras | ARRI ALEXA Camera |
Jack and Jill (2011)
 | Directed by | Dennis Dugan Cinematography by ~ Dean Cundey Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses |
Desperate Housewives (2004)
Altergeist (2014)
Chasing Mavericks (2012)
 | Directed by | Michael Apted, Curtis Hanson Cinematography by ~ Bill Pope Cameras | ARRI ALEXA Camera, Red Epic Camera |
Lies I Told My Little Sister (2014)
 | Directed by | William J. Stribling Cinematography by ~ Alex Gallitano Cameras | ARRI ALEXA Camera, ARRIFLEX 16S Camera, Red Scarlet Camera Lenses | Zeiss Ultra Prime Lenses |
Hyde Park on Hudson (2012)
 | Directed by | Roger Michell Cinematography by ~ Lol Crawley Cameras | ARRI ALEXA Camera, ARRIFLEX 435 ES Camera, Silicon Imaging SI-2K Camera Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Cooke S4 Lenses |
Kon-Tiki (2012)
 | Directed by | Joachim Rønning, Espen Sandberg Cinematography by ~ Geir Hartly Andreassen Cameras | ARRI ALEXA Plus Camera, Red One MX Camera, Sony NEX-FS100 Camera Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses |
Mama (2013)
 | Directed by | Andy Muschietti Cinematography by ~ Antonio Riestra Cameras | ARRI ALEXA Camera Lenses | Cooke S4 Lenses |
The Last Stand (2013)
 | Directed by | Jee-woon Kim Cinematography by ~ Ji-yong Kim Cameras | ARRI ALEXA Plus Camera Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses |
Blue Caprice (2013)
 | Directed by | Alexandre Moors Cinematography by ~ Brian O'Carroll Cameras | ARRI ALEXA Plus Camera Lenses | Zeiss Ultra Prime Lenses |
The Truth About Emanuel (2013)
 | Directed by | Francesca Gregorini Cinematography by ~ Polly Morgan Cameras | ARRI ALEXA Camera |
Hell Baby (2013)
 | Directed by | Robert Ben Garant, Thomas Lennon Cinematography by ~ Charles Papert Cameras | ARRI ALEXA Camera |
Il Futuro (2013)
 | Directed by | Alicia Scherson Cinematography by ~ Ricardo DeAngelis Cameras | ARRI ALEXA Camera Lenses | Zeiss Lenses |
In Fear (2013)
 | Directed by | Jeremy Lovering Cinematography by ~ David Katznelson Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro (Woodman Labs) Cameras |
I Used to Be Darker (2013)
 | Directed by | Matthew Porterfield Cinematography by ~ Jeremy Saulnier Cameras | ARRI ALEXA Camera |
The Lifeguard (2013)
 | Directed by | Liz W. Garcia Cinematography by ~ John Peters Cameras | ARRI ALEXA Camera |
